Alexandru Tatos

Three sequences which could have formed separate stories are linked together to give a larger perspective on the nature of reality and film. The three episodes are joined together by one film crew at work. In the beginning, the crew is introduced as they juggle their dual roles as State-supported propagandists who laud their government and society, and as private movie makers working on their own film. Next, they are in a restaurant looking for suitable locations to film when the eatery’s owner is induced to wax long and lugubriously on his miserable life. In the last segment, two extras are in the background of a scene, sitting at a table in a restaurant. It slowly becomes apparent to one of them that the man he’s sitting with tortured him more than 40 years ago at a Nazi concentration camp during World War II.

In the communist Romania of Nicolae Ceausescu, a young Romanian woman marries a German citizen just to leave the country.

In the communist Romania of Nicolae Ceausescu, a young Romanian woman marries a German citizen just to leave the country.

In Alexandru Tatos’s debut film, a young urologist is assigned to a town hospital with no urology ward and keeps bumping up against his superiors because of both ethical and medical problems.

In a farmers’ cooperative in a village on the plains, the cooperative’s president rules with an iron fist, ably assisted by his sycophantic henchmen. However, there is one couple — an agricultural engineer and his wife — who refuse to compromise and, as a result, must be silenced.

A breakdown occurs in a factory on the banks of the Danube and a ministerial team begins an investigation. Alexandru Nedelcu is the inspector who came to investigate and has the complicated mission of finding the truth.

The events of august 1944 when King Michael I of Romania overthrew the fascist regime

In this allegorical fairy-tale, peaceful and warlike knights vie for the hand of a beautiful princess, while a discussion of disco goes on around them. She favors a peaceful knight, while her father and his advisors like the ones carrying around a lot of weapons.

In this allegorical fairy-tale, peaceful and warlike knights vie for the hand of a beautiful princess, while a discussion of disco goes on around them. She favors a peaceful knight, while her father and his advisors like the ones carrying around a lot of weapons.

A border town on the Danube, 1944. The town is occupied by the Germans, and there are plenty of collaborators. A number of the young men join the partisans, kill a Serbian, and throw his body into the village, forbidding anyone to bury it. Anastasia refuses to obey the order…

The 17-year-old Amalia, the daughter of a widower lumberjack with many children, falls in love with a soldier. An irresponsible young man, the soldier refuses to admit that he is the father of the child to be born, as Amalia was just a fling in his eyes. Amalia decides to raise the kid all by herself, but she soon changes her mind…

Set in the atmosphere of 16th-century Venice, the film recreates, in a modern spirit, the characteristic elements of commedia dell’arte: rhythm, verve, spontaneity, disguises, and comic situations. The traditional characters of this theatrical genre delight audiences with their humor, brought to life by some of the most exceptional names in Romanian comedy.

Set in the atmosphere of 16th-century Venice, the film recreates, in a modern spirit, the characteristic elements of commedia dell’arte: rhythm, verve, spontaneity, disguises, and comic situations. The traditional characters of this theatrical genre delight audiences with their humor, brought to life by some of the most exceptional names in Romanian comedy.

Three sequences which could have formed separate stories are linked together to give a larger perspective on the nature of reality and film. The three episodes are joined together by one film crew at work. In the beginning, the crew is introduced as they juggle their dual roles as State-supported propagandists who laud their government and society, and as private movie makers working on their own film. Next, they are in a restaurant looking for suitable locations to film when the eatery’s owner is induced to wax long and lugubriously on his miserable life. In the last segment, two extras are in the background of a scene, sitting at a table in a restaurant. It slowly becomes apparent to one of them that the man he’s sitting with tortured him more than 40 years ago at a Nazi concentration camp during World War II.

Three sequences which could have formed separate stories are linked together to give a larger perspective on the nature of reality and film. The three episodes are joined together by one film crew at work. In the beginning, the crew is introduced as they juggle their dual roles as State-supported propagandists who laud their government and society, and as private movie makers working on their own film. Next, they are in a restaurant looking for suitable locations to film when the eatery’s owner is induced to wax long and lugubriously on his miserable life. In the last segment, two extras are in the background of a scene, sitting at a table in a restaurant. It slowly becomes apparent to one of them that the man he’s sitting with tortured him more than 40 years ago at a Nazi concentration camp during World War II.

Young lawyer Radu Comșa is confronted with an identity crisis as WWI starts.