Amol Palekar

Arun is a timid accountant in Bombay who dreams of romancing Prabha, but is too shy to share his feelings. While Arun twiddles his thumbs, the suave Nagesh steps into the picture and turns on the heat, prompting Arun to take "love coaching" from "romance specialist" Julius Nagendranath to win Prabha back.

A woman is attached to her brother-in-law's son and is unable to cope with his death. She becomes mentally unstable and is kept in a medical facility, while her own child is raised by her relatives.

Kalpana, a compulsive liar, believes that lying is justified for a good cause. However, trouble comes knocking on her door when she arranges dates for her siblings by lying.

A man's simple lie to secure his job escalates into more complex lies when his orthodox boss becomes suspicious.

A young actress is found to have committed suicide at the filming location. Things take a different turn when further investigation reveals it to be a cold-blooded murder and the killer is someone within the film crew.

On the trail of an underworld contract killer, a dedicated police officer is thrust into a battle between good vs evil.

A Delhi-based woman in a steady relationship with her boyfriend is forced to come to terms with her true feelings when a job interview in Mumbai brings an old flame back in her life.

A remote, backward village sacrifices five women to appease the evil spirit in a tree.

Jeena Yahan is a 1979 Bollywood film, directed by Basu Chatterjee and produced by N.P. Ali under Jamu Pictures. The film is based on story Ekhane Aakash Neyi by Manu Bhandari. Lekha marries Shekhar, who does not belong to her caste, and lives happily with him in Mumbai. When they visit his village, she learns that his sister is in love but is forced to marry someone else.

Inspired by true events, the film narrates the story of women terrorised by a mobster who gang-raped, robbed, terrorised and murdered 300 families for 15 years until he met his nemesis in a young Dalit girl.

Batra family has just four days left to vacate their house of 34 years. Amidst the mayhem and uncertainties of the future, insecurities and secrets surface.

Many years ago, fate brought Ravi Chattana to a remote village, where he met and fell in love with Rita, a kind and responsive girl. But life separated the lovers. Years passed. Ravi married another woman and had a daughter. It seemed that nothing could cloud his family happiness. But an unexpected phone call and a subsequent meeting with the parish priest disrupt the peaceful life of the Chattana family: Ravi has a son, Raju, whose existence he was unaware of. The situation is further complicated by the fact that the boy's mother, Rita, has died, and now it is up to the father to take care of the boy and take him into his family. Inspired from novel Man, Woman and Child by Erich Segal.

Sringara Masa is a Kannada romantic film directed by Pattabhirama Reddy and produced by Nandana Ishtiliya. The film stars Amol Palekar and Deepa Dhanraj in the lead roles.

A political and social satire on middle-class society's hypocrisy. A group of teachers plan to stage a play in a village. When a cast-member does not show up, a local stagehand is asked to replace him. An improvised, free-flowing 'rehearsal' is arranged and a mock trial is staged to help the novice understand court procedures. A (mock) charge of infanticide is levelled against Miss Benare, another cast-member. Suddenly the pretend-play turns into an accusatory game when it emerges from the trial that Miss Benare is carrying an out-of-wedlock child from her failed illicit relationship with Professor Damle, the missing cast-member.

Rosie Perreira is an overly anxious widow, living with her guitar-obsessed son, Sabhi, and a lovely daughter, Nancy, who she would like to get married to a wealthy young man. Her helpful neighbor, Tom, introduces a young eligible Tony Braganza to Nancy in the 9:10 AM Western Railway local train from Bandra to Churchgate. Tom also asks Nancy to introduce Tony to Rosie, which she does. Rosie is initially apprehensive about him as he only drawing a mere Rs.300/ compared to Nancy's Rs.700/-, but soon changes her mind when she finds out that after his probationary period he will draw a monthly pay of Rs.1000/-. Nancy and Tom are permitted to meet and both eventually fall in love. While Nancy wants to follow her mother's directions and get married, Tony is hesitant, and this is what costs him Nancy's love, as she starts to feel that he will not come through with the marriage. And soon Rosie starts looking elsewhere for a son-in-law, while Tony is still reluctant to make any commitments.

In a world that both glamorizes and patronizes her, a successful film star begins to unravel under the weight of the roles imposed upon her, drifting between studios and her personal life as she spirals into an identity crisis.

Mr. Shrivastav abandons his family for a life of hermitage. His family struggles to carry on financially in his absence, with two daughters: Sangeeta and Geeta forced to carry the burden of employment, while their brother Ashok gambles their earnings away.

An impoverished employee tries to prevent his superiors and employers from marrying his sweetheart.

Film about the trials facing a family whose patriarch has squandered money into a series of unwise ventures.

The story of a poverty-stricken family, one of the countless fringe dwellers in India's slums. A man tries to earn some money by selling aborted fetuses to medical institutes.

A rich and wealthy couple, Shankarlal and Parvati are appalled at the problems of the world, especially in households, so they decide to try and make things right.

Hearts collide when the conniving Jaggan (Prem Chopra) convinces Kishan (Amol Palekar) that his wife, Shanti (Rakhee Gulzar), is having an affair with his brother Shambhu (Rajesh Khanna). Of course, all this is done so that Kishan will marry Jaggan's cousin Tulsi (Rekha) according to Jaggan's master plan … even though Tulsi would much rather marry Shambhu. Confused? Don't worry. So are these weary lovers!

Sparkling comedy about a meddling friend whose attempt to rekindle the spark in his friend's relationship with his wife of seven years leads to complications to their lives, and to the lives of his secretary and her boyfriend he has not 'scripted' ... Splendid performances by Amol Palekar, Deepti Naval, Parveen Babi and Farooq Shaikh, a perfectly pitched script, witty dialogue and a plethora of aptly placed film references make this a film one can watch over and over and never fail to laugh out loud.

Two hapless petty thieves find themselves embroiled in a kidnapping when they decide to break into a house on the very same night that two dim-witted kidnappers plan to abduct the child who lives there.

Kishanlal marries the beautiful Lachchi, but the day after the wedding, he leaves on business for five years. When Kishanlal reappears only a few days later, Lachchi is delighted, but this new Kishanlal is in fact a spirit who has taken the form of Lachchi's husband, after having seen her by chance and fallen in love with her. Four years later, the real Kishanlal returns and the townsfolk must determine who is who.

A young man from the city journeys to his first teaching post, the small hamlet of Bangarwadi, deep in the jungle, inhabited by a few shepherds and farmers as well as a criminal tribe known as the Ramoshis. After the initial shock of his strange new world wears off he learns to appreciate life in the village and stops longing for home.

An urban story of a woman who discovers that her husband is homosexual.

A remote, backward village sacrifices five women to appease the evil spirit in a tree.

Kairee narrates the sweet and sour experiences of a ten year old girl brought to her maternal aunt Taani's house due to the loss of her parents. The girl, uprooted from a secure and loving home, struggles to cope with hostilities in her new environment. Taanimausi, living a barren existence with a brute of a husband, tries single-handedly to preserve the child's innocence and sensitivity as together they face the unpleasantness of an adult world. Taanimausi helps the girl create a world of their own... a world full of love, beauty and hope... a world full of sunshine, woods, streams, peacocks... and a world of raw mangoes.

Kairee narrates the sweet and sour experiences of a ten year old girl brought to her maternal aunt Taani's house due to the loss of her parents. The girl, uprooted from a secure and loving home, struggles to cope with hostilities in her new environment. Taanimausi, living a barren existence with a brute of a husband, tries single-handedly to preserve the child's innocence and sensitivity as together they face the unpleasantness of an adult world. Taanimausi helps the girl create a world of their own... a world full of love, beauty and hope... a world full of sunshine, woods, streams, peacocks... and a world of raw mangoes.

Binni lacks self-confidence and is annoyed by the constant unsolicited advice from her family. However, her life takes a turn when she meets a magician.

A woman pushes against social mores by asserting her right to sexual fulfillment.

A prosperous but lonely businessman has suicidal thoughts as his 60th birthday approaches. Then, he runs into his college sweetheart. Her mesmerizing beauty, poise and silence suddenly personify his vacuum of last 30 years. He was oblivious to his soul mate's shocking yesteryear's. Shama had chosen to be a recluse - hidden from the light of sunrise. Her life hasn't turned out the way she'd hoped, either. Can the couple find hope and rekindle their love?

An abducted and sexually abused girl has her traditional views towards sexuality changed after finding refuge and kindness with a trans woman.

An abducted and sexually abused girl has her traditional views towards sexuality changed after finding refuge and kindness with a trans woman.

Renowned Indian astrologer Jyotibhaskar Pandit Satyanarayan Chaturvedi, wishes a doctor, who is about to perform surgery on a woman, good luck, but also tells him that his patient is going to die. The doctor scoffs at this, and proceeds to the operation theatre. The patient dies, and the doctor is humbled before the astrologer. The astrologer lives with his wife, Devki, and an only son, Nandu. Nandu is of marriageable age, and he would like to see him get married to a woman named Indu Agnihotri. But Nandu loves another woman by the name of Sushma Chatopadhya and is determined to marry her. And then his father tells him that he is fated to have two wives in this lifetime - the first will die within eleven months of the marriage - and that's when he will re-marry. Modern-day educated Nandu must now decide to believe his father and let go of Sushma, or defy his astrological beliefs and marry her.