Biljana Srbljanović

In spring 1999, NATO allies conducted a bombing campaign against Yugoslavia as part of the Kosovo War. The action was supposed to destroy Yugoslav military installations and was seen as a humanitarian operation. But the bombings were aimed around urban areas and civilians were killed as well. This documentary focuses on the everyday people -- regardless of their religious or political differences -- who suffered on the ground and became witnesses to the overwhelming tragedy around them.

In 1999, during the NATO bombing in Serbia, a young television editor (Boris Milivojevic) in an underground shelter - turned mental institution is having a psychiatric exploration through which he reflects his story...

TV movie "Belgrade Trilogy" dedicated to young people who emigrated from Serbia. In essence, it is a story that deals with the drama of emigration and the loss of one's own roots. The three stories that change during New Year's Eve 1996, 1999 and 2018 represent three characteristic episodes of an entire generation that grew up between hatred, violence and death and left Serbia to follow the hope of a "possible" life. Their destinations are different and distant from each other (Prague, Sydney, Los Angeles), but this drama shows that in the "global" world there is not much difference in the places of residence of our young diaspora. In these three stories, the characters are connected by the same destiny: fitting in, or rejecting into a new reality, and sharing the pleasures and unrest of everyday life with their peers.

A half-mad patriot who shot Avax from the roof of his house captures its American pilot during NATO bombing of Yugoslavia in 1999. The hostage gets romantically involved with his sister while unsuccessfully trying to escape.

TV movie "Belgrade Trilogy" dedicated to young people who emigrated from Serbia. In essence, it is a story that deals with the drama of emigration and the loss of one's own roots. The three stories that change during New Year's Eve 1996, 1999 and 2018 represent three characteristic episodes of an entire generation that grew up between hatred, violence and death and left Serbia to follow the hope of a "possible" life. Their destinations are different and distant from each other (Prague, Sydney, Los Angeles), but this drama shows that in the "global" world there is not much difference in the places of residence of our young diaspora. In these three stories, the characters are connected by the same destiny: fitting in, or rejecting into a new reality, and sharing the pleasures and unrest of everyday life with their peers.