Danijela Štajnfeld

It follows the two lead characters, Svaba and Ekser, as they try to make a living on the streets of Belgrade through the life of petty crime. Making matters worse is the fact that Shvaba owes a lot of money to a local big-shot criminal. And just when things seem lost for the two men, Shvaba's mother inherits a house in Baranda - a village near Belgrade no one's ever heard of. As Shvaba and Ekser happily rush to Baranda, hoping to sell the house and solve all their problems, the villagers are equally happy to see them, thinking that two businessmen from Belgrade are finally taking an interest in their village...

A sitcom that follows intertwined lives of three couples set mostly in the building in which they live and the café owned by one of these people.

Ranjeni orao was a Serbian television show produced in 2008 and aired on RTS1 during late 2008 and early 2009. The 17 episode series is based on the 1936 novel "Ranjeni orao" by Serbian author Mir Jam. The show had unprecedented success with the last episode averaging over 3 million viewers, making it the most watched Serbian television series ever made.

Elvis Martini is in deep trouble. His dilapidated Detroit apartment building is about to be foreclosed on by the bank; most of his tenants are behind on rent; he's in big debt to bookies and his daughter's school. He finds some ill-gotten cash in an evicted tenant's apartment and it briefly keeps the wolves at bay, but it brings out a bigger wolf, one that wants his stolen money back. When his daughter is kidnapped by the mysterious menace he's accidentally messed with, Elvis has 24 hours to come up with $25K - cash only.

The story takes place in Nis, towards the end of the nineteenth century, during the calm down of the stormy historic events which led to final liberation of southern Serbian parts from Turkish occupation. The comedy is about celebrating traditional saint's day feast, organized by Ivko and how his guests test the Serbian hospitality.

Serbian drama "Wounded Eagle" is about true love story of long forgotten romances and some new ones, happening in a very romantic time between two world wars. Young woman and her passion.

It follows the two lead characters, Svaba and Ekser, as they try to make a living on the streets of Belgrade through the life of petty crime. Making matters worse is the fact that Shvaba owes a lot of money to a local big-shot criminal. And just when things seem lost for the two men, Shvaba's mother inherits a house in Baranda - a village near Belgrade no one's ever heard of. As Shvaba and Ekser happily rush to Baranda, hoping to sell the house and solve all their problems, the villagers are equally happy to see them, thinking that two businessmen from Belgrade are finally taking an interest in their village...

A sitcom that follows intertwined lives of three couples set mostly in the building in which they live and the café owned by one of these people.

Ranjeni orao was a Serbian television show produced in 2008 and aired on RTS1 during late 2008 and early 2009. The 17 episode series is based on the 1936 novel "Ranjeni orao" by Serbian author Mir Jam. The show had unprecedented success with the last episode averaging over 3 million viewers, making it the most watched Serbian television series ever made.

The film explores the consequences of sexual violence through a series of intimate testimonials, revealing the culture of indifference and lack of understanding, which affect the victims but shield the perpetrators, raising the question of what it means to heal and whether that is even possible. Drawing the strength to make the film from empathy, at the same time the director struggles with her own experience of sexual assault, experienced as a young actress in Serbia. Since she was not able to speak freely about the abuse she experienced, she finds the courage to share her story through encounters and interviews with other victims like herself.

The film explores the consequences of sexual violence through a series of intimate testimonials, revealing the culture of indifference and lack of understanding, which affect the victims but shield the perpetrators, raising the question of what it means to heal and whether that is even possible. Drawing the strength to make the film from empathy, at the same time the director struggles with her own experience of sexual assault, experienced as a young actress in Serbia. Since she was not able to speak freely about the abuse she experienced, she finds the courage to share her story through encounters and interviews with other victims like herself.