Ana Mandić

Three stories about the impact of three God's miracles in the medieval sense that happen to the film's heroes living in a post-communist society that, after half a century of atheism, re-learns about Christianity.

Petra, a young single mother, after divorce and her father's death, tries to free herself and live her life in spite of everyone, looking for the Right One.

Nineteen-year-old Maša finally meets Andrija, her online crush, who is returning from Banja Luka to Belgrade to finish college. During the day they spend together, Maša discovers the real reason for his return.

The first film saga about Novi Sad, a work signed by directors Gvozden Đurić and Žanko Tomić, and will show the interweaving of Serbian culture and tradition with European ideals and challenges of the 18th century.

Based on a true story from Serbia, the film is about human trafficking.

About a strange love triangle - or about two people who are in love and a third person who is in their way. "The Folk Play" by Olga Dimitrijevic is adapted by Bojana Lazic, and Slobodan Obradovic.

Ena, a 10 year old girl, who lives with her young mother and grandmother, has a constant urge to eat something sweet, and she never actually gets to eat some, by the end of the day ending up having a different “culinary”experience with her friend Ado who is in the eve of moving to Frankfurt.

Aleksandar Zograf, a renowned cartoonist discovers an unusual comic book from World War II. The comic’s hero is Kaktus Kid – a small cactus trapped in his pot. Intrigued, Zograf investigates into the life of Kaktus Kid’s creator – little known artist Veljko Kockar. He soon discovers that Kockar was arrested just after the liberation of Belgrade in 1944. He was charged for being a Gestapo agent and executed. Zograf’s investigation reveals a far more complex story: Kockar’s identity and artistic works were stolen, he possibly has an affair with the girlfriend of a guerilla soldier and he drew anti-communist propaganda for the Nazis. As he explores the story and pieces together the scraps of evidence 70 years after it happened Zograf is faced with his own personal and artistic dilemmas: why do these little drawings have such power to give consolation but also lead to violence?

Jovana has recently moved out of her family home to live alone. On a summer's day, she decides to make a surprise visit to her family. She arrives to find her mother down and depressed, and decides to take her out for a beer.

Even though she still doesn't know what is the right thing to do, Lena made a decision.