Michèle-Barbara Pelletier

As a kid, Leo thought he possessed, like a magician, the secret power to make things happen. As a young man, he certainly knows how to make things happen with women. But as his best friend Krantz would say to him, "Why do you always ask questions you already know answers to?" Leo believes firmly in what he invents from one day to the next. Images, impressions, stories fill his head. That's just how he is: life, for Leo, is just a game. Behind this childlike attitude, hides the very essence of his own life's quest.

A misguided museum guard who loses his job and then tries to get it back at gunpoint is thrown into the fierce world of ratings-driven TV gone mad.

A lonely teenage horror fan and video gamer plays a new immersive and hypnotic computer game where he becomes a psychopathic killer, but when he emerges, he finds that the murder has actually happened.

A father's love is not enough to keep his dreams and his family together in this drama. Joe Aiello (Tony Nardi) is an Italian immigrant who settled in Montreal and opened a construction firm in the early '60s. Thirty years later, Tony's business is a solid success, and Tony dreams of passing this legacy along to his family. But Tony's wife has passed on, his son Nuccio (Hugolin Chevrette Landesque) is developmentally disabled, and his daughter Bennie (Michele-Barbara Pelletier) can't decide what she wants to do with her life, dropping out of college against her father's wishes shortly before she is to graduate. Despite his disappointment with Nuccio and his exasperation with Bennie, Joe has a fierce love for his children, but Bennie feels that her father's affection is starting to crush her more than it nurtures her.

During the long train ride from Montreal to Vancouver, a man and woman find themselves increasingly attracted to each other.

Trapped in a house of horror, seven people discover that the only way they'll get out alive is to tell their scariest stories.

Lucky Mann is a builder equally handy at repairs and seduction. The latest housewife to succumb to his charms is Marianne, unhappily married to corporate exec Jeffrey. When Jeffrey becomes enraptured by Lucky’s wife Phyllis, the four get caught in a love quadrangle that reignites their marriages.

In a Canadian metropolis, failed actor David shares a place with the bookish Candy, whom he dated before coming out as gay. While David, who now waits tables, pursues an aimless romance with a younger coworker, Candy dabbles in both same-sex and heterosexual affairs. As David and Candy's odd assortment of friends — including a telepathic sex worker and an ill-tempered yuppie — pass in and out of their beds, a serial murder stalks the city's women.

The failing economic fortunes of a small turn-of-the-century Nebraska town interrupt a blossoming romance between a pair of star-crossed lovers.

This series illustrates the life and career of P.T. Barnum, America's greatest showman and promoter. Starting as a young man who managed an old woman who was supposedly George Washington's nursemaid, we see his career as he finds success promoting curiosities and attractions with panache and a judicious mix of truth and creativity, whether it be promoting his museum or characters like the midget General Tom Thumb. Yet because the demands of his businesses, his family life is troubled and marred by tragedy. All the while, events lead to his greatest creation, the Ringling Brothers/Barnum & Bailey Circus.

In a gritty retelling of the Dickens's classic, Twist takes Oliver and the Artful Dodger out of the poorhouse and onto the streets, where junk is the currency and hustling is the game.

Dr. Jesse Newman is assigned to treating David, a grieving policeman who lost his partner in a shootout. It seems the case is solved, until a lucky coin belonging to David's partner triggers a revealing series of psychic visions for Dr. Newman. The visions not only implicate the killer, but also reveal the sordid habits of San Francisco's business and political elite.

Set off the West Coast of Canada in 1965, a hip new teacher with a miniskirt and lots of ideas turns a small town upside down. The soft autumn light of Galiano Island is beautifully rendered in writer/producer Peggy Thompson's The Lotus Eaters, and that's not the only elusive element that this film has captured. In revisiting its particular time and place - the Gulf Islands of the early '60s -Thompson obviously draws on her own family experiences there. For those who share Thompson's love of Gulf Islands magic, the elements she has assembled will feel as familiar as their own childhood blanket. But there are problems at the core of this story about a family's loss of innocence.

Malcolm's (28) new love, Alicia (25), an illegal Chilean refugee, will be short-lived if he does not make the right choice.

During the Christmas holiday season, Félix and Céline find themselves working as volunteers for the drive-home service Opération Nez Rouge. Right from the first, Félix falls for Céline. But Céline doesn't feel the same way: she can't forget the fact that Félix once wrote a scathing review of her first piece of writing, crushing her literary ambitions in the process. Worse, Félix doesn't even remember her name. Céline decides to take her revenge. Just as things seem to be going from bad to worse for Félix, Céline realizes that he is vulnerable, tender... and madly in love with her. She is ready to surrender to love... but a chance encounter causes her to wonder whether Félix isn't playing some twisted love game.

100 Days in the Jungle tells the amazing true story of Canadian oil workers who were kidnapped by Colombian rebels and marched through the Ecuadorian jungle for 100 days.

In a style evocative of Fellini at his most surreal, this bizarre French Canadian fantasy follows the romance between a young filmmaker and a bearded lady from a local circus during the 1960s. The story begins in a contemporary theater where a projectionist describes, to movie director Rex Prince, the ghostly spirit that seems to be haunting his film. The story then races backward to the 1960s when a half-mad, idealistic Rex was busily making his first film, a Marxist tract depicting poverty in Montreal. Edouard Dore, a well-connected editor works with him and it is he who takes Rex to a carnival late one night to meet the performers in a freakshow. The first person Rex meets is Le Grand Zenon, a hulking one-eyed fellow with the amazing ability to use his eye to project movie images on a screen with neither a projector nor film.

Denis comes out of a love affair that disturbs him a lot. One day he meets Simone in the university cafeteria and he immediately understands that she is the woman of his life. But Simone is not the type to fall into the arms of the first comer!