Takeo Kimura

A young geologist is traveling by train to visit his sister in the countryside after having received a mysterious letter from her.

Made for in 2005, this video interview features director Seijun Suzuki and production designer Takeo Kimura. These longtime collaborators discuss the making of GATE OF FLESH.

Film director and screenwriter Seijun Suzuki (1923-2017), who in the sixties was the great innovator of Japanese cinema; and his collaborator, art director and screenwriter Takeo Kimura (1918-2010), recall how they made their great masterpieces about the Yakuza underworld for the Nikkatsu film company.

After botching his latest assignment, a third-ranked Japanese hit man becomes the target of another assassin.

Umiemon is a naniwa-bushi singer who travels with his wife to the United States in hopes of achieving fame and fortune.

Nursing home "Yuyoso". Many lonely old people live there, including botanist Taro Makiso, a physicist, an actor, a bar mom, and a chef. Maki has spent most of his life studying botany, and has lived without regard for entertainment, drinking, women, or everything else in the world. Then came my 80th birthday. He and a young staff member go digging for wild yam and find a mysterious golden flower. It was the flower of immortality, the "Golden Flower", which was said to bloom beside the Himalayan Virgin, which he had been looking for for many years. From that day onwards, fragments of memories from his youth, which he had intentionally sealed off in order to immerse himself in botany, surged into Maki in a whirlpool.

Nursing home "Yuyoso". Many lonely old people live there, including botanist Taro Makiso, a physicist, an actor, a bar mom, and a chef. Maki has spent most of his life studying botany, and has lived without regard for entertainment, drinking, women, or everything else in the world. Then came my 80th birthday. He and a young staff member go digging for wild yam and find a mysterious golden flower. It was the flower of immortality, the "Golden Flower", which was said to bloom beside the Himalayan Virgin, which he had been looking for for many years. From that day onwards, fragments of memories from his youth, which he had intentionally sealed off in order to immerse himself in botany, surged into Maki in a whirlpool.

A young yakuza in love with the girl who's to marry his clan oyabun, kidnaps the girl before fleeing with her. In Tokyo, he hides under the identity of a worker while the young woman becomes a waitress in a restaurant.

Recently appointed dean at a film school, Kimuro Hajime develops a special concern for one of his students, Daisuke. The brash, headstrong young man is fixated on with the Second World War. He feels a sense of frustration at the irrational sacrifice of young people's lives during the war six decades earlier. Daisuke finds that he can vent his frustrations to Kimuro, who experienced the war firsthand. Kimuro's wife, Emiko, is also troubled by memories of the war. She lost a loved one in the war and has never gotten over it. And Kimuro himself also has something from the past that he has yet to face. He believes that the burden of his unresolved past will eventually be the death of him. When Daisuke's neurosis causes him to quit school, life changes for all three of them.

Recently appointed dean at a film school, Kimuro Hajime develops a special concern for one of his students, Daisuke. The brash, headstrong young man is fixated on with the Second World War. He feels a sense of frustration at the irrational sacrifice of young people's lives during the war six decades earlier. Daisuke finds that he can vent his frustrations to Kimuro, who experienced the war firsthand. Kimuro's wife, Emiko, is also troubled by memories of the war. She lost a loved one in the war and has never gotten over it. And Kimuro himself also has something from the past that he has yet to face. He believes that the burden of his unresolved past will eventually be the death of him. When Daisuke's neurosis causes him to quit school, life changes for all three of them.

A musical film by Takeo Kimura, renowned as one of Japan's foremost art directors, known for his work on Seijun Suzuki’s films. The story unfolds through a chain of abstract imagery and metaphors. An old queen is trapped within the rocks, alongside a woman in black and a white angel, who, like a young girl, governs the red thread of fate. Is the woman in black the queen’s alter ego, her daughter, or her past self? She finds herself drawn to a man playing the violin in a café.

A musical film by Takeo Kimura, renowned as one of Japan's foremost art directors, known for his work on Seijun Suzuki’s films. The story unfolds through a chain of abstract imagery and metaphors. An old queen is trapped within the rocks, alongside a woman in black and a white angel, who, like a young girl, governs the red thread of fate. Is the woman in black the queen’s alter ego, her daughter, or her past self? She finds herself drawn to a man playing the violin in a café.

A baby, John, who was abandoned in the church with a horse-headed koto on his side. His grandfather was once a Morin Khuur player and died in the atomic bombing of Nagasaki. The brilliantly colored images have an avant-garde charm while hiding the sadness of the war, and will grab the viewer's heart.

No synopsis available yet.