Raphaèle Bouchard

Candice Renoir had put her career on standby for 10 years. When she returns from Singapore to resume service in a port town in the south of France, she feels a bit “rusty”. Despite the obvious defiance of her unit and a cynical superior who doesn’t make her job any easier, she is determined to turn her so-called weaknesses into strengths, solving the most complex cases with her common sense, her acute observation and her practical nature seasoned by a busy daily routine. Only Candice can catch a killer because she knows the chemical composition of a window-cleaning product or determine the hour of a murder from the cooking-time of kebabs… Candice is only naive on the outside, and nobody can resist her!

The Section de recherches is a special unit of the Gendarmerie nationale, responsible for the most complex cases. In Bordeaux (from 2006 to 2013) and then in Nice (since 2014), child abductions, disappearances, heinous or sexual crimes are the daily lot of the investigators in this research unit. In the search for witnesses, the team is authorised to extend its investigations beyond France's borders.

Fired for insubordination, PJ Antoine Verlay, good cop but a blood strand and having difficulty working as a team, is attached to the OCBC (Central Office for the fight against Traffic in Cultural Goods) thanks to the intervention of the commander Pardo, his friend who becomes, therefore, his new superior. A clever investigator, but a stranger to everything related to culture, Antoine will have to work with Florence Chassagne, renowned art historian, who lives, speaks and breathes culture, to the point that - fruit of her great imagination - it happens to her in the midst of daydreams, to see and talk to the great artists who have disappeared as if they were familiar to her.

A scientist in a surrealist society kidnaps children to steal their dreams, hoping that they slow his aging process.

Like many of her classmates, 12 year old tomboy Juliette has a crush on Mrs. Solenska, a teacher distinguished by stylish attire and an uninhibited, provocative classroom demeanor. Juliette's fascination turns into all-consuming obsession, forcing revelations from both the girl and her teacher.

40-something Victor, humanities professor and amateur meteorologist, is a madcap, a friendly dabbler, who lives day by day, alongside is wife Anne.

Candice Renoir had put her career on standby for 10 years. When she returns from Singapore to resume service in a port town in the south of France, she feels a bit “rusty”. Despite the obvious defiance of her unit and a cynical superior who doesn’t make her job any easier, she is determined to turn her so-called weaknesses into strengths, solving the most complex cases with her common sense, her acute observation and her practical nature seasoned by a busy daily routine. Only Candice can catch a killer because she knows the chemical composition of a window-cleaning product or determine the hour of a murder from the cooking-time of kebabs… Candice is only naive on the outside, and nobody can resist her!

The Section de recherches is a special unit of the Gendarmerie nationale, responsible for the most complex cases. In Bordeaux (from 2006 to 2013) and then in Nice (since 2014), child abductions, disappearances, heinous or sexual crimes are the daily lot of the investigators in this research unit. In the search for witnesses, the team is authorised to extend its investigations beyond France's borders.

Fired for insubordination, PJ Antoine Verlay, good cop but a blood strand and having difficulty working as a team, is attached to the OCBC (Central Office for the fight against Traffic in Cultural Goods) thanks to the intervention of the commander Pardo, his friend who becomes, therefore, his new superior. A clever investigator, but a stranger to everything related to culture, Antoine will have to work with Florence Chassagne, renowned art historian, who lives, speaks and breathes culture, to the point that - fruit of her great imagination - it happens to her in the midst of daydreams, to see and talk to the great artists who have disappeared as if they were familiar to her.