Clarissa Campolina

Immersion in a zone where fluid forms and the absence of words reveal that silence is before all things.

Valongo's quay - Empress quay - Rio de Janeiro port - Porto Maravilha (wonder port): layers of a city haunted by progress. One port on top of the other.

No synopsis available yet.

Daily life of Belo Horizonte drummer Esdra Ferreira, known as Nenêm. The film goes behind the scenes of the recordings, observing the creative process between longtime friends: Toninho Horta, Mauro Rodrigues and Juarez Moreira, among other musicians.

Wandering Notes revealing an everyday life of the city that the author was born. Places picked by chance show her encounter with this city.

Solon inhabits a dry, barren space. She begins her mission to nourish the Earth. The landscape and the character herself are changed. The world is born. The woman is born.

Immersion in a zone where fluid forms and the absence of words reveal that silence is before all things.

Valongo's quay - Empress quay - Rio de Janeiro port - Porto Maravilha (wonder port): layers of a city haunted by progress. One port on top of the other.

Valongo's quay - Empress quay - Rio de Janeiro port - Porto Maravilha (wonder port): layers of a city haunted by progress. One port on top of the other.

No synopsis available yet.

No synopsis available yet.

Daily life of Belo Horizonte drummer Esdra Ferreira, known as Nenêm. The film goes behind the scenes of the recordings, observing the creative process between longtime friends: Toninho Horta, Mauro Rodrigues and Juarez Moreira, among other musicians.

Wandering Notes revealing an everyday life of the city that the author was born. Places picked by chance show her encounter with this city.

Wandering Notes revealing an everyday life of the city that the author was born. Places picked by chance show her encounter with this city.

Solon inhabits a dry, barren space. She begins her mission to nourish the Earth. The landscape and the character herself are changed. The world is born. The woman is born.

Solon inhabits a dry, barren space. She begins her mission to nourish the Earth. The landscape and the character herself are changed. The world is born. The woman is born.

Odete is caught between the past and the future. She goes on a journey, but remains immobile. She faces the abyss and wonders if she will make it out alive.

Audiovisual letter.

Everywhere, at dusk, lights and advertising posters become the only living beings among the inert streets. Beings that never meet, strangers almost exactly the same.

Suçuarana is the name of a mythical place, a lush landscape that appears in the weathered photo of her mother that Dora carries with her always. Dora has been on the road for a long time, hitching rides through Brazil’s mining region in search of her family’s homeland. But no one seems to know this place, seemingly lost to time. And the open road can be troubling for a woman traveling alone, as the generosity of strangers is suddenly eclipsed by danger. After an accident, Dora seeks refuge in an abandoned factory; there, a group of workers have formed a village and a community bond that feels akin to the home Dora searches for, if just for a moment.

Suçuarana is the name of a mythical place, a lush landscape that appears in the weathered photo of her mother that Dora carries with her always. Dora has been on the road for a long time, hitching rides through Brazil’s mining region in search of her family’s homeland. But no one seems to know this place, seemingly lost to time. And the open road can be troubling for a woman traveling alone, as the generosity of strangers is suddenly eclipsed by danger. After an accident, Dora seeks refuge in an abandoned factory; there, a group of workers have formed a village and a community bond that feels akin to the home Dora searches for, if just for a moment.

Mesmerized by the image of an active volcano on the other side of the world, a woman sets out to meet her fury. On the way, without being able to return, she finds herself in an extraordinary pregnancy, starting the account of the journey that gives shape to this play-film, a journey between theater and cinema inspired by the narratives of fantastic realism.

A man caught in the verge of freedom. He penetrates a city where the boundaries between reality and dream disappear. He crosses the landscape without belonging to it anymore. A farewell before departing.

An experimental collective film lasting little more than an hour, compiled from 10 episodes by a total of 14 different young Brazilian filmmakers. The project was an initiative of the directing duo Felipe Bragança and Marina Meliande, who sent a ‘letter of concern’ to inspire the participants. In it, a 16-year-old girl wrote about her dreams, which have been translated by the directors into films about love, youth and the possibilities of cinema.

Bastu's grandchildren and friends help her pick up the strands of her life after her husband dies.

One day, as you leave work and head home, something unexpected happens. Everywhere you go, paths begin to open and multiply. You can go anywhere you want, and with each place you choose, a new version of yourself emerges. You begin to disappear and in that disappearance you feel free: no longer being one, but becoming another, becoming many others. Individual experience gives way to the collective. A constant search for a place in the world. Walking toward the other, toward the unknown—yesterday, today, and tomorrow.

The young Jimena searches for her identity. The film follows the life of the young woman with her mother and grandmother, white middle-class women, and the exchange of letters with her father, a foreign and black man, whom the young woman resembles. Seeking to free herself from the feeling of inadequacy, Jimena rewrites her family relationships and creates other ways of experiencing love, friendship and work ties. Through her eyes, the film considers questions about class, family, tradition, race and gender.

The young Jimena searches for her identity. The film follows the life of the young woman with her mother and grandmother, white middle-class women, and the exchange of letters with her father, a foreign and black man, whom the young woman resembles. Seeking to free herself from the feeling of inadequacy, Jimena rewrites her family relationships and creates other ways of experiencing love, friendship and work ties. Through her eyes, the film considers questions about class, family, tradition, race and gender.

“While we are here” mixes fiction, travelogue, film diary and documentary to tell the story Lamis, a Lebanese woman who just moved to New York and Wilson, a Brazilian man living illegally for 10 years in the same city. The film narrates the story of their relationship in a personal way by articulating macro-political issues with intimate ones.

“While we are here” mixes fiction, travelogue, film diary and documentary to tell the story Lamis, a Lebanese woman who just moved to New York and Wilson, a Brazilian man living illegally for 10 years in the same city. The film narrates the story of their relationship in a personal way by articulating macro-political issues with intimate ones.