Jacopo Comin

A sweeping, cinematic pseudo-documentary history of human flight, starting with the failed attempt of Icarus, and ending with the aviation triumphs of the fascist regime.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

During the 18th century, the empress of Russia Catherine the Great sends her lover Count Alexei Orloff to kidnap her rival for the throne, the pretender Elizabeth, Princess Tarakanova, from Venice. However, Orloff ends up falling in love with the princess.

No synopsis available yet.

A sweeping, cinematic pseudo-documentary history of human flight, starting with the failed attempt of Icarus, and ending with the aviation triumphs of the fascist regime.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

During the 18th century, the empress of Russia Catherine the Great sends her lover Count Alexei Orloff to kidnap her rival for the throne, the pretender Elizabeth, Princess Tarakanova, from Venice. However, Orloff ends up falling in love with the princess.

No synopsis available yet.

This propaganda film was partly inspired by the story of the first Italian heavyweight champion Primo Carnera who, after winning the title with Al Capone’s help in 1933, was beaten the following year by the Jewish Max Bear and then again by the ‘Brown Bomber’ Detroit Joe Lewis in June 1935, on the eve of the Italian invasion of Ethiopia. This match provoked numerous racial skirmishes on the streets of Harlem between the Black community and pro-Fascist Italian-Americans. The film overturns historical facts and here, obviously, it is the white boxer who wins in order to demonstrate the superiority of the “Aryan Italians” over the “sinister Jewish entrepreneurs” and the “savage Afro-American fans in Yankee Stadium”. In the film, these were played by South African prisoners-of-war interred in a work camp, which the German and Italian propaganda ministries had set up near Cinecittà “for cinematic purposes”.

In a village, the pharmacist and the innkeeper have an intense rivalry fuelled by the fact that they were once romantically involved many years before. To spite her rival, the innkeeper arranges to have her nephew set up a second pharmacy to take business away him. Unbeknownst to them a romance is developing between the younger generation of the families.