Jürgen Heimüller

The extraordinary life of Sergiu Celibidache, from his childhood in Romania to his exile in pursuit of a career in music, his struggle for survival in wartime Germany and his rise, fall and rise again, in an unimaginable life journey.

Reduce the world's population by 50 percent to save the planet? That's a great idea, say politicians, experts and ordinary people from the street. But who should go? A fictional documentary about the abysses of our civil society.

A story from everyday working life with endless conference calls.

‘The Emperor’s New Clothes’ in a new robe. KAISER translates Hans Christian Andersen fairytale into a company in the 21st century. A dystopian yet colorful narrative about power, hierarchies and invisible caterpillars.

A performance artist deals with body images. The boundary between performance and reality dissolves and leads to a conflict between audience and art.

A therapist dies under mysterious circumstances. No one knows how or why. At the Russian-Jewish funeral service, his daughter, relatives and former patients gather to come to terms with the loss together. However, no one seems to have known the deceased well. The question increasingly arises as to who the guests are actually mourning: the deceased, their lost home or simply themselves?

Arkham, 1975: Jonathan Davis' father has disappeared. His tracks lead to Germany, to the Swabian-Franconian Forest where he was stationed after the Second World War. Jonathan sets out to find him and bring him home, but deep in the woods he discovers a dark mystery from the past. Based on H.P. Lovecraft's short novel "The Colour Out of Space".

Fyodor Dostoyevsky and his wife Anna travel to Europe for their honeymoon and end up staying in a health resort in Switzerland, only to return to Russia after four years. Fyedya can’t shake his roulette habit and keeps losing their money. His wife accepts this fate since he keeps assuring her that it’s all for inspiration and soon he shall write his to-be masterpiece, 'The Idiot'.

As novelist Jovana Fey attempts to check into the first hotel of her 3-week European book tour, she learns that her publisher has gone bankrupt. Penniless and stranded, she decides to continue the tour regardless.

A man seeks out a young dominatrix. He wants her to whip him and force him to eat a cherry pie like his mother once did. Suddenly, the camera recording the action stops. Now it becomes clear who is really behind the role of the suitor and the dominatrix...

Helen tries to do everything right, but the customers are not interested in the middle-aged woman in the sausage grill. As the straps cut deeper and deeper, Helen has to break out and from then on she does everything wrong, or right?

In a strange place where daily broadcasts require everyone to “keep the silence”, the long-isolated residents of Edifice 129, trapped in their apartments and by distant memories, creep forwards, day by day. / Edifice 129 is a particular collaborative project, created by filmmakers across three countries. In the midst of the COVID-19 lock-downs, Linda Gasser — director of the Arc Film Festival in Mainz, Germany — invited filmmakers to join her Creatives Across Borders initiative. The aim was to meet via Zoom, support each other, and talk film, but talking film soon turned into developing a film. Meeting regularly, sometimes weekly, four writer/directors and a digital 3D artist created short films designed to work both as standalone projects and, when inter-cut, as one cohesive story, despite being filmed in Germany, the UK and Malta, and with the filmmakers never having met in person until after the films were finished.

What is important when time is up? Five people in the last five minutes before the world comes to an end.

Reduce the world's population by 50 percent to save the planet? That's a great idea, say politicians, experts and ordinary people from the street. But who should go? A fictional documentary about the abysses of our civil society.

In a strange place where daily broadcasts require everyone to “keep the silence”, the long-isolated residents of Edifice 129, trapped in their apartments and by distant memories, creep forwards, day by day. / Edifice 129 is a particular collaborative project, created by filmmakers across three countries. In the midst of the COVID-19 lock-downs, Linda Gasser — director of the Arc Film Festival in Mainz, Germany — invited filmmakers to join her Creatives Across Borders initiative. The aim was to meet via Zoom, support each other, and talk film, but talking film soon turned into developing a film. Meeting regularly, sometimes weekly, four writer/directors and a digital 3D artist created short films designed to work both as standalone projects and, when inter-cut, as one cohesive story, despite being filmed in Germany, the UK and Malta, and with the filmmakers never having met in person until after the films were finished.

In a strange place where daily broadcasts require everyone to “keep the silence”, the long-isolated residents of Edifice 129, trapped in their apartments and by distant memories, creep forwards, day by day. / Edifice 129 is a particular collaborative project, created by filmmakers across three countries. In the midst of the COVID-19 lock-downs, Linda Gasser — director of the Arc Film Festival in Mainz, Germany — invited filmmakers to join her Creatives Across Borders initiative. The aim was to meet via Zoom, support each other, and talk film, but talking film soon turned into developing a film. Meeting regularly, sometimes weekly, four writer/directors and a digital 3D artist created short films designed to work both as standalone projects and, when inter-cut, as one cohesive story, despite being filmed in Germany, the UK and Malta, and with the filmmakers never having met in person until after the films were finished.

What is important when time is up? Five people in the last five minutes before the world comes to an end.

What is important when time is up? Five people in the last five minutes before the world comes to an end.