Jeanne-Claude

With their spectacular ephemeral works of art, the visual artists Christo and Jeanne-Claude had made prestigious monuments rediscovered under a new light, from the Pont-Neuf to the Reichstag. An enlightening portrait of an artist couple who became stars.

A portrait of the American artist Ray Johnson (1927-1995), based on a personal interpretation of Johnson’s avant-garde strategies, using the telephone and the internet as primary sources for sound and image.

A documentary on New York City’s biggest public art project ever, an installation called “The Gates” by Christo and Jeanne Claude.

Christo and Jeanne-Claude try to get their project "Over the River" off the ground. Meanwhile, "The Gates" take shape in New York City's Central Park.

Wrapped Walk Ways, in Jacob Loose Memorial Park, Kansas City, Missouri, consisted of the installation of 136,268 square feet (12,540 square meters) of saffron-colored nylon fabric covering 2.7 miles (4.4 kilometers) of formal garden walkways and jogging paths.

A documentary about artists Christo and Jeanne-Claude's 1991 grand-scale environmental art project in Japan and California.

Nam June Paik's first single-channel videotape since 1989 is a heartfelt tribute to his long-time collaborator Charlotte Moorman. This portrait traces Moorman's career as an avant-garde performer, from her classical training to her notorious arrest as the "Topless Cellist" and subsequent talk-show celebrity. Rare documentations of Moorman's performances include Otto Piene's Sky Kiss and Jim McWilliams' Chocolate Cello. Interviews with Moorman's friends, family and collaborators, such as Yoko Ono, Christo and Jeanne Claude, Otto Piene, and Barbara Moore, among others, provide intimate recollections of the inimitable Moorman.

Beginning with their small wrapped objects of 1958, this portrait examines the continuously bold and ambitious artistic ventures of the enigmatic duo, CHRISTO AND JEANNE-CLAUDE. Though their large scale environmental projects, such as Running Fence and Wrapped Coast, are often met with distress and concern from the surrounding community, perceptions of the project are likely to shift when it comes time to interact with the grand, finished piece. Neither permanent nor purchasable, Christo and Jeanne-Claude’s works exude the essence of freedom and exist only for the sake of existing.

Documentary about conceptual artist Christo and his wife Jeanne-Claude's attempt to "wrap" the Pont-Neuf in Paris.

The Hissen Brothers document Christo and Jean-Claude's project "Wrapped Trees" in Switzerland.

The Maysles' third film about the artists sees them trying to get three projects off the ground: wrapping the Pont Neuf, the oldest bridge in Paris; wrapping the Reichstag; and surrounding eleven man-made islands in Florida with pink plastic sheets. As the latter is the only one that gets approval, it gets the bulk of this film.

Second in the series by the Maysles brothers documenting the monuments/sculptures of Christo, whose art projects are landscape-scaled, and more "pop" performance art designed to question how we relate to art in the public sphere, especially when it's as oblique, non-political (at least, that is what he would claim), and neutral as running a fence through a landscape.

This Oscar-nominated documentary follows Christo and Jeanne-Claude as they conceive and execute Valley Curtain, an immense orange fabric installation stretched across a Colorado mountain pass. Filmed in a direct-cinema style, "Christo’s Valley Curtain" observes the negotiations, engineering challenges, and collective labor that shape the artwork, revealing the process itself as an essential part of the final creation.

In 1969, Christo and Jeanne-Claude wrapped 2.5 kilometers of coast and cliffs up to 26 metres along the coast of Little Bay, in Southeast Sydney, Australia.