Antonio Ferrera

During production on the film "The Life Aquatic with Steve Zissou", documentary filmmakers followed the cast and crew of a film which depicts other documentary filmmakers who follow animal life. In this film, we get a first hand look at the sets and come very close to many of the cast and crew members at work, especially Bill Murray and Wes Anderson.

A concise television portrait of Wes Anderson, observing the filmmaker at work and reflecting on his creative process, influences, and approach to directing during the early phase of his career.

A documentary on New York City’s biggest public art project ever, an installation called “The Gates” by Christo and Jeanne Claude.

Apparently an attempt to parody the "Charlie Rose" show, here host Peter Bradley interviews 6 (well, 5, since one doesn't show up) of the bit players from "The Royal Tenenbaums."

Filmed with an intimate three camera shoot by Antonio Ferrera, a close friend of John Zorn and a long time cameraman for the documentary masters the Maysles Brothers, this concert film captures the band performing a set of Zorn's Masada compositions at their home base in the Lower East Side, Tonic, in the summer of 1999.

This cinéma vérité documentary chronicles the Alliance for Positive Change and its three decades of work supporting people living with HIV and other chronic health conditions. Through firsthand testimonies, the film revisits the early years of the HIV epidemic and follows the 30th anniversary of the organization’s Peer Recovery Education Program (PREP), which empowers participants to transform lived experience into peer support. Past and present graduates share stories of survival, resilience, and community care as they help others on their path to health and recovery. Centering Black/African American, Latinx, and LGBTQ voices, the film weaves history, activism, and hope into an uplifting portrait of people finding agency and collective strength in the fight to end the epidemic.

During production on the film "The Life Aquatic with Steve Zissou", documentary filmmakers followed the cast and crew of a film which depicts other documentary filmmakers who follow animal life. In this film, we get a first hand look at the sets and come very close to many of the cast and crew members at work, especially Bill Murray and Wes Anderson.

During production on the film "The Life Aquatic with Steve Zissou", documentary filmmakers followed the cast and crew of a film which depicts other documentary filmmakers who follow animal life. In this film, we get a first hand look at the sets and come very close to many of the cast and crew members at work, especially Bill Murray and Wes Anderson.

A concise television portrait of Wes Anderson, observing the filmmaker at work and reflecting on his creative process, influences, and approach to directing during the early phase of his career.

A concise television portrait of Wes Anderson, observing the filmmaker at work and reflecting on his creative process, influences, and approach to directing during the early phase of his career.

A documentary on New York City’s biggest public art project ever, an installation called “The Gates” by Christo and Jeanne Claude.

A documentary on New York City’s biggest public art project ever, an installation called “The Gates” by Christo and Jeanne Claude.

Apparently an attempt to parody the "Charlie Rose" show, here host Peter Bradley interviews 6 (well, 5, since one doesn't show up) of the bit players from "The Royal Tenenbaums."

Filmed with an intimate three camera shoot by Antonio Ferrera, a close friend of John Zorn and a long time cameraman for the documentary masters the Maysles Brothers, this concert film captures the band performing a set of Zorn's Masada compositions at their home base in the Lower East Side, Tonic, in the summer of 1999.

Filmed with an intimate three camera shoot by Antonio Ferrera, a close friend of John Zorn and a long time cameraman for the documentary masters the Maysles Brothers, this concert film captures the band performing a set of Zorn's Masada compositions at their home base in the Lower East Side, Tonic, in the summer of 1999.

This cinéma vérité documentary chronicles the Alliance for Positive Change and its three decades of work supporting people living with HIV and other chronic health conditions. Through firsthand testimonies, the film revisits the early years of the HIV epidemic and follows the 30th anniversary of the organization’s Peer Recovery Education Program (PREP), which empowers participants to transform lived experience into peer support. Past and present graduates share stories of survival, resilience, and community care as they help others on their path to health and recovery. Centering Black/African American, Latinx, and LGBTQ voices, the film weaves history, activism, and hope into an uplifting portrait of people finding agency and collective strength in the fight to end the epidemic.

This cinéma vérité documentary chronicles the Alliance for Positive Change and its three decades of work supporting people living with HIV and other chronic health conditions. Through firsthand testimonies, the film revisits the early years of the HIV epidemic and follows the 30th anniversary of the organization’s Peer Recovery Education Program (PREP), which empowers participants to transform lived experience into peer support. Past and present graduates share stories of survival, resilience, and community care as they help others on their path to health and recovery. Centering Black/African American, Latinx, and LGBTQ voices, the film weaves history, activism, and hope into an uplifting portrait of people finding agency and collective strength in the fight to end the epidemic.