Ana María Lynch

During the Korean War, the lieutenant in charge of a Marine rifle platoon is killed in battle. Before he dies, he places the platoon's sergeant, who's black, in charge. The sergeant figures on having trouble with two men in his platoon: a private who has much more combat experience than he does, and a racist Southerner who doesn't like blacks in the first place and has no intention of taking orders from one.

This movie chronicles the trials of the mentally ill and their care-givers in an over-crowded ward of a hospital.

In seventeenth century's Chile a woman kills her lover because she wants to conquer a priest.

In the faraway lands of the south of the Patagonia, in a town made up of wrongdoers and thieves, a mysterious and solitary man takes a prostitute to live with him at his ranch. However, her past follows her, and he is forced to face it head on.

From Emile Zola's novel "La Bete Humaine", tells the story of a jealous husband, a provocative woman and a man with an uncontrollable desire to kill.

After an accident in a Buenos Aires shipyard a young boy is in the hospital in critical condition, and the boy’s anxious mother has a dream that includes an actress named Gloria Rivas she saw on a poster. Her son, now grown, ends up involved with the actress. Will she be his downfall? Was the dream a premonition?

In a Mexican village during XIX century, word spread of a curse. Old José tells Carmen about the curse surrounding the Bridge of Punishment, said to affect anyone who wishes for another person’s death.

Accidental meeting between a pop-music superstar and a politician's daughter turns into a big romance... but class distinctions, and scandal in the family.

Group of tango musicians picks up an aspiring young chanteuse at one of their whistle stop engagements; film focuses on their collective path to stardom, romantic conflicts between the woman and two guys in the band and some peripheral crime-drama stuff.

When a man agrees to join a gang of criminals, his life becomes a complicated labyrinth that he will have to leave in order to be saved.

Como tú ninguna is a black and white film co-produced by Argentina and Mexico directed by Roberto Ratto according to his own script that premiered in 1946 at the Teatro América and starred José Cibrián and Maritza Rosales.

The daughter of a fashion house owner falls in love with the designer of a competitor business.

The beautiful wife of a mediocre and good-natured butcher falls in love with a cerebral philosophy professor who little by little reveals to her a horizon that conflicts with her innocence.

A successful tango singer struggles to cope with the demands and opportunities of fame.

A film star enjoys a romance with the daughter of a puppeteer, but his criminal past threatens to ruin it.