Janni Goslinga

A Dutch TV journalist finds himself challenging the police, courts and media as he attempts to uncover the truth about the controversial 1999 Deventer murder case.

A woman and her two young children struggle for answers and shared closure after their husband and father, a professional cave diver, doesn't return from an expedition.

A girl lies dying in a hospital room. A priest wants to enter, but her doctor, Ruth Wolff, won't allow it. The incident brings her into such heavy external fire that the survival of her hospital is threatened. At the same time, a colleague takes advantage of the case to bend an internal appointment procedure to his will.

In Roman tragedies, Ivo van Hove and Jan Versweyveld have created a unique arena in which Shakespeare speaks about our time more than ever and the political game in all its facets.

All parents, children and grandparents of ‘Oogappels’ end the year in style in the New Year’s Eve special ‘Goudappels’. Everyone is preparing for a festive evening. Although New Year’s Eve also makes some people a bit despondent. They all experience the midnight hour in their own way. Time to get everything together and make some New Year’s resolutions. What has the past year brought? And what does the coming year have in store? Will New Year’s Eve go as expected for everyone?

After a bizarre accident leaves Fransje Hermans in a wheelchair, he seems doomed to live out his days in the sluggish village of Lomark. The accident leaves him unable to move or speak, and with the exception of one functional arm, his life seems hopeless. All that changes when charismatic newcomer Joe Speedboot arrives and forms an unlikely friendship with Fransje.

Based on Ibsen, Simon Stone wrote and directed a grand family saga about the troublesome but inevitable coexistence of different generations under one roof. Maarten Heijmans received the Arlecchino (best male performance in a supporting role) for his portrayal of Sebastiaan.

In Kings of War, director Ivo van Hove focuses on political leadership. The original texts were retranslated by Rob Klinkenberg and then thoroughly adapted: the Hundred Years' War between England and France, and the Rose Wars between the houses of Lancaster and York for the English throne, which are emphatically present as a historical context in the original pieces, were referred to the background in the adaptation in order to accommodate a varied portrait of successive kings. As leaders in times of political instability and war, they show remarkable affinities with world leaders today.

From the filmmaker's perspective, we follow the process of a possible feature film about a photographer (Lea) tasked with capturing the energy transition in Amsterdam's harbor area. This brings up a flood of memories and associations. What do you do with what hasn't gone well in your life? How well can you know someone dear to you? Filmmaker and character turn out to coincide more and more during the process.

Reconnecting in the 1990s years after being school bandmates, two budding musicians struggle to balance success and happiness when they form a Eurodance act that skyrockets them to fame and fortune.

What happens when film breaks out of its frame and unfolds as space around you?

Doodslag (Dutch for "Manslaughter") is the story of Max, a paramedic who is repeatedly hindered in performing his duties by loutish behaviour. As his ambulance hurries towards a complicated childbirth, some youths prevent Max from reaching the distressed woman in labour. Spurred on by the emergency and the incendiary words of a TV pundit, he reaches a boiling point and forcefully hits one of the men obstructing his ambulance. Max's strike has far-reaching, unintended consequences.

When popular TV show host Dr. Love goes missing ahead of the annual Christmas special, a zany search for his replacement and holiday romance ensues.

Israel, 1956: Jewish teacher Rachel Stein rather unexpectedly meets an old friend at the kibbutz. It brings back memories of her experiences in the Netherlands during the war, memories of betrayal. In September 1944, Rachel's hiding place is bombed by Allied troops; she makes contact with a resistance member and joins a group of Jews to be smuggled across the Biesbosch to the freed South Netherlands. Only Rachel escapes a massacre by patrol Germans, and is rescued by a resistance group under the leadership of Gerben Kuipers, whose son is captured trying to smuggle weapons. Kuipers asks Rachel to seduce SS-hauptsturmführer Ludwig Müntze, a mission that she will soon learn that the boat attack wasn't a coincidence.

Rosa is thirteen. She is sensitive, creative and has a sense of humor. But she is also good at worrying, dissatisfied with her appearance, insecure and shy. Rosa's mother wants to live together with her new boyfriend, so they move to Groningen, where Alexander lives. Rosa hates that. She must leave everything she knows and what is familiar to her behind. including her best friend Esther. She has to go to a new school where she doesn't know anyone, and live in the house of Monkeyass! Basically, she needs a lot of things she doesn't want. How will she survive this?

March 11th, 2002. John R. takes the head of security and 17 others hostage in Amsterdam biggest skyscraper. John R. demands to speak with the Philips head of Sound&Vision. His goal is to warn people about a large-scale fraud, aimed at brainwashing consumers by means of widescreen TV sets. In the film, we find out about John's preliminary frustrations, his bizarre encounter with Philips head of Sound&Vision Gerard Wesselinck, their impossible friendship, rivalry and John's armed attempt to force the executive to do penance in public.

Hannah, the headstrong rebel of seven siblings, tries to avoid the preparations for her parent's wedding anniversary, but her charming brand-new lover Victor sort of drags her along, and soon proves an ideal son-in-law, which arouses mixed feelings in her. The sister in law who for years tries to fit in but always felt ignored gets a fit because Victor is immediately invited to chip in and join the anniversary river cruise, so they take over the organization from her. Yet when he confides in her the bunch is miserable at communicating, she claims he can't judge after just one evening and seems suddenly uncertain whether to stay with Victor who proves quite patient and understanding...

A black comedy set in the 1960s in a small Netherlands community, populated by a cast of eccentrics, all of whom hold a range of sexual obsessions and frustrated desires.

No synopsis available yet.

Kees (Ramsey Nasr) is a gently eccentric loner who takes his imaginary dog for a walk each evening and likes to listen in on his neighbors' conversations. He is lonely. He has no real family, as his father is dead and his mother is institutionalized. However, when the chronically unemployed Kees gets a job at a bank, many of his co-workers don't know what to make of him, and scarcely anyone talks to him -- until the day someone comments on a photo in his wallet. Though he doesn't actually know the woman in the picture, Kees tells them the woman in the photo is his girlfriend and starts spinning tales about their "relationship." Before long, Kees has invented an entire alternate personality and is stealing photos from others to fit the new "friends" and "family" he's created.

Ivo van Hove's direction of Les Damnés had its world premiere as the opening performance of the Festival d'Avignon. This theatrical adaptation, based on a film script by Italian film director Luchino Visconti, shows how a family of rich German industrialists is fatally corrupted by its collaboration with the Nazi party that has come to power. Family patriarch Baron Joachim resists and is liquidated. The struggle for the succession leads to an escalation of intrigues and manipulations, betrayal and murder.