Directing
Nathan Kroll
Born — Died
1911-11-05 — 2000-09-14
Known for
Directing
Credits
5 titles
Known for
5.3A filmed version of Aaron Copland's most famous ballet, with its original star, who also choreographed.
Appalachian Spring
1959
6.0A glimpse into the world and methodology of dancer Martha Graham.
A Dancer's World
1957
8.0Traces the origins and actions of World War I, from the funeral of Britain's King Edward VII to the Versailles Treaty.
The Guns of August
1964
5.9Night Journey, the dance, had its premiere only two and a half years after Appalachian Spring, and it is a close cousin. It too has a stream-of-consciousness narration: Jocasta, as she is about to kill herself, remembering what has happened to her. It too contains soul-delving solos, broken up by ensemble dances. Here, however, the ensemble is a darker element. As the story was taken from Greek tragedy, so the corps is the equivalent of Greek tragedy’s chorus. They tell us how to feel: afraid mostly. In this piece Graham pushed her habitual economy to its limits.
Night Journey
1960
Behind the camera
5.3A filmed version of Aaron Copland's most famous ballet, with its original star, who also choreographed.
Appalachian Spring
1959
6.0A glimpse into the world and methodology of dancer Martha Graham.
A Dancer's World
1957
8.0Traces the origins and actions of World War I, from the funeral of Britain's King Edward VII to the Versailles Treaty.
The Guns of August
1964
8.0Traces the origins and actions of World War I, from the funeral of Britain's King Edward VII to the Versailles Treaty.
The Guns of August
1964
5.9Night Journey, the dance, had its premiere only two and a half years after Appalachian Spring, and it is a close cousin. It too has a stream-of-consciousness narration: Jocasta, as she is about to kill herself, remembering what has happened to her. It too contains soul-delving solos, broken up by ensemble dances. Here, however, the ensemble is a darker element. As the story was taken from Greek tragedy, so the corps is the equivalent of Greek tragedy’s chorus. They tell us how to feel: afraid mostly. In this piece Graham pushed her habitual economy to its limits.
Night Journey
1960
