
Acting
Ulhas
Acting credits
7.0Radical journalist Diwakar clashes with his traditional father and a scheming politician, Vithalrao, who seizes his newspaper. Disgusted, Diwakar leaves home. His wealthy girlfriend, Nalini, initially supports Vithalrao but later campaigns for Diwakar, who represents slum-dwellers in an election. Despite her father's support, Nalini urges voters for Diwakar. Nalini wins, but Diwakar's loss is depicted as a moral victory, critiquing middle-class materialism.
Mera Ladka
1938
7.0Anita is a weird girl, who either loses her memory or pretends to not remember.
Anita
1967
NRWhen mistaken to be a sage by some villagers, an ex-tour guide reflects on his past and lost love to search for spiritual wisdom to guide the villagers in this lesser-known English-language version of R.K. Narayan's classic.
The Guide
1965
9.3Meet Pyarelal, a simple-minded, naive young man, orphaned at birth, living with a Muslim landlady, Fatima, who treats him like her son. When the police arrest Pyarelal on the charge of murder, no one really believes that this harmless man could harm anyone, leave alone kill. Their belief is shattered when Pyarelal openly admits in Court that he has indeed committed this crime, and demands capital punishment for it.
Diwana
1967
10.0A princess attempts to win back her kingdom from a powerful shape-shifting sorcerer.
Cobra Girl
1963
10.0Do Bhai (English: The Two Brothers) is a 1947 Indian Bollywood film directed by Munshi Dil. Its starred Ulhas, Kamini Kaushal, Dipak Mukherjee, Tiwari, Rajan Haksar and Paro Devi in lead roles. It was the second highest grossing Indian film of 1947. Raj Karan, Nirmala's father and Forest Officer of the State had brought up Jai from childhood like his son. With the comming of youth the playful comradeship between Nirmala an Jai had naturally changed into deep love. Sarala and Shiva Karan, Nirmala's mother an brother, however hated Jai and they succeeded on day in ousting him from their home. Jai comes accross to know he has a stepmother and stepbrother. He was mistaken as the real son of his stepmother and made Yuvraaj.
Do Bhai
1947
5.4Diwakar is a poet and loves his wife Jamuna on everything. But Jamuna does not agree that Diwakar lives out of sheer poetry in a fantasy world and the real world less and less responsible. Diwakar goes so far that he is a fantasy woman in his wife's body creates what he calls Mohini. Diwakar will soon become a recognized poet and Jamuna gives birth to a boy. Unfortunately, the happiness does not last long: Diwakar loses his job because of a critical songs against the British. Now he can no longer feed his sickly father nor his son, who is starving. All this makes Jamuna angry, but above all Diwakars growing obsession with Mohini. As Jamuna decides to live apart from Diwakar, it is destroyed internally and no longer capable of proof. Jamuna slowly realizes that she can not live without Diwakar and forgives him.
Navrang
1959
8.3Gul Mirza is a poet who sings ghazals at Shahenshah Arkat-Ul-Daula's palace and wins the heart of his daughter, Sahebzadi Aalam. They agree to marry once he finishes his service in the royal army. But when his widowed mother is murdered one night, Gul Mirza speaks out against Arkat and gets labeled a rebel, perhaps never able to meet Aalam again. Inspired by a famous legend from the Mughal era.
Shama Parwana
1954
5.8A big-game hunter's son and a Hindu boy brave the jungle in order to deliver a baby white elephant to an Indian temple.
Maya
1966
6.7A tourist guide meets an unhappy married woman who wants to take up dancing. With his motivation, she becomes a successful dancer but success corrupts the man's mind.
Guide
1965
NRA woman faces all of her marital hardships given by her husband with patience.
Nek Pervin
1946
7.0A delicately nuanced psychological drama, exploring a 3-way relationship between the main characters and the crisis of conscience that rocks it. A prosperous, well-respected lawyer, in love with and engaged to an educated, socially-conscious young woman, rapes a poor local village milkmaid. The rest of the story deals with the aftermath of this tragic event, with all the inevitable undercurrents of guilt, penitence and pervasive heartbreak that stem from it.
Amar
1954
7.0Angara and Vikram fall in love despite their family being from different clans and having a feud.
Sehra
1963
8.0A scientist renowned for creating a potion that makes him invisible is framed for the murder of his prospective father-in-law.
Aadhi Raat Ke Baad
1965
9.0A Bollywood Sinbad film with effects work by Tsuburaya Productions.
Sinbad, Alibaba and Aladdin
1965
8.0A struggling artist accidentally kills a man on a "wet night." Unbeknownst to him, a wealthy witness falls for his sister. Their love blossoms, but the hidden truth of the murder threatens to unravel everything, forcing them to confront a dark past that could shatter their future.
Bheegi Raat
1965
6.6A fictionalized account of the life of poet and nobleman Mirza Ghalib during the reign of the last Mughal Emperor, told through the lens of his ill-fated love for a beautiful courtesan he called Chaudhvin.
Mirza Ghalib
1954
8.0A guitar-carrying musician and a rebellious runaway wealthy woman go on the run from organized gangsters.
Kismat
1968
8.0Bhavani Prasad is a powerful thug, who masquerades as a priest. His son Shankar refused to follow his path so he wants his grandson Kundan to carry on the legacy. When his son protests, in a fit of rage, Bhavani gets Shankar killed and passes the buck to his cousin Naubat Lal. When Naubat Lal spills the beans he gets him killed as well, which deepens the family feud.
Sunghursh
1968
7.0Heer Raanjha is a 1970 Indian Hindi-language romantic musical film directed by Chetan Anand. It stars Raaj Kumar and Priya Rajvansh and tells the tragic love story of Heer, a wealthy girl, and Ranjha, who has been banished by his family. The film is often referred to as a Punjabi version of "Romeo and Juliet.
Heer Raanjha
1970
6.6Set in the 19th century against the backdrop of the Mutiny of 1857, the film is about the bravery of queen Lakshmibai, Rani of Jhansi, who took up arms and led her army against the British.
Jhansi Ki Rani
1953
7.0Classic Bollywood film about a young man whose poverty leads him to commit crimes which, in turn, lead him to harsher and harsher punishments.
Kundan
1955
7.6Progressive, reform-minded young warden gets permission to take six surly murderers from prison to dilapidated country farm, to rehabilitate it and themselves through hard work and kindly guidance.
Do Ankhen Barah Haath
1960
A biographical film that chronicles Netaji Subhas Chandra Bose's radical involvement in the Indian independence movement and his dedication to the Indian National Army (INA).
Netaji Subhash Chandra Bose
1966