Peter Nestler

No synopsis available yet.

A strangler is loose on a British estate, and he not only strangles his victims but brands an "M" onto their foreheads before he decapitates them.

Tensions rise when a U.S. military base is built in a small village in post-war Germany.

1802: The adventurous life story of Hans Bückler, known as “Schinderhannes”, who fights against the French occupying forces and large landowners who exploit poor farmers in the Hunsrück region during the Napoleonic Wars.

The film develops 5 questions about documentary film against the background of the media-political situation of the early 1970s in West Germany. The following topics are developed: (1) the personal approach of filmmaker Klaus Wildenhahn to his profession; (2) the technical and technical approach of cameraman Rudolf Körösi; (3) the development of documentary film based on John Grierson's British School of Documentary Film; (4) the working conditions and political framework for the production of documentary films at WDR and NDR; (5) the constitutive characteristics of socially relevant documentary film.

A short pamphlet based on a text by Peter Weiss and on the contrapuntal use of the relation between image and sound. The commercial activities and fantasies linked to tourism in Sweden are contradicted by the geopolitics of capitalist imperialism, in particular with the war in Vietnam.

No synopsis available yet.

No synopsis available yet.

A short pamphlet based on a text by Peter Weiss and on the contrapuntal use of the relation between image and sound. The commercial activities and fantasies linked to tourism in Sweden are contradicted by the geopolitics of capitalist imperialism, in particular with the war in Vietnam.

The film presents artists from the Sinti and Roma minority who shape the trauma of persecution and very personal experiences in their works.

The film presents artists from the Sinti and Roma minority who shape the trauma of persecution and very personal experiences in their works.

For more than eight decades, German Sinti and Roma experienced injustice. The film tells of the family of activist Romani Rose, their resistance and insistence on justice. The painful story of a minority between trauma and self-assertion. The two-part film deals with various forms of resistance by German and Austrian Sinti and Roma over eight decades. It is about rebellion against injustice and the insistence on dignity and justice.

For more than eight decades, German Sinti and Roma experienced injustice. The film tells of the family of activist Romani Rose, their resistance and insistence on justice. The painful story of a minority between trauma and self-assertion. The two-part film deals with various forms of resistance by German and Austrian Sinti and Roma over eight decades. It is about rebellion against injustice and the insistence on dignity and justice.

This work produced by Swedish television, where Swedish kids reads texts written by Japanese kids about their experiencing of and surviving the bombings. In the film we see images/drawings painted by these children. Nestlers inspiration comes from the book Children of the A Bomb "Five years after the atom bomb fell on Hiroshima, a Professor of Education at Hiroshima University organized a project to preserve for the record the stories of those who had been on the receiving side of that catastrophic explosion. (Martin Grennberger)

The first part of a history about the history of paper.

Nestler highlights visits by several German entrepreneurs to oil facilities. In the 1970s, Peter and his wife, Zsóka Nestler, collaborated on a series of educational films for television that focused on craft-making. These “biographies of objects” are rigorous investigations into the history of working techniques, production processes, and materials.

Peter Nestler illustrates a poem by Hans Sachs from 1540.

A film of Hungarian folk artists, sharing their handicrafts and paintings with the filmmakers.

A film of Hungarian folk artists, sharing their handicrafts and paintings with the filmmakers.

Jewish painter Leopold Mayer fled his native Frankfurt at the rise of the Nazi regime. Although briefly finding refuge in France, where he changed his name to Leo Maillet, his stay was cut short by Germany's invasion of Paris. Flucht traces Maillet's escape from the Gestapo and the French police, using Maillet's "Entre chien et loup" series of paintings as the framework for the film. Accompanied by Maillet's son Daniel, Peter Nestler revisits the late artist's hiding places and depicts a hauntingly beautiful portrait of an outstanding artist on the run.

Jewish painter Leopold Mayer fled his native Frankfurt at the rise of the Nazi regime. Although briefly finding refuge in France, where he changed his name to Leo Maillet, his stay was cut short by Germany's invasion of Paris. Flucht traces Maillet's escape from the Gestapo and the French police, using Maillet's "Entre chien et loup" series of paintings as the framework for the film. Accompanied by Maillet's son Daniel, Peter Nestler revisits the late artist's hiding places and depicts a hauntingly beautiful portrait of an outstanding artist on the run.

Portrait of a small south German village and its residents in the early sixties. Rural culture is undergoing a transformation caused by the intrusion of the industrial world. Gestures at work and words of its inhabitants.

Portrait of a small south German village and its residents in the early sixties. Rural culture is undergoing a transformation caused by the intrusion of the industrial world. Gestures at work and words of its inhabitants.

Documentary about empty space in Berlin

The story begins on a hilltop, at an old castle that served as a German observation post in 1942. The traces of German fascism have also left their mark on this landscape.

A documentary of the town of Sheffield's main pub and the people who went there.

A documentary of the town of Sheffield's main pub and the people who went there.

Essay film about the origins of war in human history.

Essay film about the origins of war in human history.

A cheerful take on the lives of school children in a Swiss rural environment. Young pupils recite short essays they have written on subjects such as the long walk to school, the distribution of milk during breaks, and a brawl in the courtyard.

A cheerful take on the lives of school children in a Swiss rural environment. Young pupils recite short essays they have written on subjects such as the long walk to school, the distribution of milk during breaks, and a brawl in the courtyard.

Documentary about the journey of a barge through East Germany.

The revolt at Sobibór extermination camp in October 1943 is a central episode of resistance against national socialism. Thomas «Toivi» Blatt, son of a Jewish businessman, was 15 when he was deported to Sobibór. Blatt was among those who managed to escape during the uprising only to find his newly found freedom deceptive when old friends and neighbours refused to help. Director Peter Nestler accompanied Toivi Blatt on his trips through Poland.

The revolt at Sobibór extermination camp in October 1943 is a central episode of resistance against national socialism. Thomas «Toivi» Blatt, son of a Jewish businessman, was 15 when he was deported to Sobibór. Blatt was among those who managed to escape during the uprising only to find his newly found freedom deceptive when old friends and neighbours refused to help. Director Peter Nestler accompanied Toivi Blatt on his trips through Poland.

A hommage to Jean-Marie Straub's and Danièle Huillet's film Quei loro incontri (2005), and to their access to cinema itself. In various encounters and conversations Nestler offers an insight into their life and work, including passages from Italian poet Cesare Pavese.

A hommage to Jean-Marie Straub's and Danièle Huillet's film Quei loro incontri (2005), and to their access to cinema itself. In various encounters and conversations Nestler offers an insight into their life and work, including passages from Italian poet Cesare Pavese.

A tribute to the victims of a mining disaster that happened in 1930 in Silesia before the reign of Nazi Germany.

The film consists of a staged discussion between Greek political refugees in Sweden. Dialogue is mainly in Greek, but the first few minutes shows one of the participators giving some background to the political situation in Greece in Swedish. This historical background is also illustrated with some archival material. The film was produced for Swedish public television but was never aired.

“Don’t be scared,” he’d whisper, “There’s nothing to be scared of. It’s just the hollow people.” Peter Nestler has made a film based on Israeli author and scriptwriter Etgar Keret’s short story “The Hollow Men”. a man’s memories of his childhood, marked by the fear of bodiless voices and masks. A beautiful and terrible miniature at the same time.

In his first film, Peter Nestler gives voice to an old floodgate. A nearby village, its inhabitants, wooden posts and twisted willow rods are presented from this unusual perspective. The floodgate ponders the fisher boats coming home from the sea along the shipping channel which is fed at low tide by a small river.

In his first film, Peter Nestler gives voice to an old floodgate. A nearby village, its inhabitants, wooden posts and twisted willow rods are presented from this unusual perspective. The floodgate ponders the fisher boats coming home from the sea along the shipping channel which is fed at low tide by a small river.

Roma and Sinti people talk about their experiences in the Third Reich and the Federal Republic of Germany, inspired by Otto Pankok’s paintings of Romani theme and subject in the 1930s, declared degenerate art by the Nazis. These are moving narratives of persecution, discrimination, marginalisation, of life as second-class human beings, all of which lasts, incredibly enough, right up to the allegedly democratic present day of the film, since they live in inhumane conditions in barracks at the margins of cities and society and are not officially recognised as Nazi victims. Long, nearly uncut sequences open space for the people and their stories. That’s all it takes for one of Peter and Zsóka Nestler’s most important works.

Roma and Sinti people talk about their experiences in the Third Reich and the Federal Republic of Germany, inspired by Otto Pankok’s paintings of Romani theme and subject in the 1930s, declared degenerate art by the Nazis. These are moving narratives of persecution, discrimination, marginalisation, of life as second-class human beings, all of which lasts, incredibly enough, right up to the allegedly democratic present day of the film, since they live in inhumane conditions in barracks at the margins of cities and society and are not officially recognised as Nazi victims. Long, nearly uncut sequences open space for the people and their stories. That’s all it takes for one of Peter and Zsóka Nestler’s most important works.

In 1950, Picasso was offered a room that had once been used as a chapel in his hometown of Vallauris. He pictured turning it into a “pagan site for a unique cult” that would “unite all the people and be dedicated to peace.”

Today, the Römerstrasse in Italy's Aosta valley, is a significant traffic artery in the center of modern Europe. Nestler's journey explores the moving history of the Aosta valley, which passed through many hands - from the Roman Empire to Burgundian and Frankish kingdoms - until it was acquired by Italy in the 11th century. The now busy motorway, which runs from the Po Valley to the Great and Little St. Bernhard passes, is revealed through the timeless eyes of a historian. At the same time, the documentary sheds light on cultural traditions and contemporary life in the region.

Today, the Römerstrasse in Italy's Aosta valley, is a significant traffic artery in the center of modern Europe. Nestler's journey explores the moving history of the Aosta valley, which passed through many hands - from the Roman Empire to Burgundian and Frankish kingdoms - until it was acquired by Italy in the 11th century. The now busy motorway, which runs from the Po Valley to the Great and Little St. Bernhard passes, is revealed through the timeless eyes of a historian. At the same time, the documentary sheds light on cultural traditions and contemporary life in the region.

This dialogue-free short is edited to music and the rhythms of change in a small town in the Ruhr region, shot a few years after the first mining pits were closed in the area. Nestler takes his audience on a journey through mining pits, coal heaps, cold stores, and to workingmen settlements and pubs of Mülheim.

This dialogue-free short is edited to music and the rhythms of change in a small town in the Ruhr region, shot a few years after the first mining pits were closed in the area. Nestler takes his audience on a journey through mining pits, coal heaps, cold stores, and to workingmen settlements and pubs of Mülheim.