Jun Urbano

"Ang Pagbabalik ng Ibong Adarna,” looks into our lost film history and the fight to restore and protect films for the future generations. It focuses on “Ibong Adarna,” one of only six surviving pre-war Filipino movies and the first Filipino film partially made with color. Jeff also follows the story of Mila, one of the movie queens during the golden age of Philippine Cinema, who passionately fought to protect the industry she loved.

On Christmas eve, four lonely kids are chosen to save Magikland, a fantastic and magical world where all the world’s toys and games come from.

Allan and Mia meet in the most unexpected way. They eventually become close, causing their romance to blossom. Faced with huge decisions in life, the two find it hard to fight for their love for each other.

Before he became one of the world's greatest boxers, Emmanuel "Manny" Pacquiao was a young boy living a hand-to-mouth existence, trying to survive from one day to the next. When he discovers his natural talent for boxing, he embarks on a brutal and intense journey that takes him from the mountains of the Philippines to the streets of Manila, and must risk everything to become a champion - for himself, his family, and his country.

A guy is given a chance to mend the breakup with his girlfriend by going back in time through the help of a magic whiskey, called “wishkey.”

Mayumi is a girl with a happy disposition in life who dreams of meeting her "the one" someday. She has been dreaming of meeting her "the one" and having the perfect wedding ever since she was a little girl. When she meets Lance, a Chinese descendant, in a wedding, she immediately knows that he is "the one" she is waiting for, her faith and destiny. The two of them become lovers despite the unwillingness of their families to their relationship.

Law Law Gang is about a group of petty thieves who found themselves incarcerated for petty crimes they did trying to survive their respective hard lives. While inside the jail, the five men find resolve and bonded together with common conviction never again to commit anything illegal when they get the chance to get out. Instead, they all feel they should be doing their share in improving the lives of their brethren, especially the poor people they meet along the way.

Two aging couple who work in the Filipino film industry, a linear editor and an ex-dubber, who, at the twilight of their lives, decide to part ways to know what’s missing in their lives. They both explore things they haven’t explored before as they both undergo a sexual awakening in their lives. The wife finds comfort in a local school janitor whom she sees a slight parallelism to her life. On the other hand, the husband gets enamored on a shy barrio lass whose face elicit the same weakness he has for women chinita eyes.

The opening voiceover informs us that Lex (Vince Tañada) is returning to the Philippines from Los Angeles, where things didn’t go exactly as planned. In Manila, he is working for film director Jim (Jun Urbano), writing a script for an independent film. He takes inspiration from the people who live in his building. He is enamored with his neighbor Sabina (Monique Azerreda), who he sees climb into a vehicle owned by a congressman running for reelection. Starting from this one fact, he begins imagining an entire life of intrigue of betrayal that has him returning to his childhood.

Infinite struggles among four men in their twilight years, confined in a hospice facility or home for the aged. Their gray hair grows and fades unnoticed, their lives enter the void of oblivion. Everything unfolds so naturally into their swan song until their body pains and heartaches yield the same intensity, when their hearing and their feelings become permanently impaired; and when their blurry vision and memories become “clear” signs that the inevitable state of death is as fleeting as the vibrancy of life itself.

A 2007 Filipino satire written and directed by Jun Urbano

SYNOPSIS. Fidel (Paolo Contis) is a fresh culinary arts graduate from a Swiss school, working as an under-chef in a casino restaurant in Macau. Fidel is compelled by his mother, Inay Viring (Maricel Laxa), to come back to their hometown in time for the first death anniversary of his father. Fidel starts apprenticing with the town's lechon master, Mang Carding (Jun Urbano) and falls in love with Carding's granddaughter, Carmel (Karylle). As the story moves forward, Fidel is constantly confronted by his familly's over-dependence on him, even if the eldest in the family is his Kuya Roger (Gerard Pizzaras), an ill-tempered trisikad driver. Meanwhile, Fidel's teen sister gets pregnant by her high school boyfriend, and before long has a bad miscarriage. At around the same time, Tiyo Pinoy (Michael de Mesa) stabs the lover of his wife Cora (Joanne Quintas). All this domestic turmoil happens while Fidel is struggling through his training as a litsonero with Mang Carding.

The Kingdom of Damortis was once ruled by the kind-hearted Empress Sofia who was ordered to be killed by Basilicus, her brother who has a great desire for the throne. Princess Dahlia, heir to the throne elopes with the blind singer Mico. Amain and his warrior trainees, Jobert, Samuel, and Oman are tasked to protect the princess and save Damortis from the evil forces of Basilicus.

The magical world of "Samadhi" is threatened by the evil forces of Ravenal and Sifu sends out three teenage boys to journey on the Magic Temple. Jubal, Sambag, and Omar, each with their own unique power battle the threat to the world of Samadhi and along the way face many extraordinary things. The boys are sure to face a huge battle ahead of them but with the help of magical creatures they met along their journey, evil is eliminated and they learn the true value of camaraderie and believing in themselves to face any problem.

No synopsis available yet.

A minion named Anghel had been working with boss in order to prevent himself from police.

Based on a true story about a valiant Vietnamese Military Officer whose family and fiancé fell victim to injustice and ruin during the Communist insurgency in Vietnam. The film was shot in two versions, a Vietnamese and a Tagalog version, and with each version's main characters played by its own set of native actors.

A satire on the social foibles of Filipinos in and out of government, of society, and politics in general.

No synopsis available yet.