Kent Jones

At the very end of the 1970s, post office worker Ed Saxberger wrote a book of poetry that nobody cared about. After an eager and flattering fan appears on his doorstep, Saxberger is beckoned into a coterie of young admirers who anoint him a rediscovered genius. The group of downtown bohemians is led by their "tragic heroine," Gloria. Intoxicated by the attention, and Gloria's alluring presence, Saxberger gradually reckons with the authenticity of his newfound poetic circle.

The image of a mysterious, solitary filmmaker - a cineaste maudit - who flees from both the media and the public, is unrelentingly bound to the figure of Leos Carax, in France. Elsewhere, the real focus is on his films and he is considered to be an icon of world cinema. Mr.X dives into the poetic and visionary world of an artist who was already a cult figure from his very first film. Punctuated by interviews and unseen footage, this documentary is most of all a fine-tuned exploration of the poetic and visionary world of Leos Carax, alias "Mr.X".

The Concert for New York City (2001) captures the star-studded benefit held at Madison Square Garden on October 20, 2001, honoring the city’s resilience and the heroism of first responders after 9/11. Attended by thousands of firefighters, police officers, and rescue workers, the concert features performances by Paul McCartney, The Who, Elton John, Billy Joel, and other music legends in a powerful tribute to unity, courage, and recovery.

Filmmakers discuss the legacy of Alfred Hitchcock and the book “Hitchcock/Truffaut” (“Le cinéma selon Hitchcock”), written by François Truffaut and published in 1966.

World-renowned director Martin Scorsese narrates this journey through his favorites in Italian cinema.

Highlighting one of the most innovative American directors, this film reveals the path traveled by the auteur from his small-town Texas roots to his warm reception on the awards circuit. Long before he directed Boyhood, Richard Linklater’s intense desire to create fueled his work outside the Hollywood system. Rather than leave Texas, he chose to collaborate with like-minded artists crafting modest, low-budget films in a DIY style. His ability to showcase realistic characters and tell honest stories was evident from his films, and others soon took notice of his raw talent.

At the very end of the 1970s, post office worker Ed Saxberger wrote a book of poetry that nobody cared about. After an eager and flattering fan appears on his doorstep, Saxberger is beckoned into a coterie of young admirers who anoint him a rediscovered genius. The group of downtown bohemians is led by their "tragic heroine," Gloria. Intoxicated by the attention, and Gloria's alluring presence, Saxberger gradually reckons with the authenticity of his newfound poetic circle.

The Concert for New York City (2001) captures the star-studded benefit held at Madison Square Garden on October 20, 2001, honoring the city’s resilience and the heroism of first responders after 9/11. Attended by thousands of firefighters, police officers, and rescue workers, the concert features performances by Paul McCartney, The Who, Elton John, Billy Joel, and other music legends in a powerful tribute to unity, courage, and recovery.

Filmmakers discuss the legacy of Alfred Hitchcock and the book “Hitchcock/Truffaut” (“Le cinéma selon Hitchcock”), written by François Truffaut and published in 1966.

Filmmakers discuss the legacy of Alfred Hitchcock and the book “Hitchcock/Truffaut” (“Le cinéma selon Hitchcock”), written by François Truffaut and published in 1966.

World-renowned director Martin Scorsese narrates this journey through his favorites in Italian cinema.

Diane is a devoted friend and caretaker, particularly to her drug-addicted son. But as those around her begin to drift away in the last quarter of her life, she is left to reckon with past choices and long-dormant memories.

Diane is a devoted friend and caretaker, particularly to her drug-addicted son. But as those around her begin to drift away in the last quarter of her life, she is left to reckon with past choices and long-dormant memories.

An unconventional take on the life of Jesus Christ.

Martin Scorsese narrates this tribute to Val Lewton, the producer of a series of memorable low-budget horror films for RKO Studios. Raised by his mother and his aunt, his films often included strong female characters who find themselves in difficult situations and who have to grow up quickly. He is best remembered for the horror films he made at RKO starting in 1940. Starting with only a title - his first was The Cat People - he would meticulously oversee every aspect of the film's completion. Although categorized as horror films, his films never showed a monster, leaving it all to the viewers imagination, assisted by music, mood and lighting.

Martin Scorsese narrates this tribute to Val Lewton, the producer of a series of memorable low-budget horror films for RKO Studios. Raised by his mother and his aunt, his films often included strong female characters who find themselves in difficult situations and who have to grow up quickly. He is best remembered for the horror films he made at RKO starting in 1940. Starting with only a title - his first was The Cat People - he would meticulously oversee every aspect of the film's completion. Although categorized as horror films, his films never showed a monster, leaving it all to the viewers imagination, assisted by music, mood and lighting.

Martin Scorsese reflects on the profound influence of director Elia Kazan, tracing his artistic journey from the Group Theatre to Hollywood success and the controversies of the blacklist era. Co-directed with Kent Jones, the film combines interviews and clips from Kazan’s classics—On the Waterfront, A Streetcar Named Desire, and America, America—to portray him as a deeply personal filmmaker within an often impersonal industry.

Filmmaker Martin Scorsese looks back over the impact of The Statue of Liberty on the Twentieth Century, her evolution, what she meant to people of the past, and what she continues to mean after September 11th, 2001.

Filmmaker Martin Scorsese looks back over the impact of The Statue of Liberty on the Twentieth Century, her evolution, what she meant to people of the past, and what she continues to mean after September 11th, 2001.

Martin Scorsese revisits the Little Italy streets where he grew up, reflecting on how the neighborhood’s people, culture, and daily life shaped his outlook and influenced the stories he would later tell on film.

A 25-minute visual essay by Kent Jones about Jean-Luc Godard and his film 'Weekend'.

A 25-minute visual essay by Kent Jones about Jean-Luc Godard and his film 'Weekend'.