Claudia Cabezas

In 1988, Chilean military dictator Augusto Pinochet, due to international pressure, is forced to call a plebiscite on his presidency. The country will vote ‘Yes’ or ‘No’ to Pinochet extending his rule for another eight years. Opposition leaders for the ‘No’ vote persuade a brash young advertising executive, René Saavedra, to spearhead their campaign. Against all odds, with scant resources and while under scrutiny by the despot’s minions, Saavedra and his team devise an audacious plan to win the election and set Chile free.

It’s 1948 and the Cold War has arrived in Chile. In the Congress, prominent Communist Senator and popular poet Pablo Neruda accuses the government of betraying the Party and is stripped of his parliamentary immunity by President González Videla. The Chief of Investigative Police instructs inspector Óscar Peluchonneau to arrest the poet. Neruda tries to escape from the country with his wife, the painter Delia del Carril, but they are forced to go underground.

As an unknown and deadly disease begins to spread, legend has it that it is transmitted between two men, through a simple glance, when they fall in love. While people are accusing her family, Lidia must find out whether this myth is real or not.

Ema is a magnetic and impulsive dancer in a reggaeton troupe. Her toxic marriage to choreographer Gastón is beyond repair, following a decision to give up on their adopted child Polo. She sets out on a mission to get him back, not caring who she’ll need to fight, seduce or destroy to make it happen.

Pablo, a 12-year-old boy, receives a scholarship to attend school in the mysterious and isolated Colonia Dignidad established in Chile by German settlers. It seems to be quite a privilege for a kid like him, and he quickly becomes the favourite of the leader of the colony, Uncle Paul. Over time, Pablo witnesses some kind of strange things which happen there and make him act differently than the other students.

Julia, a young teenage schoolgirl, tries to hide her newborn baby from her parents.

Ten segments linked to a primary idea: an evocation of the early cinema images.

A music student’s testimony ignites a feminist uprising on her campus, where protest becomes performance and collective voice becomes an act of resistance.

During 1648, a dreaded commissioner of the Holy Inquisition arrives at Santiago. Social, political and religious life is shaken when six respected and married women are accused of committing the sin of fornication.

Ten years after her daughter was the victim of a hate crime, brutally beaten in the streets of Santiago for being a lesbian, Nancy is asked to participate in an unsolved mysteries TV show that will recreate the incident. Nancy, a hairdresser who has worked very hard to move on with her life, will have to decide if finding justice for her deceased daughter is worth exposing herself and her family on television.

Juan, a young guitarrist that has inherited his father's business, meets Sofía, a girl who's about to get married. Together they start a road trip through Northern Chile, where they could seek answers to their destinies.

Sebastian and Paula meet each other in a subway. A friendship develops that forces them to examine their lives.

Isidora immerses itself, in the manner of a journey through time and space, in the life of Chilean playwright Isidora Aguirre (1919-2011) and in the main ones of her 30 plays, which are recreated on screen by outstanding actors. Mixing family archives, life diaries and interviews she gave at the age of 91, the film becomes the creative biography of the author of La Pergola de las Flores, her most famous work, and opens the door to the social and political issues she narrated in her theater, the utopias that could not be and the conflicts that are still ongoing in Latin America.

Ariel gets involved in a teenager's civil arrest, who is accused of stealing a phone. A mob surrounds the young man and some curse and beat him, some defend him. The police isn't showing up. Ariel has to decide what side he is on.

Formal exercise on the use of the foreground and the configuration of the world through detail.