William Wegman

A nice guy has just moved to New York and discovers that he must share his run-down apartment with a couple thousand singing, dancing cockroaches.

The New Wave is the seminal compendium of independent video work in the early 1970s. Written and narrated by Brian O'Doherty, this overview of the emerging video field includes examples of guerrilla television and "street" documentaries, early explorations with image-processing and synthesis, and performance video. This historical anthology includes excerpts of tapes by the following video pioneers: Stephen Beck and Warner Jepson, Peter Campus, Douglas Davis, Ed Emshwiller, Bill Etra, Frank Gillette, Don Hallock, Joan Jonas, Richard Serra, Paul Kos, Nam June Paik, Otto Piene, Willard Rosenquist, Dan Sandin, James Seawright, Steina Vasulka, TVTV, Stan Vanderbeek and William Wegman.

Elmo's World celebrates 35 years of Sesame Street. Elmo wants to know more about the street he lives on, so Grover takes him on a trip back in time to see what Sesame Street was like before Elmo was born.

William Wegman's lewd stroking of his dog apes television's crass marketing strategies.

William Wegman and his dogs - Fay Ray, Batty, Chundo, and Crooky - teach children the alphabet.

Mother Goose tries to teach her son, Simon Goose, how to rhyme using some of her famous nursery rhymes.

"In the piece we see the two dogs staring at the camera in a dark room. Their eyes are intently following something off camera. Sometimes their head movement is pull into the action as they crane to follow the whatever it is in various left right and up down directions. At one point the action seems to stop and the dogs begin to blink in syncopation. At this point Hooka settles down into a lying position but Man Ray remains riveted. Towards the end piece the dogs crane to look behind them and at one miraculous moment their motions counter each other. At the end we see the object of their attention…in my hand, a tennis ball."

From 1970-1977 William Wegman created some of the most innovative and important works in the history of video. These early pioneering tapes were created using minimal technology and a few studio props, including Wegman’s canine companion, Man Ray. Consisting of 130 works, some no longer than a television commercial, blurred the boundaries between high and low art as well as art and commerce, and have become a major chapter in the histories of contemporary art and film. This exhaustive compilation has been assembled by the artist with restored material and it contains all nine original reels as well as two later reels. Classics such as Pocketbook Man, Milk/Floor, Stomach Song, Cape On, Stick and Tooth, Spelling Lesson, Dog Duet, Man Ray, Do You Want to? Are included.

Artists Michael Smith and William Wegman — both of whom use conceptual humor as an art-making strategy — collaborated on this satirical commentary on photography, the process of image-making, and the interchange of "high" art and "low" culture. The tape is structured as an instructional guide that advances the "slice of life" method, imparting not only technique, but attitude and approach to the subject of photography. Wegman plays the world-weary artiste, a professional photographer who takes the innocent and earnest Mike under his tutelage. The business of art, the "reality" of the photographic image, and its pervasive role in contemporary culture are among the issues that receive irreverent treatment in this comedic collaboration.

Absurd stories mix with wordplay in the early video works of William Wegman. Product demonstrations, application of household appliance on videotape, stomach hummings. Copyright reminiscing. Man Ray chews the microphone... A selection from the hours of short performances Wegman recorded in his studio from 1970-1978. Selected Video Works includes Two Dogs And Ball (silent), Used Car Salesman, Dog Biscuit In Glass Jar.

William Wegman's lewd stroking of his dog apes television's crass marketing strategies.

William Wegman and his dogs - Fay Ray, Batty, Chundo, and Crooky - teach children the alphabet.

Animated short

A series of short, single-take anecdotes that introduce his idiosyncratic approach to video and humor, these technically raw-edged vignettes use understated means to create conceptual sight gags and absurdist one-liners. Wegman's deadpan spoken delivery of his monologues, and his ingenious use of everyday objects, subvert the viewer's expectations and transform the ordinary into the surreal.

Mother Goose tries to teach her son, Simon Goose, how to rhyme using some of her famous nursery rhymes.

Single-channel digital video, transferred from Sony CV 1/2-inch video tape, black-and-white, sound

"In the piece we see the two dogs staring at the camera in a dark room. Their eyes are intently following something off camera. Sometimes their head movement is pull into the action as they crane to follow the whatever it is in various left right and up down directions. At one point the action seems to stop and the dogs begin to blink in syncopation. At this point Hooka settles down into a lying position but Man Ray remains riveted. Towards the end piece the dogs crane to look behind them and at one miraculous moment their motions counter each other. At the end we see the object of their attention…in my hand, a tennis ball."

No synopsis available yet.

In Reel 1, Wegman creates deadpan one-liners and ironic sight gags from materials that include his own body, everyday objects such as balls and dolls, and his dog Man Ray. The humor derives from the wild incongruity of expected and actual behavior or events. Inanimate objects are personified; extended actions lead to absurd anticlimaxes. In Stomach Song, Wegman sits in a chair, his bare torso facing the camera. As he gruffly hums a song, his torso becomes a face, with nipples as eyes, navel as mouth. Raising his arms, the "facial" features change gender and he hums in falsetto. Other segments find him blowing a feather from his nose and creating pendulous female "breasts" by folding his elbows to his body. The ever-obliging Man Ray drags a microphone in his mouth, laps up milk that Wegman has drooled onto the floor, and, in an oddly poetic exercise, runs through a darkened room with a flashlight in his mouth.

Willam Wegman brings together his famous family of weimaraners to celebrate the 12 days of Christmas in a witty and delightful festival of decorating, crafts, cooking, gift wrapping, fruitcake, and more. Watch as Batty, Crooky, Chundo and Fay celebrate the season as only they can.

In this short parody, Wegman plays an earnest drawing professor — a character that recalls television's Mr. Rogers — who demonstrates to Mark Magill's eager student how all drawing is based on "natural shapes" and how one can "learn by doing." Employing the stylistic conventions of a low-budget television "how-to" show, Wegman and Magill parody the notion of artistic instruction.

Pursuit of a dog biscuit inside a glass bottle creates the type of narrative suspense that draws us into the action on the screen.

A little girl blows a very big bubble and the bubble bursts.

From 1970-1977 William Wegman created some of the most innovative and important works in the history of video. These early pioneering tapes were created using minimal technology and a few studio props, including Wegman’s canine companion, Man Ray. Consisting of 130 works, some no longer than a television commercial, blurred the boundaries between high and low art as well as art and commerce, and have become a major chapter in the histories of contemporary art and film. This exhaustive compilation has been assembled by the artist with restored material and it contains all nine original reels as well as two later reels. Classics such as Pocketbook Man, Milk/Floor, Stomach Song, Cape On, Stick and Tooth, Spelling Lesson, Dog Duet, Man Ray, Do You Want to? Are included.

Artists Michael Smith and William Wegman — both of whom use conceptual humor as an art-making strategy — collaborated on this satirical commentary on photography, the process of image-making, and the interchange of "high" art and "low" culture. The tape is structured as an instructional guide that advances the "slice of life" method, imparting not only technique, but attitude and approach to the subject of photography. Wegman plays the world-weary artiste, a professional photographer who takes the innocent and earnest Mike under his tutelage. The business of art, the "reality" of the photographic image, and its pervasive role in contemporary culture are among the issues that receive irreverent treatment in this comedic collaboration.

No synopsis available yet.

A bottle of nerve manna, a disappearing golf ball and some rocks . . . it all adds up to the Hardly Boys' toughest case yet. The Hardly Boys have returned to Rangeley Lake for another relaxing summer at the Hardly Inn. Fishing, boating, tennis and their friend Chip Mason await them, but the boys soon find themselves enmeshed in a perplexing mystery that puts to the test their sleuthing skills and secret dog powers. What are the Nurse and the Caretaker up to?! And what happened to Gladiola Mason? She invited hem to lunch and now she's disappeared!

A bottle of nerve manna, a disappearing golf ball and some rocks . . . it all adds up to the Hardly Boys' toughest case yet. The Hardly Boys have returned to Rangeley Lake for another relaxing summer at the Hardly Inn. Fishing, boating, tennis and their friend Chip Mason await them, but the boys soon find themselves enmeshed in a perplexing mystery that puts to the test their sleuthing skills and secret dog powers. What are the Nurse and the Caretaker up to?! And what happened to Gladiola Mason? She invited hem to lunch and now she's disappeared!