Cyril Fletcher

A magazine-style television series on BBC1 which was broadcast from May 1973 to June 1994, presented by Esther Rantzen, with various changes of co-presenters. The show presented hard-hitting investigations alongside satire and occasional light entertainment.

Made at a time when David Frost was hosting a chat show in the US and then jetting back to the UK to do three shows over the weekend, called (naturally enough) Frost on Friday, Frost on Saturday and Frost on Sunday. The latter concerned itself with the lighter end of the entertainment spectrum.

A fatherless boy tries to make his fortune despite interference from his rich uncle.

Set in the austere post–World War II British world of rationing, Cyril dreams up an ode to an imaginary character named Merlin Mound who can provide anything one can wish. Merlin becomes real and grants his host's wishes; not by conjuring the items out of thin air, but depriving them from other people's ownership, which leads to trouble.

In 1940 Sally Maitland is forced to leave England, ostracised as a Nazi sympathiser by everyone including her well-to-do family. On the ship to Halifax, Canada, she is courted by Polish aristocrat Jan Orloch and by awkward British navel intelligence officer Jimmy Garrick. She shows herself somewhat more amenable to Orloch's advances, and agrees to meet his mother in Halifax. Once there however, it becomes clear no-one is really who they say they are.

In this feature-length documentary from 1976, Leslie Mitchell and special guests recall the birth of BBC Television forty years before.

A magazine-style television series on BBC1 which was broadcast from May 1973 to June 1994, presented by Esther Rantzen, with various changes of co-presenters. The show presented hard-hitting investigations alongside satire and occasional light entertainment.

Made at a time when David Frost was hosting a chat show in the US and then jetting back to the UK to do three shows over the weekend, called (naturally enough) Frost on Friday, Frost on Saturday and Frost on Sunday. The latter concerned itself with the lighter end of the entertainment spectrum.

Set in the austere post–World War II British world of rationing, Cyril dreams up an ode to an imaginary character named Merlin Mound who can provide anything one can wish. Merlin becomes real and grants his host's wishes; not by conjuring the items out of thin air, but depriving them from other people's ownership, which leads to trouble.