Nina Menkes

From the starting point of her admiration for the pioneering Ukrainian filmmaker Kira Muratova (1934-2018), the director poses a question: is cinema made by women really tougher, more violent? Seeking answers, she talks to great contemporary filmmakers like Catherine Breillat, Virginie Despentes, Alice Diop, Céline Sciamma, Ana Lily Amirpour, and Monika Treut, among others. It becomes obvious that the cinema screen is a space for the projection of real social problems and power relations.

Investigates the politics of cinematic shot design, and how this meta-level of filmmaking intersects with the twin epidemics of sexual abuse/assault and employment discrimination against women, with over 80 movie clips from 1896 - 2020.

A surreal drama about an alienated family set in Koreatown, Los Angeles and Rishikesh, India.

Investigates the politics of cinematic shot design, and how this meta-level of filmmaking intersects with the twin epidemics of sexual abuse/assault and employment discrimination against women, with over 80 movie clips from 1896 - 2020.

Investigates the politics of cinematic shot design, and how this meta-level of filmmaking intersects with the twin epidemics of sexual abuse/assault and employment discrimination against women, with over 80 movie clips from 1896 - 2020.

Hitparkut (Dissolution) combines an almost surreal fairy-tale energy with brutal black and white realism to explore the condition of violence which permeates contemporary Israeli society. Shot is Yafo (the predominantly Arab area of Tel Aviv), the movie follows the moral collapse and first glimmer of redemption, of a young, morose Israeli Jew, played by Israeli actor Didi Fire

Hitparkut (Dissolution) combines an almost surreal fairy-tale energy with brutal black and white realism to explore the condition of violence which permeates contemporary Israeli society. Shot is Yafo (the predominantly Arab area of Tel Aviv), the movie follows the moral collapse and first glimmer of redemption, of a young, morose Israeli Jew, played by Israeli actor Didi Fire

Story of A Red Sea Crossing. Shot in the bars and seedy hotels of East LA, this film is about the inner life of a prostitute imprisoned for killing her pimp.

Story of A Red Sea Crossing. Shot in the bars and seedy hotels of East LA, this film is about the inner life of a prostitute imprisoned for killing her pimp.

A small girl's nightmare. Untitled No.1 is part of Mike Plante's Lunchfilm series of commissioned shorts (made for the cost of a lunch between Plante and filmmaker Nina Menkes).

Firdaus is a Blackjack dealer in a Las Vegas landscape juxtaposed between glittering casino lights and the deteriorating desert oasis. Negotiating a missing husband and neighboring domestic violence, Firdaus’ world unfolds as a fragmented interplay between repetition and repressed anger.

Firdaus is a Blackjack dealer in a Las Vegas landscape juxtaposed between glittering casino lights and the deteriorating desert oasis. Negotiating a missing husband and neighboring domestic violence, Firdaus’ world unfolds as a fragmented interplay between repetition and repressed anger.

Firdaus is a Blackjack dealer in a Las Vegas landscape juxtaposed between glittering casino lights and the deteriorating desert oasis. Negotiating a missing husband and neighboring domestic violence, Firdaus’ world unfolds as a fragmented interplay between repetition and repressed anger.

A young, orthodox Jewish woman is alienated from her Jerusalem community and drawn into the world of spirit.

This film was inspired by a real event—a young US Marine, recently back from the Gulf War, was found digging a grave for his murdered wife in the middle of the California Mojave.

Nina's first collaboration with her sister Tinka Menkes, the film documents, in a strange and beautiful way, a serious illness suffered by Tinka, and also expresses how art is a transformative response to life.