George Albert Smith

A child borrows his grandmother's magnifying glass to look at a newspaper ad for Bovril, at a watch, and then at a bird. The child shows grandma what he is doing. The child looks next at grandma's eye, then at a kitten.

Produced and directed by George Albert Smith, the film shows a couple sharing a brief kiss as their train passes through a tunnel. The Kiss in the Tunnel is said to mark the beginnings of narrative editing. It is in fact, two films in one, hence the 2 min length. Firstly, the G.A. Smith film here for the central cheeky scene in the carriage. The train view footage however is Cecil Hepworth's work, entitled 'View From An Engine Front - Shilla Mill Tunnel', edited into two halves in order to provide a visual narrative of the train entering the tunnel before the kiss and then leaving afterwards. More information about the filming of the phantom train ride can be found searching for the Hepworth film separately.

A collection of early British Films from the Filmoteca de Catalunya. Films include: Brighton Seagoing Electric Car (1897), The Inexhaustible Cab (1899), From Dalmeny to Dunfermline, Scotland via the Firth of Forth Bridge (series) (1899), Review of Lord George Sanger's Circus by the Queen (series) (1899), Sanger Circus Passing Through Inverness (1900), The “Poly” Paper Chase (1900), The Wintry Alps (series) (1903), An Affair of Honor (1904), Perzina's Troupe of Educated Monkeys (1904), Elephants Bathing in Ceylon River (1904), [Drill of the Reedham Orphans] (c.1904–1912), Venice and the Grand Canal (1901?/1904?), Edge's Motor Boat. The Napier Minor (1904), Fixing the Swing (1904), Eccentric Burglary (1905), Her Morning Dip (1906), Automobile Fête Before King Alfonso and Princess Ena (1906), The Royal Spanish Wedding (series) (1906), Lace Making (1908), The Robber's Ruse, or Foiled by Fido (1909).

A scene from Charles Dickens' Bleak House. Despite the common belief, this is NOT the world's first Dickens' adaptation in cinema.

The first successful motion picture in natural color, filmed with Kinemacolor. It is an 8 minute short film directed by George Albert Smith of Brighton, showing people doing everyday activities. It is ranked of high historical importance. Kinemacolor later influenced and replaced by Technicolor, which was used from 1916 to 1952.

A romantic couple are transformed into skeletons via X-Rays. The film combines two very recent innovations: Wilhelm Roentgen's discovery of X-rays in 1895, and Georges Méliès' accidental realisation of the special-effects potential of the jump-cut in 1896.

A child borrows his grandmother's magnifying glass to look at a newspaper ad for Bovril, at a watch, and then at a bird. The child shows grandma what he is doing. The child looks next at grandma's eye, then at a kitten.

A child borrows his grandmother's magnifying glass to look at a newspaper ad for Bovril, at a watch, and then at a bird. The child shows grandma what he is doing. The child looks next at grandma's eye, then at a kitten.

Produced and directed by George Albert Smith, the film shows a couple sharing a brief kiss as their train passes through a tunnel. The Kiss in the Tunnel is said to mark the beginnings of narrative editing. It is in fact, two films in one, hence the 2 min length. Firstly, the G.A. Smith film here for the central cheeky scene in the carriage. The train view footage however is Cecil Hepworth's work, entitled 'View From An Engine Front - Shilla Mill Tunnel', edited into two halves in order to provide a visual narrative of the train entering the tunnel before the kiss and then leaving afterwards. More information about the filming of the phantom train ride can be found searching for the Hepworth film separately.

Produced and directed by George Albert Smith, the film shows a couple sharing a brief kiss as their train passes through a tunnel. The Kiss in the Tunnel is said to mark the beginnings of narrative editing. It is in fact, two films in one, hence the 2 min length. Firstly, the G.A. Smith film here for the central cheeky scene in the carriage. The train view footage however is Cecil Hepworth's work, entitled 'View From An Engine Front - Shilla Mill Tunnel', edited into two halves in order to provide a visual narrative of the train entering the tunnel before the kiss and then leaving afterwards. More information about the filming of the phantom train ride can be found searching for the Hepworth film separately.

A collection of early British Films from the Filmoteca de Catalunya. Films include: Brighton Seagoing Electric Car (1897), The Inexhaustible Cab (1899), From Dalmeny to Dunfermline, Scotland via the Firth of Forth Bridge (series) (1899), Review of Lord George Sanger's Circus by the Queen (series) (1899), Sanger Circus Passing Through Inverness (1900), The “Poly” Paper Chase (1900), The Wintry Alps (series) (1903), An Affair of Honor (1904), Perzina's Troupe of Educated Monkeys (1904), Elephants Bathing in Ceylon River (1904), [Drill of the Reedham Orphans] (c.1904–1912), Venice and the Grand Canal (1901?/1904?), Edge's Motor Boat. The Napier Minor (1904), Fixing the Swing (1904), Eccentric Burglary (1905), Her Morning Dip (1906), Automobile Fête Before King Alfonso and Princess Ena (1906), The Royal Spanish Wedding (series) (1906), Lace Making (1908), The Robber's Ruse, or Foiled by Fido (1909).

A scene from Charles Dickens' Bleak House. Despite the common belief, this is NOT the world's first Dickens' adaptation in cinema.

The first successful motion picture in natural color, filmed with Kinemacolor. It is an 8 minute short film directed by George Albert Smith of Brighton, showing people doing everyday activities. It is ranked of high historical importance. Kinemacolor later influenced and replaced by Technicolor, which was used from 1916 to 1952.

The first successful motion picture in natural color, filmed with Kinemacolor. It is an 8 minute short film directed by George Albert Smith of Brighton, showing people doing everyday activities. It is ranked of high historical importance. Kinemacolor later influenced and replaced by Technicolor, which was used from 1916 to 1952.

A romantic couple are transformed into skeletons via X-Rays. The film combines two very recent innovations: Wilhelm Roentgen's discovery of X-rays in 1895, and Georges Méliès' accidental realisation of the special-effects potential of the jump-cut in 1896.

A romantic couple are transformed into skeletons via X-Rays. The film combines two very recent innovations: Wilhelm Roentgen's discovery of X-rays in 1895, and Georges Méliès' accidental realisation of the special-effects potential of the jump-cut in 1896.

A romantic couple are transformed into skeletons via X-Rays. The film combines two very recent innovations: Wilhelm Roentgen's discovery of X-rays in 1895, and Georges Méliès' accidental realisation of the special-effects potential of the jump-cut in 1896.

Santa arrives at a house on Christmas Eve to deliver his presents for the children.

Possibly the first film to utilize the technique of focus pulling. A man kisses a beautiful and lively woman, then the image blurs and dissolves into a clear image of the man waking up to his nagging wife.

An adaptation of the folk tale.

An elderly gentleman in a silk hat sits on a stool in front of a store on the main street of town. He has a telescope that focuses on the ankle of a young woman who is a short distance away. Her husband catches the gent looking. What will the two men do now?

An elderly gentleman in a silk hat sits on a stool in front of a store on the main street of town. He has a telescope that focuses on the ankle of a young woman who is a short distance away. Her husband catches the gent looking. What will the two men do now?

Mary Jane tries to light the oven. When she's unsuccessful, she plays around, getting black boot polish on her face. She mugs before a mirror. Then, it's back to work. When the stove still won't light, she pours in paraffin, winks at the camera, and lights a match. Kaboom! Is there any rest for the foolish, even in the grave?

Mary Jane tries to light the oven. When she's unsuccessful, she plays around, getting black boot polish on her face. She mugs before a mirror. Then, it's back to work. When the stove still won't light, she pours in paraffin, winks at the camera, and lights a match. Kaboom! Is there any rest for the foolish, even in the grave?

Lovers are comically interrupted

Lovers are comically interrupted

Satan conjures a vision of a girl, for whom an old man signs a pact and is made young. This is a lost film from George Albert Smith

A cleverly conceived picture of a little boy and girl with building blocks. The little girl has erected a pretty structure, which the boy proceeds to demolish with pokes of his fingers. When the demolition of the house is completed, the film is shown in reverse, and the little building comes back to its original form in a most marvellous manner.

Consisting of a single shot, Spiders on a Web is one of the earliest British examples of close-up natural history photography. Made by one of the pioneers of the British film industry, G.A. Smith, this short film details spiders trapped in an enclosure, and despite the title, does not actually feature a web.

Most movie fans know that the first filmmakers liked to shoot trains entering stations. This example by Sussex film pioneer George Albert Smith illustrates why. The train's rush towards the audience brings movement and visual drama. The flurry of human activity offers plenty for the audience to engage with - who are these people and where are they going? And the time pressure exerted by the fact that the train must soon depart adds narrative tension - will everyone get on and off in time?

Most movie fans know that the first filmmakers liked to shoot trains entering stations. This example by Sussex film pioneer George Albert Smith illustrates why. The train's rush towards the audience brings movement and visual drama. The flurry of human activity offers plenty for the audience to engage with - who are these people and where are they going? And the time pressure exerted by the fact that the train must soon depart adds narrative tension - will everyone get on and off in time?

A male and female clown drink, smoke, and flirt in this early Kinemacolor short.

An old spinster receives an unexpected Valentine's letter.

In front of a flour mill, two men fight. One is the miller, and he's swinging a bag of flour in the scuffle. The other is a chimney sweep, and he's swinging what may be a bag of flour, but when it breaks open, it's clearly something else. Well into the havoc, spectators gather and give chase to the flour-covered sweep and the "well-sooted" miller.

Close view of legs and feet passing a basement window.

A man attempts to shave with a blunt razor.

George Smith's picture of the crowds out for a stroll on what I imagine is Brighton Pier.

An old man gets progressively livelier - and drunker - as he downs his bottle of beer. Finally, he cocks a snook - and doesn't bother to uncock it as he continues to drink.

Well did you ever? Two women share juicy stories, and enjoyably shocked reaction, over tea.

View of the Grand Canal in Venice from a boat believed to have been made in either 1901 or 1904 and as part of the series "Through Italy with the Bioscope" by George Albert Smith and Charles Urban.

London street scenes, showing varieties of horse-drawn traffic. Views of Parliament Square, Charing Cross, Pall Mall, the Royal Exchange and others.

A simple scene of two rather flamboyantly-dressed Edwardian children attempting to feed a spoonful of medicine to a sick kitten. The film is important for being one of the earliest films to cut to a close-up, then back again to the same medium shot as before.

A view taken from Brighton beach on the Channel coast of the transit of Magnus Volk’s amazing seagoing electric railway, long celebrated as one of the world’s more bizarre railway experiments. All aboard for “A Sea Voyage on Wheels!"

Compilation of 7 short scenes: ‘Sing a Song of Sixpence’; ‘Old Mother Hubbard’; ‘Little Miss Muffet’; ‘Goosey Gander’; ‘Jack and Jill’; ‘Old Woman in a Shoe’; ‘Hey Diddle Diddle’. Only the last one is known to have survived and to be available to watch.

Compilation of 7 short scenes: ‘Sing a Song of Sixpence’; ‘Old Mother Hubbard’; ‘Little Miss Muffet’; ‘Goosey Gander’; ‘Jack and Jill’; ‘Old Woman in a Shoe’; ‘Hey Diddle Diddle’. Only the last one is known to have survived and to be available to watch.

An early experiment in bringing colour to animation sees a bubble-blowing doll, a toy circus and a stubborn donkey revelling in two-tone glory.