Vera Fogwill

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Based on real events, the life and struggles of a student of the Buenos Aires National College during Argentina's worst dictatorship.

Close-up on a man who censored films during the last military dictatorship in Argentina, slightly inspired by the infamous Miguel Paulino Tato.

Tomás is a teenager whose life, as always happens, changed from one moment to the next. But that present awakens a latent past that must be resolved in order to face the uncertain future.

A veil of sadness lies over the oppressively hot summer days. Cleo dives into daydreams with her cousins, the girls share secret signs and rituals. Flowing gently, in impressionistic images, the empty space that the death of Cleo’s sister has left in the family is poetically encircled.

Soledad, a girl tired of being a taxi driver in Buenos Aires, travels with her car to Patagonia. She stops in a village whose inhabitants live in isolation and their only contact with the outside world is a cinema where old films are projected.

Florence, a young irresponsible mother and her precocious daughter, Eugenia, have an unusual relationship. The roles between the two are reversed. Florence is totally inept at caring for a daughter, whereas Eugenia, only 10 years old, shows maturity and responsibility far beyond what her age might lead you to suppose.

This is Buenos Aires, its characters, its history, its reality. A complex movie for a complex city, depicted in the character's language, and in their relationship with the present and the past

Marcelo makes a living as a painter in a Buenos Aires square, with other street artists. Rejected and lonely as a result of his family's break up, he devotes himself to his girlfriend, and dreams of a happy future together with her. She, however, has other plans, which, along with Marcelo's discovery of the reasons for his family's separation, create increasing conflicts between them, and make Marcelo face reality more clearly.

Florence, a young irresponsible mother and her precocious daughter, Eugenia, have an unusual relationship. The roles between the two are reversed. Florence is totally inept at caring for a daughter, whereas Eugenia, only 10 years old, shows maturity and responsibility far beyond what her age might lead you to suppose.

Florence, a young irresponsible mother and her precocious daughter, Eugenia, have an unusual relationship. The roles between the two are reversed. Florence is totally inept at caring for a daughter, whereas Eugenia, only 10 years old, shows maturity and responsibility far beyond what her age might lead you to suppose.

En una ciudad desconocida, en un edificio a través de las ventanas se puede ver el momento exacto en el que las cosas cambian. El antes comienza a ser el después y viceversa. Y nada vuelve a ser como antes. En este universo idéntico y diferente a la vez, se ve como los personajes cambian para siempre. In an unknown city, in a building through the windows you can see the exact moment when things change. The before begins to be the after and vice versa. And nothing goes back to the way it was before. In this identical and different universe at the same time, it is seen how the characters change forever.

“Conversations on Hatred” by Vera Fogwill from Argentina narrates a real-time story of a farewell between two terminally ill women. In this intimate and deep conversation, they discuss their views on maternity, friendship, and their ways of dealing with the disease. A brilliant conversation starts, which reminds us all of the best cinema had to offer in the past.

“Conversations on Hatred” by Vera Fogwill from Argentina narrates a real-time story of a farewell between two terminally ill women. In this intimate and deep conversation, they discuss their views on maternity, friendship, and their ways of dealing with the disease. A brilliant conversation starts, which reminds us all of the best cinema had to offer in the past.