Caroline Huppert

No synopsis available yet.

In a most unusual, near menage a trois, Charlotte is a terrified young singer who is forced to hide out at the home of her ex-boyfriend -- her current male companion has been murdered in his apartment, and she fears the worst. The trouble is that Mathieu, her ex, is happily living with his new love Christine.

"Hangar" is a new agency whose purpose is to carry out missions even too sensitive for the police or intelligence services. The agency must eliminate a German female terrorist by the name of Birgitt Haas. The murder is to be disguised as a crime of passion, so an agent must lure Birgitt into falling in love.

1934. Philippe falls in love with Odile, a beautiful stranger, and decides to marry her, against the will of his parents. They would have preferred a more bourgeois bride, ideally from their own milieu: the paper industry in Angoulême. Isabelle, for instance, whom they have known since she was a child, would have been the perfect match. But Philippe sticks to his choice and marries Odile. At first the newly-weds are passionately in love, and the whole family looks forward to the birth of an heir for the Marcenat family. But in vain. Instead, Odile neglects her marriage and devotes herself to drawing, a gift she inherited from her father. Or is her rekindled interest in art classes more the result of her encounter with the charming but mysterious artist François Crozant? Philippe sense that he's losing his wife and becomes madly jealous of François. Meanwhile Isabelle, who's secretly in love with Philippe, is just waiting for the right moment.

No synopsis available yet.

Adèle lives in the shadow of her husband, Ferdinand, a painter. After her father's death, they leave the provinces for Paris. She refines his paintings and comforts him. Thanks to her brushstrokes, Ferdinand discovers fame and success. And love in all this? Sacrificed on the altar of creation...

No synopsis available yet.

In a most unusual, near menage a trois, Charlotte is a terrified young singer who is forced to hide out at the home of her ex-boyfriend -- her current male companion has been murdered in his apartment, and she fears the worst. The trouble is that Mathieu, her ex, is happily living with his new love Christine.

In a most unusual, near menage a trois, Charlotte is a terrified young singer who is forced to hide out at the home of her ex-boyfriend -- her current male companion has been murdered in his apartment, and she fears the worst. The trouble is that Mathieu, her ex, is happily living with his new love Christine.

"Hangar" is a new agency whose purpose is to carry out missions even too sensitive for the police or intelligence services. The agency must eliminate a German female terrorist by the name of Birgitt Haas. The murder is to be disguised as a crime of passion, so an agent must lure Birgitt into falling in love.

1934. Philippe falls in love with Odile, a beautiful stranger, and decides to marry her, against the will of his parents. They would have preferred a more bourgeois bride, ideally from their own milieu: the paper industry in Angoulême. Isabelle, for instance, whom they have known since she was a child, would have been the perfect match. But Philippe sticks to his choice and marries Odile. At first the newly-weds are passionately in love, and the whole family looks forward to the birth of an heir for the Marcenat family. But in vain. Instead, Odile neglects her marriage and devotes herself to drawing, a gift she inherited from her father. Or is her rekindled interest in art classes more the result of her encounter with the charming but mysterious artist François Crozant? Philippe sense that he's losing his wife and becomes madly jealous of François. Meanwhile Isabelle, who's secretly in love with Philippe, is just waiting for the right moment.

1934. Philippe falls in love with Odile, a beautiful stranger, and decides to marry her, against the will of his parents. They would have preferred a more bourgeois bride, ideally from their own milieu: the paper industry in Angoulême. Isabelle, for instance, whom they have known since she was a child, would have been the perfect match. But Philippe sticks to his choice and marries Odile. At first the newly-weds are passionately in love, and the whole family looks forward to the birth of an heir for the Marcenat family. But in vain. Instead, Odile neglects her marriage and devotes herself to drawing, a gift she inherited from her father. Or is her rekindled interest in art classes more the result of her encounter with the charming but mysterious artist François Crozant? Philippe sense that he's losing his wife and becomes madly jealous of François. Meanwhile Isabelle, who's secretly in love with Philippe, is just waiting for the right moment.

No synopsis available yet.

No synopsis available yet.

Adèle lives in the shadow of her husband, Ferdinand, a painter. After her father's death, they leave the provinces for Paris. She refines his paintings and comforts him. Thanks to her brushstrokes, Ferdinand discovers fame and success. And love in all this? Sacrificed on the altar of creation...

No synopsis available yet.

Biopic of French film pioneer Alice Guy-Blaché, considered the world's first female director, who directed, produced and/or supervised over 700 films between 1896 an the 1920s, in France and, for a period, in the US.

Reduced to poverty, a young man is taken in by a rich lady who asks him for some dangerous services in exchange.

Reduced to poverty, a young man is taken in by a rich lady who asks him for some dangerous services in exchange.

Three runaway children end up on an island where a lonely sculptor lives.

In Paris in 1935, a young Jewish woman married to an anti-fascist activist befriends her neighbor who is dating a far-right supporter.

In Paris in 1935, a young Jewish woman married to an anti-fascist activist befriends her neighbor who is dating a far-right supporter.

Victim of an unfair dismissal, a young secretary strikes back by becoming the assistant to the son of the company's CEO.

No synopsis available yet.

Perdican, his studies completed, returns to his family castle at the same time as Camille, returning from the convent where she was raised. The two young people are promised to each other, but the young girl appears distant. Out of spite, Perdican courts Rosette, a peasant girl, Camille's foster sister who, for her part, announces her plan to take the veil. Perdican announces his marriage to Rosette. On the eve of the wedding, Camille and Perdican finally confess their love to each other. But Rosette, who heard everything, commits suicide, which separates the two lovers forever.

Adapted from Luc Dietrich's touching autobiographical novel, this TV film chronicles the troubled childhood of a boy born at the beginning of the 20th century. Confronted with a drug-addicted mother figure, Luc embarks on a journey of initiation torn between heartbreak and disillusionment, but also innocent mischief and first loves.

Adapted from Luc Dietrich's touching autobiographical novel, this TV film chronicles the troubled childhood of a boy born at the beginning of the 20th century. Confronted with a drug-addicted mother figure, Luc embarks on a journey of initiation torn between heartbreak and disillusionment, but also innocent mischief and first loves.

Paris, 1900. The 16-year-old Gigi lives in a world of mere women, inspired by Anna Karenina and Madame Bovary, she doesn't want to surrender to the "bondage of a loveless marriage".

Two teenage girls are rehearsing a scene from a play by Marivaux, a love scene, and from the first seconds, we know who will be the heroine, who will be Charlotte, the one who will, to summarize brutally, discover her homosexuality.