José Luis Garci

TVE broadcasted this program on the occasion of the first centenary of the history of cinema, a feature film was broadcast weekly that, due to its characteristics, was of interest within the cinematographic world, directed and moderated by José Luis Garci, with the assistance of three experts , belonging to the world of cinema and literature, which debated following the screening of the chosen film.

Andrés, a dowdy Spaniard, goes to Paris on holiday, hoping to meet a pretty French girl. His wishes may come true after meeting Ninette, his landlord's sensual and possessive young daughter.

Set in the future, the story follows a nurse who tries to bring her own style of relief to people condemned to die. Her identity is a mystery and she may not be quite what she seems.

No synopsis available yet.

A man gets trapped inside a telephone box and nobody is able to free him.

Famous Spanish film critic Alfonso Sánchez talks about his personal life, his work and Anouk Aimée. A sentimental tribute to one of the most relevant figures on the Spanish film scene.

TVE broadcasted this program on the occasion of the first centenary of the history of cinema, a feature film was broadcast weekly that, due to its characteristics, was of interest within the cinematographic world, directed and moderated by José Luis Garci, with the assistance of three experts , belonging to the world of cinema and literature, which debated following the screening of the chosen film.

No synopsis available yet.

Andrés, a dowdy Spaniard, goes to Paris on holiday, hoping to meet a pretty French girl. His wishes may come true after meeting Ninette, his landlord's sensual and possessive young daughter.

Andrés, a dowdy Spaniard, goes to Paris on holiday, hoping to meet a pretty French girl. His wishes may come true after meeting Ninette, his landlord's sensual and possessive young daughter.

Set in the future, the story follows a nurse who tries to bring her own style of relief to people condemned to die. Her identity is a mystery and she may not be quite what she seems.

A man gets trapped inside a telephone box and nobody is able to free him.

Famous Spanish film critic Alfonso Sánchez talks about his personal life, his work and Anouk Aimée. A sentimental tribute to one of the most relevant figures on the Spanish film scene.

Famous Spanish film critic Alfonso Sánchez talks about his personal life, his work and Anouk Aimée. A sentimental tribute to one of the most relevant figures on the Spanish film scene.

Film based on the characters of the English writer Arthur Conan Doyle. It tells a hypothetical meeting in Madrid between the legendary detective Sherlock Holmes and Jack the Ripper.

Film based on the characters of the English writer Arthur Conan Doyle. It tells a hypothetical meeting in Madrid between the legendary detective Sherlock Holmes and Jack the Ripper.

Yerma is desperate to have children, so when a psychic advises her to look outside her marriage to conceive, what can she say but yes?

In June 1983 the journalist and TV presenter Enzo Tortora was arrested on charges of drug trafficking and belonging to the Camorra.

Martín is a tormented and solitary man who hides a shameful and unspeakable secret: he lives with a life-size doll which he treats as if it were his wife. This idyliic, loving existence will be gravely threatened when a prostitute, her daughter, and a pimp enter his life.

Private detective Germán Areta el Piojo investigates the life of a gay man who has apparently abandoned his partner. When they both turn up dead, it seems one killed the other before committing suicide, but Areta is not convinced.

Private detective Germán Areta el Piojo investigates the life of a gay man who has apparently abandoned his partner. When they both turn up dead, it seems one killed the other before committing suicide, but Areta is not convinced.

No synopsis available yet.

Julia, an only child of an affluent, bank owning family living in Madrid, escapes from her family to get over her grief that her boyfriend has been imprisoned. Julia is a well educated woman, having studied in Switzerland and England, who wants to become a writer. Julia drives to a little village in Asturias called "Corralbos del Sella" and there she stays in a mansion "llendelabarca" of an old childhood friend "Pilara" she had spent many a happy summer with. Also living there is Pilara's mother in law Tia Gala, and her grandson Juanito. Julia's relationship with caretakers, teacher and priest makes Julia, a woman of the spanish capital, perhaps for the first time to not feel so alone.

Julia, an only child of an affluent, bank owning family living in Madrid, escapes from her family to get over her grief that her boyfriend has been imprisoned. Julia is a well educated woman, having studied in Switzerland and England, who wants to become a writer. Julia drives to a little village in Asturias called "Corralbos del Sella" and there she stays in a mansion "llendelabarca" of an old childhood friend "Pilara" she had spent many a happy summer with. Also living there is Pilara's mother in law Tia Gala, and her grandson Juanito. Julia's relationship with caretakers, teacher and priest makes Julia, a woman of the spanish capital, perhaps for the first time to not feel so alone.

A series of vignettes set in Madrid, where its residents manage to sustain entertainment, hope and love in a city still suffering the wounds caused by the Spanish Civil War.

A series of vignettes set in Madrid, where its residents manage to sustain entertainment, hope and love in a city still suffering the wounds caused by the Spanish Civil War.

A series of vignettes set in Madrid, where its residents manage to sustain entertainment, hope and love in a city still suffering the wounds caused by the Spanish Civil War.

Yoyes, the first woman to hold responsibility positions within ETA, returns from exile in Mexico and try to rebuild her life. But her return is not easy.

Private detective Germán Areta el Piojo gets a terminally ill client who wishes to see his long lost, runaway daughter before he dies.

Private detective Germán Areta el Piojo gets a terminally ill client who wishes to see his long lost, runaway daughter before he dies.

Private detective Germán Areta el Piojo gets a terminally ill client who wishes to see his long lost, runaway daughter before he dies.

A memory of Marilyn Monroe (1926-1962), woman, actress, goddess, myth, in the words of the Spanish director and scriptwriter José Luis Garci, who returns to his childhood and recovers a lost paradise.

A memory of Marilyn Monroe (1926-1962), woman, actress, goddess, myth, in the words of the Spanish director and scriptwriter José Luis Garci, who returns to his childhood and recovers a lost paradise.

After his son dies, an elderly man comes back to Spain from the US and hopes to find out which of his granddaughters is true, and which one is bastard.

After his son dies, an elderly man comes back to Spain from the US and hopes to find out which of his granddaughters is true, and which one is bastard.

After his son dies, an elderly man comes back to Spain from the US and hopes to find out which of his granddaughters is true, and which one is bastard.

Director José Luis Garci has turned his camera inward on filmmakers and screenwriters to portray them as so self-absorbed in the creative process that there is no other world, no other human relationship that can compete. As José (Adolfo Marsillach) and Federico (Jesus Puente) work together on a new screenplay, their interactions with their family (José's teen daughters, Federico's wife) disappear under the all-consuming task of creation. The daughters give up and go off on their own, and the wife joins a convent while Federico barely notices. And when the producer is interrupted by profound grief at the sudden death of his older son, he almost automatically returns to thinking about the film project when the funeral has ended. Garci honors many great directors at the beginning of this film, and the film continues to play out as an elaboration on this homage -- an illustration both of the dedication and the cost of filmmaking, no judgments given.

Director José Luis Garci has turned his camera inward on filmmakers and screenwriters to portray them as so self-absorbed in the creative process that there is no other world, no other human relationship that can compete. As José (Adolfo Marsillach) and Federico (Jesus Puente) work together on a new screenplay, their interactions with their family (José's teen daughters, Federico's wife) disappear under the all-consuming task of creation. The daughters give up and go off on their own, and the wife joins a convent while Federico barely notices. And when the producer is interrupted by profound grief at the sudden death of his older son, he almost automatically returns to thinking about the film project when the funeral has ended. Garci honors many great directors at the beginning of this film, and the film continues to play out as an elaboration on this homage -- an illustration both of the dedication and the cost of filmmaking, no judgments given.

Director José Luis Garci has turned his camera inward on filmmakers and screenwriters to portray them as so self-absorbed in the creative process that there is no other world, no other human relationship that can compete. As José (Adolfo Marsillach) and Federico (Jesus Puente) work together on a new screenplay, their interactions with their family (José's teen daughters, Federico's wife) disappear under the all-consuming task of creation. The daughters give up and go off on their own, and the wife joins a convent while Federico barely notices. And when the producer is interrupted by profound grief at the sudden death of his older son, he almost automatically returns to thinking about the film project when the funeral has ended. Garci honors many great directors at the beginning of this film, and the film continues to play out as an elaboration on this homage -- an illustration both of the dedication and the cost of filmmaking, no judgments given.

No synopsis available yet.

This 1985 Spanish film reveals one of the many terrible aspects of 16th century Spain, still plagued by the radical Christian Inquisition, one of a plethora of difficulties Spaniards faced at the time. Spanish super star Carmen Maura plays a nun who agrees to a selfless scam, a fake stigmata, only to avoid separation from her lover, another nun. It's a serious and passionate work, highlighting the theme of outspoken women-against-repression, seen in other good gay and lesbian films. This is not a lesbian "Nun sense" or another "Dark Habits" (by Almodovar, which also starred Carmen Maura, and also set in a Spanish convent, with some lesbian nuns). Perhaps, best of all, 'Extramuros' is realistic and frank. It isn't shy about its characters' sexuality. Their sexuality, and the film as a whole are genuine.

Madrid, Spain, 1975; shortly after the end of the Franco dictatorship. Six months after the mysterious death of his lover, a prestigious tailor, a married woman visits the office of the young Germán Areta, a former police officer turned private detective, to request his professional services.

Madrid, Spain, 1975; shortly after the end of the Franco dictatorship. Six months after the mysterious death of his lover, a prestigious tailor, a married woman visits the office of the young Germán Areta, a former police officer turned private detective, to request his professional services.

Madrid, Spain, 1975; shortly after the end of the Franco dictatorship. Six months after the mysterious death of his lover, a prestigious tailor, a married woman visits the office of the young Germán Areta, a former police officer turned private detective, to request his professional services.

A Spanish insurance company is absorbed by a multinational, so that, in order to modernize, its employees are obliged to carry out some training courses to adapt to the new situation and the new objectives. Given the relevance of what is at stake, the wives of these men will also be involved at work.

A group of pre-university boys and girls experience all kinds of problems and joys that arise in their lives. Among other worries, they have to deal with the pressure of their studies, difficulties with their families and, of course, their first loves.

Drama based on the true life of a group of middle class and members of the Communist Party of Spain, who were involved in clandestine political activities during the sixties.

Drama based on the true life of a group of middle class and members of the Communist Party of Spain, who were involved in clandestine political activities during the sixties.