Cass Daley

A rock band is invented by the government as a cover to find hostages in a remote castle in Albania held by communist enemies of the USA.

A Vietnam veteran returns to his Texas home but feels restless and decides to become a radio singer.

When Ben and Kate Powell rent a haunted New England house by the sea, their son Steve gets blamed for the destruction caused by three unruly ghosts.

Foreign correspondent Pete Garvey has 5 days to win back his former fiancée, or he'll lose the orphans he adopted.

A spirited cast kicks up its heels in a lively musical spoof of cowboy films crammed with spur-jangling tunes by Jay Livingstone and Ray Evans and decked out with colorfully stylized, Oscar.-nominated sets. Rosemary Clooney heads up the high-kicking, red-gartered girls of the Red Dog Saloon. They can-can. but she won't-won't unless Jason (Jack Carson) asks her to get hitched. Guy Mitchell and Gene Barry are gun-totin' polecats who think they've got a feud to settle. And Frank Faylen and Buddy Ebsen are among the folks who hope the gunslingers get itchy fingered - so they can hold a town barbecue during the funeral!

Dozens of star and character-actor cameos and a message about the Variety Club (a show-business charity) are woven into a framework about two hopeful young ladies who come to Hollywood, exchange identities, and cause comic confusion (with slapstick interludes) throughout the Paramount studio.

Pop, a security guard at Paramount has told his son that he's the head of the studio. When his son arrives in Hollywood on shore leave with his buddies, Pop enlists the aid of the studio's dizzy switchboard operator in pulling off the charade. Things get more complicated when Pop agrees to put together a show for the Navy starring Paramount's top contract players.

Shy sailor Casey Kirby suddenly becomes known as a sea wolf when his picture is taken with a famous actress. Things get complicated when bets are placed on his prowess with the ladies.

No relation to the 1950 Frank Capra film of the same name, the 1943 Technicolor musical Riding High is a by-the-numbers vehicle for Dorothy Lamour and Dick Powell. Lamour stars as Ann Castle, a former burlesque queen who heads westward to claim her father's silver mine. Powell plays mining engineer Steve Baird, who like Ann has a vested interest in the worked-out mine. With the help of genial counterfeiter Mortimer J. Slocum (Victor Moore), Steve and Ann are able to peddle mining stock, thus saving her from bankruptcy. The stockholders are in a lynching mood when it appears that they've been flim-flammed, but a last minute "miracle" saves the day. Featured in the cast are Paramount stalwarts Cass Daley and Gil Lamb, the former doing her quasi-Martha Raye act and the latter swallowing his harmonica for the millionth time. Production values are excellent and the songs are exuberantly performed; it's only in its hackneyed plot that Riding High slows to a clip-clop.

An all-girl band hits paydirt—and mud—when they sign a male crooner and then sell five 25% shares of his contract.

Ole Olsen and Chic Johnson are Broadway stars who return to Universal Studios to make another movie. The mere mention of Olsen and Johnson's names evacuates the studio and terrorizes the management and personnel. Undaunted, the comedians hire an assistant director and unknown talent, and set out to make their own movie.

The staff of a record factory drown their sorrows at Duffy's Tavern, while the company owner faces threats of bankruptcy.

A boy from the country inherits $10 million, and decides to go to New York City to live it up.