Teho Teardo

Foreclosed to the future, hope is in the past. Foreclosed the space, hope is inside time. We haven't seen each other again. It was not our mouth and nose that were covered with a mask, but our eyes. We couldn't see each other during the pandemic. The mask was on the eyes like that of the protagonist of Chris Marker's film, La Jetée. Perhaps it is from this film that is so important that one could start looking at the world again,try to figure out how much of what we were has been deposited in the filters of memorial.

On a speech by Berlinguer, in 1981, in Turin, images of oceanic crowds, amateur films and faces with a propensity for the future unknown to us flow. That voice, which addresses the search for happiness and the moral question, has the strength and authority of a Politics so far from what we know today, to be, for us, touching and painful.

Foreclosed to the future, hope is in the past. Foreclosed the space, hope is inside time. We haven't seen each other again. It was not our mouth and nose that were covered with a mask, but our eyes. We couldn't see each other during the pandemic. The mask was on the eyes like that of the protagonist of Chris Marker's film, La Jetée. Perhaps it is from this film that is so important that one could start looking at the world again,try to figure out how much of what we were has been deposited in the filters of memorial.

Foreclosed to the future, hope is in the past. Foreclosed the space, hope is inside time. We haven't seen each other again. It was not our mouth and nose that were covered with a mask, but our eyes. We couldn't see each other during the pandemic. The mask was on the eyes like that of the protagonist of Chris Marker's film, La Jetée. Perhaps it is from this film that is so important that one could start looking at the world again,try to figure out how much of what we were has been deposited in the filters of memorial.

Foreclosed to the future, hope is in the past. Foreclosed the space, hope is inside time. We haven't seen each other again. It was not our mouth and nose that were covered with a mask, but our eyes. We couldn't see each other during the pandemic. The mask was on the eyes like that of the protagonist of Chris Marker's film, La Jetée. Perhaps it is from this film that is so important that one could start looking at the world again,try to figure out how much of what we were has been deposited in the filters of memorial.

On a speech by Berlinguer, in 1981, in Turin, images of oceanic crowds, amateur films and faces with a propensity for the future unknown to us flow. That voice, which addresses the search for happiness and the moral question, has the strength and authority of a Politics so far from what we know today, to be, for us, touching and painful.

On a speech by Berlinguer, in 1981, in Turin, images of oceanic crowds, amateur films and faces with a propensity for the future unknown to us flow. That voice, which addresses the search for happiness and the moral question, has the strength and authority of a Politics so far from what we know today, to be, for us, touching and painful.