Philippe Arthuys

The film shows how Italy's historic national hero Giuseppe Garibaldi (embodied by Renzo Ricci) leads a military campaign known as Expedition of the Thousand in 1860 and conquers Sicily and Naples. When the Bourbon monarchy has left Southern Italy, he supports Victor Emmanuel II of Italy who achieves a lasting unification under the aegis the House of Savoy. Roberto Rossellini has said he was prouder of this film than of any other film he ever made.

An interesting mixture of filmed scenes with Belmondo and archival footage regarding cultural aspects of all kind around Paris, starting at the end of the 19th century and ending in the mid-1960's. Jean-Paul Belmondo leads us through the movie starting as a young photographer around 1900, a reporter in both world-wars and doing fictional interviews with lots of celebrities.

A study of conscience set against the trial of Eichmann in Israel.

A story of "La Pasta", a renowned prima donna, and her extraordinary rival.

The kings of the card game, tired of serving for the amusement of men, decide to participate in the lives of humans and behave like them.

An anti-nuclear parable, the film tells the story of villagers who each year traditionally hold "sap weddings", thus paying homage to the forest. But a nuclear power plant must be built there. The film was presented in competition at the Thonon-les-Bains festival in 1978.

An interesting mixture of filmed scenes with Belmondo and archival footage regarding cultural aspects of all kind around Paris, starting at the end of the 19th century and ending in the mid-1960's. Jean-Paul Belmondo leads us through the movie starting as a young photographer around 1900, a reporter in both world-wars and doing fictional interviews with lots of celebrities.

A study of conscience set against the trial of Eichmann in Israel.

A study of conscience set against the trial of Eichmann in Israel.

The kings of the card game, tired of serving for the amusement of men, decide to participate in the lives of humans and behave like them.

The kings of the card game, tired of serving for the amusement of men, decide to participate in the lives of humans and behave like them.

An anti-nuclear parable, the film tells the story of villagers who each year traditionally hold "sap weddings", thus paying homage to the forest. But a nuclear power plant must be built there. The film was presented in competition at the Thonon-les-Bains festival in 1978.

An anti-nuclear parable, the film tells the story of villagers who each year traditionally hold "sap weddings", thus paying homage to the forest. But a nuclear power plant must be built there. The film was presented in competition at the Thonon-les-Bains festival in 1978.

When a museum depicting the violence man inflicts on himself opens, a doctor, a woman and a museum official go through the building before the grand opening. Discussing the subject matter, their attention quickly turns to the May Day riots that plagued Paris. This symbolic film tries to portray all victims of violence as Christlike figures. Stock footage of war and suffering are used to underscore the effectiveness of the subject matter in this uneven feature.