Elijah Moshinsky

After meeting her old school friend Sandra Delaney, who now works as a stripper, pub owner Maureen Hardcastle decides to spice up her flagging business by turning it into a male stripper club, with the help of untrustworthy businessman Billy Bowman.

The series aims to portray Domingo both as artist and person: his working process, the “blood, sweat, tears” behind the opera, and his relationships with productions.

The exhilarating soprano Lise Davidsen makes her Live in HD debut in one of her signature roles, the mythological Greek heroine of Strauss’s enchanting masterpiece. The outstanding cast for this March 12 transmission also features mezzo-soprano Isabel Leonard as the Composer of the opera-within-an-opera around which the plot revolves, with soprano Brenda Rae as the spirited Zerbinetta and tenor Brandon Jovanovich as Ariadne’s lover, the god Bacchus. Marek Janowski conducts. This live cinema transmission is part of the Met’s award-winning Live in HD series, bringing opera to movie theaters across the globe.

Elijah Moshinsky’s atmospheric production, designed by Mark Thompson, sets the stage for this gripping performance of Tchaikovsky’s passionate setting of Pushkin’s classic novel. Valery Gergiev’s idiomatic and authoritative conducting inspires a superb cast, headed by Plácido Domingo (Ghermann), breathtaking in his portrayal of a man unraveling toward suicide. Galina Gorchakova is Lisa, the woman he loves and destroys, Dmitri Hvorostovsky lends a superb voice and regal bearing to Prince Yeletsky; and Elisabeth Söderström is hair-raising as the old Countess. Olga Borodina is Paulina and Nikolai Putilin is Count Tomsky.

Cheryl Studer, in the title role, leads an excellent cast in Elijah Moshinsky's 1994 production of Verdi's extravagant and magnificent Egyptian opera. Aida was acclaimed at its first performance in 1871 and has grown in stature ever since to become one of the best-loved and most performed grand operas of all time.

In the midst of World War II, Nazi officer Otto Schatz declares the execution of Jewish music-hall comedian Genghis Cohn. Many years later, Otto is comfortably retired into the life of a highly respected police commissioner, and is investigating a series of murders when he encounters the ghost of Genghis Cohn. The haunting turns into a taunting, and before he knows it, Schatz is slowly driven mad as he is lured into a trap.

The series aims to portray Domingo both as artist and person: his working process, the “blood, sweat, tears” behind the opera, and his relationships with productions.

After meeting her old school friend Sandra Delaney, who now works as a stripper, pub owner Maureen Hardcastle decides to spice up her flagging business by turning it into a male stripper club, with the help of untrustworthy businessman Billy Bowman.

The exhilarating soprano Lise Davidsen makes her Live in HD debut in one of her signature roles, the mythological Greek heroine of Strauss’s enchanting masterpiece. The outstanding cast for this March 12 transmission also features mezzo-soprano Isabel Leonard as the Composer of the opera-within-an-opera around which the plot revolves, with soprano Brenda Rae as the spirited Zerbinetta and tenor Brandon Jovanovich as Ariadne’s lover, the god Bacchus. Marek Janowski conducts. This live cinema transmission is part of the Met’s award-winning Live in HD series, bringing opera to movie theaters across the globe.

Elijah Moshinsky’s atmospheric production, designed by Mark Thompson, sets the stage for this gripping performance of Tchaikovsky’s passionate setting of Pushkin’s classic novel. Valery Gergiev’s idiomatic and authoritative conducting inspires a superb cast, headed by Plácido Domingo (Ghermann), breathtaking in his portrayal of a man unraveling toward suicide. Galina Gorchakova is Lisa, the woman he loves and destroys, Dmitri Hvorostovsky lends a superb voice and regal bearing to Prince Yeletsky; and Elisabeth Söderström is hair-raising as the old Countess. Olga Borodina is Paulina and Nikolai Putilin is Count Tomsky.

Cheryl Studer, in the title role, leads an excellent cast in Elijah Moshinsky's 1994 production of Verdi's extravagant and magnificent Egyptian opera. Aida was acclaimed at its first performance in 1871 and has grown in stature ever since to become one of the best-loved and most performed grand operas of all time.

In the midst of World War II, Nazi officer Otto Schatz declares the execution of Jewish music-hall comedian Genghis Cohn. Many years later, Otto is comfortably retired into the life of a highly respected police commissioner, and is investigating a series of murders when he encounters the ghost of Genghis Cohn. The haunting turns into a taunting, and before he knows it, Schatz is slowly driven mad as he is lured into a trap.

In Verdi’s retelling of Shakespeare’s towering tragedy, Renée Fleming gives a captivating performance as the innocent Desdemona, a role long considered one of her calling cards. Johan Botha as the title hero delivers an imposing portrayal of a proud warrior brought down by jealousy, and Falk Struckmann is thrilling as the villainous Iago. James Morris sings Lodovico. Elijah Moshinsky’s production is conducted by Semyon Bychkov.

Four Athenians run away to the forest only to have Puck the fairy make both of the boys fall in love with the same girl. The four run through the forest pursuing each other while Puck helps his master play a trick on the fairy queen. In the end, Puck reverses the magic, and the two couples reconcile and marry.

Helena loves Bertram, but he's of noble birth, while she's just a doctor's daughter. But Bertram is at the court of the King of France, who is ill, and Helena has a remedy that might cure him and win her the right to marry Bertram. But does Bertram want to marry her?

Gus, a young trainspotter, has his life turned upside-down when he meets Natalie.

Celebrated tenor Luciano Pavarotti takes the stage in one of the world's great opera houses -- Barcelona's Gran Teatre del Liceu -- for this thrilling evening of selections by Rossini, Mozart, Puccini and Bellini. The 11 pieces include Rossini's "La Promessa" and "La Danza"; Bellini's "Vanne, O Rosa Fortuna" and Bella Nice Che d'Amore"; Sibella's "Girometta," Respighi's "Nevicata" and "Pioggia;" and di Capua's "O Sole Mio."

Cymbeline, the King of Britain, is angry that his daughter Imogen has chosen a poor (but worthy) man for her husband. So he banishes Posthumus, who goes to fight for Rome. Imogen (dressed as a boy) goes in search of her husband, who meanwhile has boasted to his pal Iachimo that Imogen would never betray him. And Iachimo's determined to prove him wrong.

A banished hero of Rome allies with a sworn enemy to take his revenge on the city.

Helene Alving leads an outwardly contented life. On the eve of the 10th anniversary of her husband's death, she is about to open an orphanage as a memorial to him. To mark this occasion, her bohemian painter son Oswald has returned from Paris. Helene plans to take the opportunity to tell Oswald the truth about his father. But ghosts of the past erupt during an eventful evening, bringing the facade of civilised family life crashing down.

Elijah Moshinsky’s witty production deftly walks the line between the lighthearted humor and the profound philosophical underpinnings of Strauss and Hofmannsthal’s opera, masterfully conducted here by Met Music Director James Levine. Deborah Voigt stars as Ariadne, the mythical heroine abandoned on the island of Naxos by her lover, and Richard Margison is Bacchus, the young god who eventually takes her away to a new life. The spectacular Natalie Dessay as Zerbinetta leads the troupe of comedians who unsuccessfully try to cheer Ariadne up. Susanne Mentzer is delightful as the young Composer of the opera-within-the-opera, and Wolfgang Brendel sings the Music Master.

In April 1794, Georges Danton, the hero of the French Revolution, is imprisoned in a Paris jail, awaiting his morning appointment with La Guillotine. His accusers are so afraid of the strength of his popular support that they have imprisoned a decoy to frustrate any attempt to rescue him. A young guard must decide if his prisoner is the real Danton - and whether it is too risky to help him.

The success of Verdi’s third opera, a stirring drama about the fall of ancient Jerusalem at the hands of Nebuchadnezzar (Nabucco), catapulted the 28-year-old composer to international fame. The music and Verdi himself were subsumed into a surge of patriotic fervor culminating in the foundation of the modern nation of Italy. Specifically, the Chorus of the Hebrew Slaves ('Va, pensiero'), in which the Israelites express their longing for their homeland, came to stand for the country’s aspirations for unity and that exciting era in Italian history, the Risorgimento, or 'Resurgence'.

Verdi’s monumental score is fully the equal of Shakespeare’s famous tragedy—and both demand great actors. This is one performance where both playwright and composer are well served. Plácido Domingo’s Otello is one of the glories of the operatic world, beautifully sung and so commandingly acted that audiences are devastated by the end. Renée Fleming’s ravishingly beautiful Desdemona is deeply moving, and as Iago, James Morris is as beguiling as he is menacing. Under James Levine’s conducting the Met orchestra and chorus are vital characters in the drama.

Taped live at the Mariinsky Theater in St. Petersburg, Valery Gergiev conducts this landmark production of Giuseppe Verdi's operatic masterpiece. This opera premiered at the Mariinsky Theatre in 1862, and is performed here in its original St. Petersburg version using reconstructions of the magnificent painted scenery.

Live from the Metropolitan Opera, 14 February 1980. This version takes place in Boston rather than Sweden.

A scholarly king and his three companions swear off the society of women for three years, only to have a diplomatic visit from a French princess and her three ladies-in-waiting thwart their intentions.

Tchaikovsky’s macabre thriller, set against the backdrop of Tsarist Russia, is back in the Met’s atmospheric staging. Soprano Sonya Yoncheva makes her highly anticipated role debut as Lisa, the young woman who embarks on a deadly love affair with the gambling-obsessed officer Hermann, sung by tenor Arsen Soghomonyan in his Met debut. Baritone Igor Golovatenko reprises his moving portrayal of Lisa’s fiancé, Prince Yeletsky, alongside mezzo-soprano Violeta Urmana as the spectral Countess and baritone Alexey Markov as Count Tomsky. Keri-Lynn Wilson conducts the sweeping score.

The complete version of Verdi's Otello performed by Placido Domingo and Kiri Te Kanawa, at the Royal Opera House, Covent Garden. Gala Performance in honour of Sir Georg Solti's 80th birthday.. 27 October 1992. BBC 2 Television live relay.

Nabucco - live from Metropolitan Opera, June 2002. On its surface, Nabucco is about the epic struggle of Zaccaria and the Jews suppressed by Babylon’s King Nebuchadnezzar and his vengeful daughter, Abigaille. But to Italians fighting for their freedom from Austria, Verdi’s first great opera was an inspiring call to arms.

José Cura, Dmitri Hvorostovsky, Verónica Villarroel and Yvonne Naef lead the star cast of Verdi's blazingly passionate opera IL TROVATORE, in Elijah Moshinsky's new Royal Opera House production co-produced with Teatro Real Madrid, with sets by the noted film designer Dante Ferretti and costumes by Anne Tilby.

Stiffelio is considered "early Verdi" to musiclogists who classify things, but, in reality, it is a final transition between the maestro's earlier (but most enjoyable) works, and the mature craftsmanship of Rigoletto. Preceded by Luisa Miller (q.v.), there is more dramatic intensity and story line than in the earlier works. The plot centers around Stiffelio, a minister, who discovers that his wife, Mina, has been unfaithful.