Directing
Guido Lombardi
Acting credits
Behind the camera
NRitalian documentary
& - Là il cielo e la terra si univano, là le stagioni si ricongiungevano, là il vento e la pioggia si univano
1972
NRThe struggle for housing in Rome, in the area of Magliana. Self-organization is opposed to the mediation of political parties, especially the Communist Party, and emerges as the only way for the emancipation and re-appropriation by the exploited.
La nostra lotta è l'autoriduzione, la nostra forza è l'organizzazione
1972
The search for the present within presence.
Luxor Garden
1968
NRWith rapid editing that alternates a wide range of sources through an extensive variety of shooting and editing techniques, A Corpo is a drift through the consumer imagery of the day, in which the body of the single individual corresponds to political struggle, militancy and anti-imperialist engagement against the war in Vietnam. —Tate Modern
A corpo
1968
7.5Some persons bring chickens and fishes as presents to some actors who are playing, while the Warrior tries the mirror's suicide, but fails in seeing the Death. Outside, chewing-gums are distributed away and the Spring passes by, turning into a little girl. –G. L.
B
1969
On the occasion of the regional elections of 1970, the Italian Communist Party seizes a new model of propaganda and counter-information developed in France during May 68: the cine-tract.
Cine-Volantini
1970
NRVideo images shot on the ferry with which filmmakers Anna Lajolo and Guido Lombardi travelled to the island of Tristan da Cuhna, the subject of a documentary shot in 1992 for the Italian public television channel RAI.
South Atlantic
2013
NRCollective manifesto by the members of C.C.I. It is a collective film, the result of an operation devoid of any aesthetic purpose: to verify the existence of any harmony between a fairly large group (twelve people) of members of the independent Cooperative. Someone, who had the idea, turned 60 meters of Ektachrome according to the moods –or discontent – of the moment and gave them to others to see. The others reacted, each with their own piece. It was then thought to call the film “circular letter”. It was not so simple and so quick: the operation, which started in June of ’68, ended in March of ’69.
Tutto, tutto nello stesso istante
1969
5.7Experimental short by Anna Lajolo and Guido Lombardi.
A
1969
NRExperimental short.
C - The House of Fire
1969
NRExperimental short.
C - The House of Fire
1969
NRA television experiment, filmed with the first portable video recorders, in the Ligurian community of Carloforte, on the island of San Pietro: for two months, the small crew lived in close contact with the people and their daily lives. They created a collective portrait, featuring former ore carriers, seafarers, salt workers, fishermen, tuna fishermen, industrial workers in the Sulcis area, young men and women from the nautical and teaching sectors, and the women, "white widows," wives of sailors, entrusted with raising their children. Three years later, in light of the changes, that first portrait—comprising life, work, feelings, and hopes, past and present—was shown to the islanders in the streets, squares, workplaces, and schools. Reactions and comments were filmed and incorporated into the final edit, which showcases the process and working method. Video is used as a means of recognition, identity, participation, and horizontal dialogue, a pioneering "street television."
L'isola dell'isola
1977
NRIn a construction site near Rome, a Calabrian construction worker dies. The emigrant's hard life is reconstructed through the words of his fellow workers and family, interviewd between Rome and Calabria. One of the first experiments of collective directing that will later turn into the group Videobase.
E nua ca simu a forza du mundu
1971
NRThe documentary deals with the struggle s to obtain decent housing in a metropolis such the capital city of Italy in which the right for all to an acceptable dwelling is met with by all kids of serius obstacles-the chaotic increase of urbanization, the building speculation, the degradayion of suburbs, the magnitudine of slums with their unfortunatle inhabitants whose living condition have been dramatic for years. Starting from the Roman situation, the documentary faces the general housing problem in the country as whole and therefore the problrm of the struggles which people support - also through new structures such as People's Councils and Commitees - on the entire national territory in oder to attain one the primary goals of a decent society: a home whorty of its name for all its citizens.
La casa è un diritto non un privilegio
1970
A video made for RAI by Videobase in 1972
Sotto le stelle, sotto il tendone
1972
NRThe focus of this documentary is the nurses and porters working at the Policlinico universitario Umberto I in Rome, which demand equal treatment within a militan action that follows the steps of the operaist labor struggles in factories.
Policlinico in lotta
1973
NRDocumentary shot for RAI Italian television on Tristan da Cunha, an active volcanic island with rare wildlife and home to British Citizens living in the world's most isolated settlement.
Tristan da Cunha. L'isola in capo al mondo
1992
No synopsis available yet.
Pitcairn - L'isola degli ammutinati del Bounty
1996
NRDocumentary about life in Italian working class neighborhoods.
Quartieri popolari di Roma
1972
NRExperimental short film by Anna Lajolo and Guido Lombardi.
Si prende una ragazza, una qualunque, lì a caso...
1969
NR"D" originates from and proceeds through the interpenetration of unreality and reality. The places subject to a long and silent violence are the small towns of eastern Liguria [...] The film is a poem about Liguria, where the critical description of the present contrasts with that of a balanced world like Virgil's.
D - Non diversi giorni si pensa splendessero alle prime origini del nascente mondo o che avessero temperatura diversa
1970
NRFilmed for Rai 3 and aired on two evenings on 29 March and 5 April 1986, A train in the heart of the south is a journey that follows the "marginal" railways of the south and the marginalized who are found along them. Filmmakers and travelers Anna Lajolo and Guido Lombardi reveal the confined and marginalized Italy that has nothing in common with the glossy images of the 1980s. As always with the couple of filmmakers born on the wave of underground cinema, the filmed space is a conflictual space, which "fists with reality".
Delta: un treno nel cuore del Sud
1985
NRThe struggles of the workers at Montedison in Porto Marghera, following an accident that resulted in the deaths of three people.
Porto Marghera, il lavoro contro la vita
1979
No synopsis available yet.
Concerto per la terra, l'albero, il torrente
1981
