Yilmaz Arslan

A rehabilitation center for physically handicapped children and youth is the focus of this docudrama. Long corridors, offbeat characters and passions.

Antonio has spent his whole life away from Italy, his home country. He crosses paths with Leo, a young Italian artist who is trying to make it abroad. The old man and the young woman's destinies mirror each other. Memories from the past are awoken and end up offering a more peaceful future to the both of them.

A rehabilitation center for physically handicapped children and youth is the focus of this docudrama. Long corridors, offbeat characters and passions.

A rehabilitation center for physically handicapped children and youth is the focus of this docudrama. Long corridors, offbeat characters and passions.

Hulya is a young Turkish woman torn between two cultures. Forced to live with her uncle in Turkey, she leaves this house: she wants to return to Germany where she lived with her father and went to school, not so long ago.

Set in West Germany in the 1980s, the tormented destiny of a young Turk confronted with uprooting and illness...

Set in West Germany in the 1980s, the tormented destiny of a young Turk confronted with uprooting and illness...

Set in West Germany in the 1980s, the tormented destiny of a young Turk confronted with uprooting and illness...

Shot with striking immediacy by a subjective camera, “Angst isst Seele auf” assumes the point of view of a black actor in Germany dealing with racist abuse as he prepares to appear in a play based on Fassbinder’s film, about the taboo relationship between an older German woman and an Arab man. Sharing the same lead actress (Brigitte Mira), cinematographer (Jürgen Jürges), and editor (Thea Eymèsz) as in Rainer Werner Fassbinder’s 1974 Film “Angst essen Seele auf”, these twin works offer a searing indictment of prejudice within German society.

Shot with striking immediacy by a subjective camera, “Angst isst Seele auf” assumes the point of view of a black actor in Germany dealing with racist abuse as he prepares to appear in a play based on Fassbinder’s film, about the taboo relationship between an older German woman and an Arab man. Sharing the same lead actress (Brigitte Mira), cinematographer (Jürgen Jürges), and editor (Thea Eymèsz) as in Rainer Werner Fassbinder’s 1974 Film “Angst essen Seele auf”, these twin works offer a searing indictment of prejudice within German society.

Two young Kurdish refugees, recently arrived in Germany struggle to make their way through the harshness of the occidental city. Their encounter with a gang of Turks will rapidly led them into an inevitable tragical spiral filled with death and revenge.

Two young Kurdish refugees, recently arrived in Germany struggle to make their way through the harshness of the occidental city. Their encounter with a gang of Turks will rapidly led them into an inevitable tragical spiral filled with death and revenge.

Two young Kurdish refugees, recently arrived in Germany struggle to make their way through the harshness of the occidental city. Their encounter with a gang of Turks will rapidly led them into an inevitable tragical spiral filled with death and revenge.