Shun Ueda

A Japanese bullet train is threatened with a bomb that will explode automatically if the train slows below 80 km/h, unless a ransom is paid. Police race to find the bombers so the train crew can learn how to defuse the bomb.

In feudal Japan, when any commerce with the rest of the world is strictly prohibited, an idealist appears at an isolated inn, headquarters of smugglers with stolen money intended to ransom his loved one forced to work in a brothel.

Gang leader Nami (cult film legend Meiko Kaji) kills a member of a yakuza group and goes away to prison. Upon her release three years later, she’s a shamed woman confined to living in the shadowy world of sex clubs and street gangs. She returns to the city to live with her uncle, a billiard-hall owner, and after befriending pimp and ne’er-do-well Ryuji (Tsunehiko Watase), she gets a job working at a hostess club in the chic Ginza neighborhood, where the expensive shops and neon lights conceal a dark world of crime and sexual slavery. But when a rival gang attempts to muscle in on the club, Nami becomes enmeshed in a violent struggle that forces her to wield a skilled pool cue to defend her uncle’s business, and eventually a short sword to wreak bloody vengeance upon her enemies.

This is the Sixteenth film in the series. There were seventeen Wolves of the City films between 1968 & 1974, in the main aimed at shock-value & “pinku” soft-core with sex, nudity, violence, gunplay, & a lot of mainly pointless foolishness when the biker gang coopts racist or nazi imagery, inventing a non-existent youth culture void of morality…

Rivalry between a hoodlum group and a gangster organization.

Brothers Jinta and Wataru are raised in a travelling circus. After an accident, Jinta decides to leave and wanders the countryside working as a con-man. After a run-in with local yakuza, he's invited to join their ranks, where he makes the mistake of falling for a boss's mistress. Meanwhile, Wataru stays with the circus and works hard to regain its former glory

Ogami Itto, framed for treason and surviving a deadly attack, becomes a lone assassin with his son. They face ruthless ruffians, setting the stage for a showdown in his quest for justice.

It is based on the story of The Ballad of Narayama updated to the present day, with the substitution of putting a parent into an old people's home for the abandonment of the original. The film won the Golden St. George and the FIPRESCI Prize at the 21st Moscow International Film Festival.

Released in 1987. A live action adaption of the original manga series, created in 1960 by Shigeru Mizuki.

This is the Fifteenth film in the series. There were seventeen Wolves of the City films between 1968 & 1974, in the main aimed at shock-value & “pinku” soft-core with sex, nudity, violence, gunplay, & a lot of mainly pointless foolishness when the biker gang coopts racist or nazi imagery, inventing a non-existent youth culture void of morality…

Dumb Tatsuo Umemiya / Shingo Yamashiro comedy about a young bloke whose dick grows to inhuman dimensions (obviously a role tailor made for star Umemiya's ego). He visits a doctor, impresses ladies and opens a porn shop before running afoul with yakuza...

A sinister organization launches a wave of audacious attacks in an attempt to gain world domination. Commanded by the evil Professor Gill, masked androids and fearsome DARK Destructoid monsters terrorize innocent victims and wreak havoc throughout Japan. A solitary figure emerges to combat the menace. Whenever DARK attacks, a denim-clad road warrior appears, strumming a haunting refrain on his guitar. His name is Jiro, and a secret lies at the heart of his lonely existence. Jiro is a mechanical man. Vulnerable to Professor Gill's shrill flute wooing him to the DARK side, Jiro battles the evil menace by transforming into the mighty red-and-blue android known as...Kikaida.

Adventures of a young high school teacher and his oddball students.

Based on the novel by Osamu Dazai and distributed by ATG. The story of a young man who is caught between the breakup of the traditions of a northern Japanese aristocratic family and the impact of Western ideas. In consequence, he feels himself "disqualified from being human" (a literal translation of the Japanese title) and goes down the stairs to self-destruction step by step.

Koji, who had a lonely childhood as an orphan, is picked up by yakuza gang leader Fujimura and leads a violent life without opening his heart to anyone. Koji, fed up with a life that leaves him with nothing but emptiness, decides to break away from the gang with his friends. Fujimura gives them one last job.

Iwabuchi of the Metropolitan Police Department's Investigation Division cooperates with Kubo of the Foreign Affairs Division in re-investigating the case of a foreign drug addict's death at the request of Kubo.

Isozoemon (Go Kato) was a ronin (masterless samurai) and broke, who lived in a Choya (cheap apartment) in Okazakijoka town with his sick wife, Sugie (Ai Kanzaki). He was also a good swordsman who had taught swordsmanship in Akita a long time ago. He takes such good care of his wife that he is called a wife-loving man. He got involved in a conflict for succession because he pretended to become an officer to please her wife.