Pierre Fromont

During a televised debate on the Algerian war in the early 1980s, Professor Paulet denounced the methods of Captain Caron, killed in action in 1957. The widow of the captain, Patricia, decided to file a defamation suit.

The fairy tale story of the actress who became a princess is told in this biography that traces her rise from Philadelphia socialite to Hollywood movie star.

The story of the film revolves around the epic of Sheikh Bouamama, a leader of the national resistance in Algeria during the French colonial era. The events are taking place in southwestern Algeria. The film also tells about different stages of the resistance, especially about one of the uprisings of the Algerian people, namely "the battle of the sons of Sidi Sheikh Bouamama", in which French General Leuti was appointed to try to suppress and end this resistance.

When a villain named "Der Schut" terrorizes the constituents of Albanian country, which he rules, heroic Kara Ben Nemsi and his sidekick are the only ones who can stop him.

A young woman is forced into espionage so that her father can escape blackmail. The love of an aviator helps her regain her freedom and secure the arrest of the members of the network, whose leader commits suicide before the police arrive.

Reichau, a former army captain, is back in France after serving three years in prison for belonging to the OAS (Secret Armed Organization), a dissident paramilitary group during the Algerian War. Marked by his past, he does not believe in the values of his country any more. At a loss to know what to do with his life, he agrees one day to take part in a heist set up by Pierre, a pilot, the very man who gave him away in Oran. The operation, in which Yo, a gorgeous woman, participates, consists in stealing a bag containing 55 million francs during a Paris-Bordeaux flight...

Murder mystery about a drunkard who makes his living as a reporter-photographer and writer.

A Parisian reporter tries to exonerate a fugitive neighbor of charges he murdered his wife.

During the Second World War, midshipman Dourdan, nicknamed 'Saucisse', distinguished himself by his clumsiness and his blunders. Charged with Lieutenant Goldfinch to convey an aircraft to Marrakech, he shot down an American bomber on the way, mistaken for a German plane.

During a stay at a roadside inn, long-distance lorry driver Jean Viard meets a young woman Clothilde who works there. Their friendship soon develops into a passionate love affair, even though Jean is already married and is old enough to be Clothilde’s father. Things take a turn for the worse when Jean loses his job and his wife finds out about his affair. But Clothilde’s predicament is even more distressing...

After being hurt in the face, Count de Roger Tinchebraye is forced to hide his disfigured face behind a leather mask. Dispirited for a while, he decides to become a Casanova-like seductor. When he meets true love, cynical Roger does not believe in it and lets pure Judith marry an old marquis. But once Judith's husband dies, he sees Judith again, shows her his disfigured face, which does not discourage the young woman from loving him. Nevertheless, he distances himself from her forever

The detectives of the Paris Judicial Police, based at the Quai des Orfèvres, are mobilized by four criminal cases. A double murder, perpetrated in a hotel on the Place de Clichy, intrigues the investigators. The owner and a little maid were murdered in cold blood.

A girl surviving on public welfare, fall into a life of prostitution.

Director Jean Delannoy's immediate followup to his brilliant Les Jeux sont Faits was the more conventional Aux Yeux du Souvenir (aka Souvenir and To the Eyes of Memory). The film is based on a true story, wherein an France airliner managed to survive a journey from Rio De Janeiro to Dakar with two of its engines incapacitated. To this already intensely dramatic situation has been added a romantic subplot involving Claire Magny (Michele Morgan) and Jacques Forester (Jean Marais). The love story adds very little to the film; fortunately, neither does it detract from the film's overall quality. As was the case with many French productions of the 1940s, Aux Yeux du Souvenir benefits immeasurably from the Wagnerian musical score by Georges Auric.