Marta Arribas

“Cómicos” is a sentimental road movie in which we have accompanied the veteran Benavente Company on their tour of Spain. It is the last touring repertory theatre company left in Spain, whose patriarchs, Luis and Aurora, are approaching 80 years old. At the same time, on this emotional journey, we are introduced to the supporting actors, such as Manuel Andrés oandAmparo Pacheco - also octogenarians - who live their profession with dignity and unwavering enthusiasm. In “Cómicos” the names of our protagonists do not appear on illuminated signs but they shine with their own light in a film that talks about passion, the passage of time and the thin line that separates triumph and failure.

In 1973, Chinese writer Sanmao (Echo Chen Ping, 1943-91) marries Spanish naval engineer José María Quero while living together in the Spanish Sahara. Sanmao recounts her daily experiences in Tales From the Sahara, a book that is a best-selling phenomenon in Taiwan and China. Sanmao then becomes an icon for independent women and the protagonist of a life that takes on legendary overtones: love, adventure, literature and, finally, tragedy.

A look at the daily life of Samya and Adrián, two teenagers assisted by local authorities; a tough existence full of obstacles, precariousness, and loneliness. Only a trio of good angels, Carlos, Mario and Bea, much more than social workers, protect them.

Josefina's personal journey to Nuremberg, Germany, where she arrived as an immigrant from Franco's Spain at the age of eighteen, along with two million other Spaniards who left home to find a future.

“Cómicos” is a sentimental road movie in which we have accompanied the veteran Benavente Company on their tour of Spain. It is the last touring repertory theatre company left in Spain, whose patriarchs, Luis and Aurora, are approaching 80 years old. At the same time, on this emotional journey, we are introduced to the supporting actors, such as Manuel Andrés oandAmparo Pacheco - also octogenarians - who live their profession with dignity and unwavering enthusiasm. In “Cómicos” the names of our protagonists do not appear on illuminated signs but they shine with their own light in a film that talks about passion, the passage of time and the thin line that separates triumph and failure.

“Cómicos” is a sentimental road movie in which we have accompanied the veteran Benavente Company on their tour of Spain. It is the last touring repertory theatre company left in Spain, whose patriarchs, Luis and Aurora, are approaching 80 years old. At the same time, on this emotional journey, we are introduced to the supporting actors, such as Manuel Andrés oandAmparo Pacheco - also octogenarians - who live their profession with dignity and unwavering enthusiasm. In “Cómicos” the names of our protagonists do not appear on illuminated signs but they shine with their own light in a film that talks about passion, the passage of time and the thin line that separates triumph and failure.

In 1973, Chinese writer Sanmao (Echo Chen Ping, 1943-91) marries Spanish naval engineer José María Quero while living together in the Spanish Sahara. Sanmao recounts her daily experiences in Tales From the Sahara, a book that is a best-selling phenomenon in Taiwan and China. Sanmao then becomes an icon for independent women and the protagonist of a life that takes on legendary overtones: love, adventure, literature and, finally, tragedy.

In 1973, Chinese writer Sanmao (Echo Chen Ping, 1943-91) marries Spanish naval engineer José María Quero while living together in the Spanish Sahara. Sanmao recounts her daily experiences in Tales From the Sahara, a book that is a best-selling phenomenon in Taiwan and China. Sanmao then becomes an icon for independent women and the protagonist of a life that takes on legendary overtones: love, adventure, literature and, finally, tragedy.

A look at the daily life of Samya and Adrián, two teenagers assisted by local authorities; a tough existence full of obstacles, precariousness, and loneliness. Only a trio of good angels, Carlos, Mario and Bea, much more than social workers, protect them.

Josefina's personal journey to Nuremberg, Germany, where she arrived as an immigrant from Franco's Spain at the age of eighteen, along with two million other Spaniards who left home to find a future.