Margarita Alexandre

Over a hundred members of the chorus girls and dance groups from the Spanish "Sección Femenina" embark to America to show the richness of their national folklore. The girls have left parked their daily tasks to enjoy this great adventure aboard "Mount Albertia". During the trip, the relationship between the girls and the crew is very lively and in all scenarios where they perform, success always accompanies them.

A man who lost everything in the war now smuggles contraband into and out of Spain, but the law's closing in.

Clara, determined to earn her living and be valued for herself, leaves his rich father's home, changes her name and takes a room. While copying paintings at El Prado Museum, she meets Juan, who is also hiding his identity, pursued under charge of murder.

Once the Spanish Civil War is over, the sons of the wealthy classes, who support politically and militarily the new regime, are preparing to begin their ascent in the social and economic sphere.

No synopsis available yet.

Pioneering Spanish filmmaker, actress and producer Margarita Alexandre (1923-2015) reminisces about her life and career during a trip to Cuba, where she worked during the early years of the Cuban Revolution.

Peter Ward is a black singer who arrives to Madrid in 1907. He falls in love with Emma, and he offers her to be her dancer. She is restrained by her racial prejudices which will lead to an inevitable separation between them.

No synopsis available yet.

A young man arrives at Puebla de las Mujeres, a village of Andalusia with the tradition that man that arrives, man that marries there. The foreigner is going to solve some issues of interest of an aunt who lives in the village. Soon as he arrives all women mobilize, captained by the mayor, for electing bride and organize the wedding. The designated Juanita de la Rosa, does not want to participate and he laughs at the arrangements saying that he has a girlfriend in Madrid.

A Dutch sailing ship finds the wreckage of a Spanish mail ship, which has collided with an iceberg. Inside, the bodies of a man and a woman are found embraced.

No synopsis available yet.

In a country house dedicated to breeding bulls, bound for bullfighting, a love story emerges, conditioned by social class differences.

In a country house dedicated to breeding bulls, bound for bullfighting, a love story emerges, conditioned by social class differences.

A romantic comedy set during the waning years of the Batista dictatorship. It tells the story of a young woman, Elena, and her attempts to meet with her revolutionary lover before his forced departure into exile.

A Haitian son returns from fifteen years in Cuba to find his home village afflicted with the double plague of drought and strife. A Cuban production from the director of Memories of Underdevelopment. In Spanish.

A model Cuban revolutionary tragically dies at work and, as a badge of honor, is buried with his labor card in his suit pocket. When his widow attempts to apply for his pension, the pension office demands the original labor card. Desperate, his nephew embarks on an increasingly chaotic and surreal quest through the Cuban bureaucratic system to secure permission to exhume the body, only to be met with endless forms, contradictory regulations, and apathetic officials.

When her country is taken over by socialist revolutionaries, a wealthy woman can't bear to give up all of her wealth and possessions to the new government, so she hides all of her treasures in the 12 chairs of a dining-room set. After her death her nephew finds out what she had done and, since the chairs had been "nationalized" and are now in the possession of a dozen different people, he sets out to track them down and get the treasures he believes rightfully belong to him.

Rafa, a Communist Republican exiled after the Spanish Civil War, returns to his hometown to carry out an attack against the imposed tyrannical regime, but the mission fails and, in his attempt to escape, he kidnaps a lady of high society.

Rafa, a Communist Republican exiled after the Spanish Civil War, returns to his hometown to carry out an attack against the imposed tyrannical regime, but the mission fails and, in his attempt to escape, he kidnaps a lady of high society.

Cristo is the first feature film directed and produced by Margarita Alexandre and Rafael Torrecilla. Evoking the work of Luciano Emmer, this art documentary tells the story of the life of Jesus using only Spanish paintings. In close harmony with the montage, the photographic technique used by Juan Mariné for the filming gives movement to the paintings by Titian, El Greco and Rubens, while the presence of the voices of Fernando Rey, José María Seoane, María Jesús Valdés and other actors of the period give the characters a sense of entity. The film received the category of National Interest from the Censorship Board, undoubtedly more inspired by the film’s exaltation of the national artistic heritage and its religious subject matter than by its artistic aspirations.

Cristo is the first feature film directed and produced by Margarita Alexandre and Rafael Torrecilla. Evoking the work of Luciano Emmer, this art documentary tells the story of the life of Jesus using only Spanish paintings. In close harmony with the montage, the photographic technique used by Juan Mariné for the filming gives movement to the paintings by Titian, El Greco and Rubens, while the presence of the voices of Fernando Rey, José María Seoane, María Jesús Valdés and other actors of the period give the characters a sense of entity. The film received the category of National Interest from the Censorship Board, undoubtedly more inspired by the film’s exaltation of the national artistic heritage and its religious subject matter than by its artistic aspirations.

Clint Hall and Kathy, his wife, see their honeymoon interrupted by the sudden illness of Kathy. On the way to find a doctor Clint is assaulted. Without money to buy medicines, he decides to intimidate the pharmacist to get the prescription by the doctor. When he refuses, Cint forces him but promises to give him the money the next day . Along the way he is arrested by police and sentenced to nine years of hard labor. Tired of hunger, thirst, abuse, hardship and violence, Clint makes ​​an attempt to escape but fails, and repression from Captain Black, director of the prison, is terrible. Morally and physically exhausted, Clint is about to die when it comes the recognition of his innocence and freedom.