Margaret Markov

In the final decades of the 20th century, the Philippines was a country where low-budget exploitation-film producers were free to make nearly any kind of movie they wanted, any way they pleased. It was a country with extremely lax labor regulations and a very permissive attitude towards cultural expression. As a result, it became a hotbed for the production of cheapie movies. Their history and the genre itself are detailed in this breezy, nostalgic documentary.

Female gladiators fight to the death. Inspired by the story of Spartacus, follow the adventures of a bevy of slave girls who, upon finding themselves thrust into the gladiator ring, mount a vicious rebellion to fight their way to freedom.

When two troublemaking female prisoners (one a revolutionary, the other a former harem-girl) can't seem to get along, they are chained together and extradited for safekeeping. The women, still chained together, stumble, stab, and cat-fight their way across the wilderness, igniting a bloody shootout between gangsters and a group of revolutionaries.

At Oceanfront High School, female students are being targeted by an unknown serial killer. Meanwhile, a married teacher hides his flings with nubile students, and an awkward male is frustrated by the plethora of uninhibited freewheeling young girls.

After a young village boy dies on San Rosario island, the leader of the People's Army decides to kidnap a group of American nurses who have traveled there to work at the government medical center, demanding that they help set up a public health dispensary and teach the revolutionaries medical procedures and first aid.

A Vietnam veteran and aspiring filmmaker spirals through a world of fragments and interludes that offer as much surreal comedy as existential dread.

Uptight college freshman Jerry Payne finds a carefree friend in zany Pookie. After an awkward meeting on the bus, Pookie quickly works her way into Jerry's life. She makes an unannounced visit to Jerry's campus, and before long annoyance turns to affection, and friendship turns to romance. But with Pookie's increasingly neurotic behavior, how long can this love affair last?

Angel (William Smith), an outlaw biker, sells out his gang by exposing their wild conquests to Like magazine for $10,000. With his photo on the cover, Angel skips town and tries to start over with help from sheep rancher Dan Felton (Dan Kemp). An ex-motorcycle enthusiast, Dan becomes a mentor to Angel, giving him hope for a peaceful future. But Angel must put hope aside when members of his former gang viciously attack Dan's teenage daughter.