Marianna Szalay

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A fictional account of the 1958 attack against the Hungarian embassy in Bern. Based on a true story about the aftermath of the 1956 Hungarian revolution.

1997. Young car mechanic Iván lives in a godforsaken village in eastern Hungary. He looks after his mentally disabled sister Eszter and earns extra money smuggling diesel oil from Ukraine. The siblings' coexistence is disrupted by a tragic event, Eszter is raped. A police investigation gets under way; in the meantime, Iván starts up a relationship with young Ilus, who has just finished school and is planning on going to the university. Iván plainly wants to leave his old life behind him, but will he be able to fulfill this ambition? - Written by Warsaw Film Festival

The main character, Béla Hackspacher, is a forklift driver. He lives in a small rented flat with his wife Irén, his two children, his mother-in-law and Rózsika, a subtenant who is about to become a dance singer. Béla learns at a community cultural programme that he has a 12 on the toto. The show stops, to great joy. The day arrives, 23 October 1956, when Béla can collect his prize.

Hungary, 1950s. Istvánka is a sensitive little boy, longing for a role model and friendship, whose father died in the war before he was born. Before school starts, his mother takes him from the countryside to the capital. One day, he meets Lacy Márity, a 21-year-old big boy from Budakeszi, who from then on not only goes to play football with him, but also answers his most secret questions. He becomes his friend. Istvánka then becomes more tolerant of the local children's digs and the often incomprehensible behaviour of the adults. But the 1956 revolution intervenes. Laci Márity takes the lead in the rebellion.

Yet another variation on Mark Twain's "A Connecticut Yankee At King Arthur's Court." Here, a computer malfunction causes a science researcher to be sent back in time with her laptop, which she uses to amaze the court.

Enikős and Dorkas marriage is unbearable. Hysterical, cruel and humiliating scenes are enacted in front of the childrens eyes, while the childless Barbara is held by her husband, the painter, to be a toy and sometimes a painting screen.