Kishore Kadam

Suman, the trapped wife in Maharashtra's Gondhal rituals, conspires with Gondhali Saheba to kill Anand's cousin. They carry out an escape that jeopardizes her soul amid drum-driven ritual and divine omens, blurring the distinction between salvation and damnation in a citywide verdict of fire, blood, and awe.

Janaki, a divorcee trying to find meaning of life in a sea-turtle conservation project run by the conservationist Dattabhau in a coastal village, accidentally meets an young man. Janaki, with her empathy for the young man, Manav, tries to create a non-judgmental, non-intrusive, warm atmosphere to help him bloom. Janaki herself, her driver-assistant Yadu, conservationist Dattabhau, servant Bablya and street-kid Parshu - none of them not related to each other - become the vulnerable young Manav's support system.

Located in a seaside village in Maharashtra during the 60s, the film unfolds over two decades. It is a tragic tale of how the best of friendships can rupture over a trivial quarrel. Once a rupture takes place, there are always people who know how to turn a quarrel to their own advantage, even if the main adversaries are completely destroyed in the process.

Comic thriller about two people who miss the last local train and how missing the train changes the course of their lives forever.

No synopsis available yet.

Highway is a film of that escape which all of us yearn for. It is an attempt to see our own reflections in today’s time.

During the 1980s in India, a group of con artists rob businessmen and politicians by conducting fake raids, posing as officers of the CBI or Income Tax Department . They plan to execute their biggest con as a final job while a relentless cop is on their trail.

Anand, a retired teacher, has dedicated the past decade to bringing film literacy to children in remote villages through his Children's Film Club. Despite public opposition, he passionately promotes cinema’s educational power. When young filmmaker Omkar decides to document Anand's work, the challenges of delivering quality cinema to these underserved communities become evident. During a screening in a remote village, a sudden power outage leaves the children watching only half of the film. Among them is Ankur, a clever and spirited 9-year-old, who improvises a captivating story based on the incomplete movie. Inspired by Ankur's creativity, Anand and Omkar embark on an unexpected journey that takes them from the villages of India to Hollywood. This journey bridges cultural divides, highlighting the universal impact of cinema and the connection between grassroots efforts and global recognition.

A family entertainer, Zindagi Virat is based on the relationship shared between a father and son and features some of Marathi cinema's finest actors such as Kishore Kadam, Atul Parchure, Bhau Kadam and Usha Naik playing important roles.

Santya is an aggressive young chap, who is a matter of worry and fear for his family. When an Adivasi woman from Santya's neighborhood is raped and murdered by an upper caste man, Santya must make the journey towards becoming an Ambedkarite, in order to emancipate himself and help his community get justice and prosper.

Bombs tear through Bombay in 1993, wreaking havoc and polarising the citizens. With perpetrators at large, the state launches a massive man-hunt to unmask the perpetrators behind these events.

"Kawdu and Bhulabai are a tribal couple living in a tiger reserve somewhere in Maharashtra. Their idyllic life gets a rude shock after Kawdu (Upendra Limaye), who had gone into the forest to fetch a medicinal root for his ailing baby, is arrested on charges of having killed a tiger. Desperate to save the life of her baby, Bhulabai (Vibhawari Deshpande) rushes to a Christian missionary, and showered with care and concern, embraces Christianity under the belief that this new god has different powers from her “own” gods, and will solve her problems. However, freeing her husband from jail is another affair, and for this she is advised to seek the help of Naxalites living in the nearby forest, through whom she acquires a new deity—Karl Marx. Even as these new gods find their place on her altar beside Waghdeo and Naagdeo, the traditional nature deities of her community, the community itself shuts the family out for having dropped its own gods." - Aparna Pallavi

"Andha Yug"—literally 'Age of Blindness'—is an allegorical play written in the aftermath of the Partition of India by Shri Dharamvir Bharti. Rooted in the epic Mahabharata, this landmark 1989 Delhi performance was staged for the Nehru Shatabdi Samaroh Festival and has since been preserved by the Natya Shodh Sansthan, Kolkata (NSS). Set on the final day of the Kurukshetra war, the narrative chronicles the end of the Dvapara Yuga and the immediate descent into the dark Kali Yuga, triggered by Lord Krishna's demise. This five-act masterpiece explores the moral collapse, cycles of revenge, and psychological trauma of war. It depicts the pyrrhic reality of the Kali Yuga—the worst, shortest, and darkest of the four cosmic ages—in which recursive violence degrades the fabric of civilization, blinding individuals to reason as they are forced to reckon with the devastation's fallout.

Film with a soundtrack featuring Kirti Killedar & Pranjal Deshpande

A filmmaker stands trial when a costume assistant on his movie accuses him of rape.

When Sukhatme's youngest son narrowly fails his entrance exams, the family are presented with a financial and moral conundrum.

A family faces supernatural chaos when witchcraft and ancient beliefs invade their remote village. A woman must uncover the truth about dark rituals and herself as fear and madness grow.

The story of ‘Pangira’ is all about how rapidly Indian villages have changed, over a period of time. Old rural hospitality and contented, peaceful village life – is now a History! Right from natural resources to local politics – ‘Indian village’ has changed and IS still changing from every aspect. Miss-use …of drinking and farming water, un-imaginable destruction of natural resources by cutting down trees in and around villages is normal. Development is happening, but with ‘Jilha Parishads’ and ‘Panchayat Samitees’, politics and courruption has become integral part of the system. At the end, a farmer, a common man, still does not get the price he deserves for his hard work.

Keshya, a simple villager believes that god has arrived in his village but everyone disbelieves him. Later when the politics plays its part things take a drastic change

Yamuna along with her son Laxman locates in Mumbai leaving behind her abusive husband. She takes shelter in the house of her aunt Chandra whom she calls Akka. Yamuna's only aim is to give better education to her son. Chandra finds her a job as a sweeper in an art school. Yamuna finds that Chandra poses as a nude model to the students of the school. Chandra confines Yamuna to take up the job of being nude out there the students don't look at you in lust but as a project.

Guna is a village labourer in the hinterlands of Maharashtra. Holding a passion for the 'tamasha' theatre shows, he decides to start his own troupe. Instead of the prestigious role of the king he always dreamed of, he ends up having to play a 'nachya', an effeminate, homosexual man. He goes ahead with the decision, which forever changes him and his family, as he ends up torn between his artistic passion and his societal prestige.

Based on the Naxalite–Maoist insurgency in the Bastar district of Chhattisgarh, an army officer leads a mission to eradicate a group of Maoist separatist insurgents responsible for the massacre of a military troop.

In a picturesque village in Maharashtra lives Raghunath aka Raghya (Vivek Chabukswar), studying in seventh standard. His father (Girish Kulkarni) works with Mumbai police as a constable; he visits his family in between. Shankar aka Sada (Abhishek Bharate) is Raghya’s classmate and close friend. His father is an officer with the Indian Army. Sada believes his father’s profession is more prestigious than Raghya’s father while Raghya feels vice-versa. Once, their school teacher (Kishore Kadam) hands over a voluntary task of collecting funds for a noble cause to the students. This exercise becomes the turning point in the friendship of Raghya and Sada.

After meeting the chief of police's pretty daughter, a gangster kidnaps the girl. During the journey they fall in love and the gangster decides to set her free.