Enrico Guazzoni

During a fire, Pina is saved by her young cousin Enrico, who is blinded by the flames. The girl becomes Enrico’s guide, and the two earn their living as street musicians. Pina falls in love with Count Manlio, who sets her on the path to a singing career. For the sake of success, she abandons Enrico, but years later, overcome by remorse, she decides to leave Manlio in order to care for her cousin once again.

A rich Sicilian farmer has to move from Sicily to Rome to help his grandson, University student, who has been put in jail.

In "Agrippina" (1910), Guazzoni recreates the particular and troublesome relationship between Agrippina, the second wife of the Emperor Claudius, and her son Nero.

Dr Faust is continually obsessed with his quest for knowledge and absolute pleasure. One day, the demon Mephistopheles appears to him in his study in human guise and offers him a deal: a lifetime of total pleasure in exchange for the life of his fiancée Margaret. Faust accepts but is soon forced to realise the impossibility of crossing the boundaries of knowledge and the limits imposed by God.

Directed by Enrico Guazzoni.

In ancient Rome, tyrannical Emperor Caligula is assassinated through the machinations of Messalina. She then makes a conquest of Marcus, who forces the Senate to name her husband, Claudius, as emperor. Messalina's wicked ways continue when she falls in love with Ennio, a slave. Ennio is also loved by Egyptian princess Mirit, but he loves neither of them, preferring the company of Ela, a Greek slave.

During a fire, Pina is saved by her young cousin Enrico, who is blinded by the flames. The girl becomes Enrico’s guide, and the two earn their living as street musicians. Pina falls in love with Count Manlio, who sets her on the path to a singing career. For the sake of success, she abandons Enrico, but years later, overcome by remorse, she decides to leave Manlio in order to care for her cousin once again.

A rich Sicilian farmer has to move from Sicily to Rome to help his grandson, University student, who has been put in jail.

In "Agrippina" (1910), Guazzoni recreates the particular and troublesome relationship between Agrippina, the second wife of the Emperor Claudius, and her son Nero.

Dr Faust is continually obsessed with his quest for knowledge and absolute pleasure. One day, the demon Mephistopheles appears to him in his study in human guise and offers him a deal: a lifetime of total pleasure in exchange for the life of his fiancée Margaret. Faust accepts but is soon forced to realise the impossibility of crossing the boundaries of knowledge and the limits imposed by God.

Directed by Enrico Guazzoni.

In ancient Rome, tyrannical Emperor Caligula is assassinated through the machinations of Messalina. She then makes a conquest of Marcus, who forces the Senate to name her husband, Claudius, as emperor. Messalina's wicked ways continue when she falls in love with Ennio, a slave. Ennio is also loved by Egyptian princess Mirit, but he loves neither of them, preferring the company of Ela, a Greek slave.

In ancient Rome, tyrannical Emperor Caligula is assassinated through the machinations of Messalina. She then makes a conquest of Marcus, who forces the Senate to name her husband, Claudius, as emperor. Messalina's wicked ways continue when she falls in love with Ennio, a slave. Ennio is also loved by Egyptian princess Mirit, but he loves neither of them, preferring the company of Ela, a Greek slave.

In ancient Rome, tyrannical Emperor Caligula is assassinated through the machinations of Messalina. She then makes a conquest of Marcus, who forces the Senate to name her husband, Claudius, as emperor. Messalina's wicked ways continue when she falls in love with Ennio, a slave. Ennio is also loved by Egyptian princess Mirit, but he loves neither of them, preferring the company of Ela, a Greek slave.

A fragment of a short comedy of Neapolitan setting, in which the actor Vincenzo Scarpetta, son of playwright Eduardo, is struggling with a Miss across the Atlantic. The woman throws a chest in the sea, asking his lover to recover it as proof of love. He turns to a fisherman, offering him money to complete the recovery for him. The film, shot in 1916, was, for reasons unknown, unpublished until 1918.

Antonio is jealous of his wife Clara and follows her everywhere; one day he sees her walking with a man on the street. He immediately becomes convinced that they went together to the movies (instead they went separate ways). Blinded by jealousy, Antonio wants to enter in the cinema hall and make a killing; but the director of the cinema stops him, and goes into the cinema room saying: "Outside a husband is waiting for his unfaithful wife to come out and kill her. Please, those of you who do not have a clear conscience, go to the emergency exit." In a moment almost all the spectators disappear.

No synopsis available yet.

Miryam, the adopted daughter of the tribal chief Jamet, meets Marco Palmi, an Italian scientist in Libya for research, in the desert. Their first approach is not cordial and when Mario falls prisoner to the marauders she offers to guard him so she can humiliate him. However, over time she falls in love with the young Italian and becomes pregnant by him. Ibrahim, a bandit who desires the girl, arranges for Mario to be abandoned in the desert and tells Miryam that he died trying to escape. But Mario was saved by another tribe and is cared for by Ulema, a friend of Miryam. Ibrahim tries to harm the two lovers again, but Jamet intervenes and kills the bandit, submits to Italian power and allows the couple to leave for Italy together with their recently born son, called Italo.

Miryam, the adopted daughter of the tribal chief Jamet, meets Marco Palmi, an Italian scientist in Libya for research, in the desert. Their first approach is not cordial and when Mario falls prisoner to the marauders she offers to guard him so she can humiliate him. However, over time she falls in love with the young Italian and becomes pregnant by him. Ibrahim, a bandit who desires the girl, arranges for Mario to be abandoned in the desert and tells Miryam that he died trying to escape. But Mario was saved by another tribe and is cared for by Ulema, a friend of Miryam. Ibrahim tries to harm the two lovers again, but Jamet intervenes and kills the bandit, submits to Italian power and allows the couple to leave for Italy together with their recently born son, called Italo.

No synopsis available yet.

[Fragment] Despite the clichés of the subject matter, a “modern” drama of D’Annunzian stereotype, [director Enrico] Guazzoni stamped the film with a mark of excellence and originality through sophisticated camera and editing techniques (axial cuts, cross-cutting, flashbacks), masterful handling of space and depth of field, and remarkable lighting effects that the director owed to the technical skill of Giovanni Grimaldi, cinematographer of subsequent masterworks such as Malombra and Carnevalesca. Of particular interest is the noir darkness of certain shots, with the faces of the protagonists emerging isolated in the gloom. https://ilcinemaritrovato.it/en/eventi/la-casa-di-nessuno-tribute-a-enrico-guazzoni/

No synopsis available yet.

An engineer living in Brazil meets a variety dancer during a temporary stay in Italy. He falls in love with her and convinces her to follow him abroad. But the head of the fazenda, at which he is employed, falls in love with the girl and uses all his power to force her to his will.

No synopsis available yet.

Attempting to cover the fault of one of his subordinates, an officer of the Napoleonic army is condemned to death for treason.

No synopsis available yet.

No synopsis available yet.

Based loosely on Shakespeare's play, Plutarch's "Life of Antony", and Pietro Cossa's dramatic poem, "Cleopatra", this movie was spectacular for its time. It offers location shots made in Italy and Egypt, large crowd scenes (e.g., the Roman army embarking in Alexandria), lots of emotional drama (Marc Antony & Cleopatra, his wife Octavia, sister of Antony's rival Octavian, unhistorically coming to Alexandria to beg him to return to her, and some mean, mean looks exchanged between Octavia and Cleopatra.

La Sposa del Nilo (1911) was a proto-epic, where you could sense the Italian filmmakers (Enrico Guazzoni in this case) gearing up to the gigantic imaginings of Cabiria and Quo Vadis just a few years on. The film wanted to impress you with its stateliness and scale; at time the central action (a young virgin is drowned to appease Isis and ensure that the Nile floods) became lost in the crowded frame – but that just reminded you that early cinema audiences look that much more intently at what was going on, and picked up on details that our lazier eyes sometimes miss.

During the latter years of the reign of the tyrannical Roman emperor Nero, Marcus Vinicius, one of Nero's officers, falls in love with a young Christian named Lygia, attempting to enslave her. Lygia's protector, the noble and burly Ursus, works to save her from Vinicius' clutches. Pursuing Lygia, Vinicius finds himself at a catacomb prayer meeting led by the apostle Peter and finds his conscience stirring-- just as Nero orders Rome burned. A landmark in epic film, Enrico Guazzoni’s grand-scale masterpiece laid the foundations for what colossal Italian spectacles would become. The film had tremendous influence on Giovanni Pastrone’s Cabiria (1914) and D.W. Griffith’s Intolerance (1916).

During the latter years of the reign of the tyrannical Roman emperor Nero, Marcus Vinicius, one of Nero's officers, falls in love with a young Christian named Lygia, attempting to enslave her. Lygia's protector, the noble and burly Ursus, works to save her from Vinicius' clutches. Pursuing Lygia, Vinicius finds himself at a catacomb prayer meeting led by the apostle Peter and finds his conscience stirring-- just as Nero orders Rome burned. A landmark in epic film, Enrico Guazzoni’s grand-scale masterpiece laid the foundations for what colossal Italian spectacles would become. The film had tremendous influence on Giovanni Pastrone’s Cabiria (1914) and D.W. Griffith’s Intolerance (1916).

A patriotic film tinged with humor and sentimentalism. Stock footage (the crowded town, the departure of warships) and reconstructed war scenes in the desert are part of the second half about the war in Libya. The soldier Bidoni (P. Cuticca) is a mess-maker but has a great affection for Claretta (M. Tucci), the young daughter of the colonel, which she returns.

The film is set during the Crusades and describes Godfrey of Bouillon's conquest of Jerusalem in 1099.

The film is set during the Crusades and describes Godfrey of Bouillon's conquest of Jerusalem in 1099.

The young Libyan Neschma was forced by her father to marry a man from whom, immediately after the wedding, she runs away. She manages to obtain the annulment of the marriage, but thus becomes a "lost of Allah", marginalized and despised by the community. When she meets the Italian Ugo, love is born between the two. The young woman gives birth to a baby girl, but her father, who has not forgiven her rebellion, kills the little girl. This drama distances Ugo and Neschma: he will marry an Italian woman, she will continue to be an outcast.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

Two siblings lose their parents amidst turmoil in revolutionary France and are adopted by a peasant family. Once grown up, the older brother enlists in the Napoleonic Wars.

19th century Sardou period melodrama turned into a vehicle for diva star Lyda Borelli: an aristocratic French lady leaves her unfaithful husband and becomes involved with a member of Robespierre's revolutionary regime.

19th century Sardou period melodrama turned into a vehicle for diva star Lyda Borelli: an aristocratic French lady leaves her unfaithful husband and becomes involved with a member of Robespierre's revolutionary regime.

In "Fabiola" (1918) Herr Guarzzoni moved from the earliest days of Christianity when the new faith was struggling to just survive to a later period in the Roman Empire when the religion was a major force and attempting to win over Rome.

No synopsis available yet.

A young girl learns that she is the daughter of an executed politician and conspires to avenge her father's memory.

During Italian renaissance, young painter Raffaello Sanzio falls in love with Margherita, a maiden of the people, becomes her lover and lives with her. But this relationship arouses the jealousy of a beautiful aristocrat who secretly orders the kidnapping of the girl. Raffaello falls into a state of prostration and does everything he can to find Margherita...

A colossal epic film like this that tries to depict the life and glory of Julius Caesar, must have a variety of scenery appropriate to the film's hero. This includes the Senate and its conspirators..or .. strange places beyond Rome full of barbarians that must fall under the Rome yoke. Let's not forget the sequences depicting the masses mentioned before.. or.. the human side of Caesar and his troublesome relationship with his son Brutus.