Banmei Takahashi

A story about a female reporter investigating sex workers in Shinjuku.

Set in the near future after a nuclear war, the film portrays a man who is searching for his former lover.

Documentary filmmaker Kenjiro Fujii takes a look at the history of a distinctly Japanese brand of softcore pornography in this extensive examination of the "pinku eiga" genre (ピンク映画 Pinku eiga or Pinkeiga). For more than 40 years, so-called "pink" films have served as both a key source of revenue for the Japanese film industry as well as a launching pad for the careers of such mainstream filmmakers as Kiyoshi Kurosawa. After providing a detailed history of the still-profitable and popular genre through interviews with a variety of behind-the-scenes players and clips from such classic pink films as Fish Bait Boobies, director Fujii shifts his focus to the production of an upcoming pink film to offer a glimpse into the creative and stylistic evolution of the genre.

Yasuko, a housewife, lives in an urban high-rise apartment with her husband Satoru and her son Takuto. Annoyed by spam calls and door-to-door salesmen, Yasuko slams the door on a salesman’s hand when he tries to squeeze a flyer through the apartment's chained front door. He leaves, but the next day, her nightmare starts.

Yasuko, a housewife, lives in an urban high-rise apartment with her husband Satoru and her son Takuto. Annoyed by spam calls and door-to-door salesmen, Yasuko slams the door on a salesman’s hand when he tries to squeeze a flyer through the apartment's chained front door. He leaves, but the next day, her nightmare starts.

Ai is a call girl that makes good money for what she does but there’s always at risk no matter how good the money is.

Michiko used to work as a live-in part-timer at an izakaya, but suddenly lost her job and her house at the same time due to COVID-19 pandemic. There are no new jobs because of the COVID-19 pandemic, and diners and internet cafes are closed. Michiko is at her wits' end, but there in front of her is a bus stop that stands slightly brightly in the darkness, illuminated only by the streetlights.

In the sequel to 1990's classic Neo Chinpira, Junko (Sho Aikawa) attempts to take out Kazama and then goes on the run. However, he quickly begins to feel homesick, and returns home to find that almost everything has changed. Noriko is now a bar mama with a lavish lifestyle, Yumeko is nowhere to be found, and his boss (Toru Minegishi) seems to have sinister plans involving Junko and his uncle (Jo Shishido).

In the sequel to 1990's classic Neo Chinpira, Junko (Sho Aikawa) attempts to take out Kazama and then goes on the run. However, he quickly begins to feel homesick, and returns home to find that almost everything has changed. Noriko is now a bar mama with a lavish lifestyle, Yumeko is nowhere to be found, and his boss (Toru Minegishi) seems to have sinister plans involving Junko and his uncle (Jo Shishido).

Junko pretends to be a yakuza and gets more than he bargained for when he is tasked with avenging the murder of a fellow gang member. If he turns the task down, he will face the consequences for betrayal.

Shortly after moving to the suburbs, the Kobayashis start to come undone. Convinced a family curse is at the root of their erratic behavior, the man of the house takes it upon himself to course-correct before it takes the last of their sanity.

A look at the lives of two prostitutes in Tokyo: Rei, who works as an S&M dominatrix, and Ayumi, in the more straightforward profession of call girl. In addition to their working life, the film also looks at their private lives. Rei is acting in an amateur theatre company along with the receptionist from Ayumi's escort service, while Ayumi is living with her student-boyfriend as he struggles to finally get accepted to college.

A look at the lives of two prostitutes in Tokyo: Rei, who works as an S&M dominatrix, and Ayumi, in the more straightforward profession of call girl. In addition to their working life, the film also looks at their private lives. Rei is acting in an amateur theatre company along with the receptionist from Ayumi's escort service, while Ayumi is living with her student-boyfriend as he struggles to finally get accepted to college.

Naomi is sent to prison in place of her brother, who is involved with a violent gang. There, she experiences various forms of vigilante justice at the hands of the sexually frustrated female inmates. From being tortured with leftover food to being stripped naked and forced to crawl around and lick the genitals of other female inmates, she endures insidious sexual abuse. To make matters worse, the female guard is a lesbian. Then, a virgin woman whom her brother had saved arrives in the communal cell, now a depraved prostitute. When Naomi learns that her brother was killed by a gang leader, she seeks revenge upon her parole...

Naomi is sent to prison in place of her brother, who is involved with a violent gang. There, she experiences various forms of vigilante justice at the hands of the sexually frustrated female inmates. From being tortured with leftover food to being stripped naked and forced to crawl around and lick the genitals of other female inmates, she endures insidious sexual abuse. To make matters worse, the female guard is a lesbian. Then, a virgin woman whom her brother had saved arrives in the communal cell, now a depraved prostitute. When Naomi learns that her brother was killed by a gang leader, she seeks revenge upon her parole...

Based on the true story of former professional boxer Iwao Hakamada who has spent over 40 years incarcerated on death row. Iwao Hakamada was arrested for the June 10, 1966 murder of a family in Shizuoka . Iwao Hakamada has always insisted on his innocence and many others also believe Iwao Hakamada has been falsely accused ...

Based on the true story of former professional boxer Iwao Hakamada who has spent over 40 years incarcerated on death row. Iwao Hakamada was arrested for the June 10, 1966 murder of a family in Shizuoka . Iwao Hakamada has always insisted on his innocence and many others also believe Iwao Hakamada has been falsely accused ...

16 year-old girl named Aya is infatuated with the proletarian politics of working-class rebel, Miyata. Her sister Sono believes the boy is not a good influence and she allows her ‘Master’ (a powerful Judge with whom she is a mistress) to arranged for the authorities to kill Miyata. After the boy’s death, Aya tries to take revenge against the Master but gets arrested for attempted murder. Due to the Master’s influence, Aya is sentenced to house arrest… at the Master’s home (!). She is soon raped and introduced to bondage and extreme sexual abuse.

The fear of rape suddenly befalls women who live peacefully in Shinjuku, as the perspective of the film alternates between the point of view of a rapist who calls himself a "shark" and the women who are raped.

A girl is sold to a brothel. She is destined to become a prostitute, but because she is still a child, she is made to work as a maid there. Because she grew up in the countryside, she is careless in everything she does, and is constantly mocked by the landlady and the prostitutes who work there. One day, the girl takes the undergarment she was ordered to wear and heads to the room of a prostitute's older sister. As soon as she opens the sliding door, she is shocked. There she finds her older sister tied up with rope and being tortured by a male customer. The girl instinctively shouts "Stop it!", but is shocked to see that the older sister does not seem to mind, but rather seems to enjoy it. Before long, the girl is unable to get the scene out of her head, and begins to secretly tie ropes around herself in her room...

A young and beautiful female instructor. While she has a physical relationship with a guard, she also serves as a spy for the warden. She disguises herself as a prisoner and sneaks into the cells, cleverly finding out the prisoners' secrets and reporting them to the warden. As a result, a thought criminal commits suicide, and a colleague who became involved in lesbian relations with a female prisoner is punished.

A young and beautiful female instructor. While she has a physical relationship with a guard, she also serves as a spy for the warden. She disguises herself as a prisoner and sneaks into the cells, cleverly finding out the prisoners' secrets and reporting them to the warden. As a result, a thought criminal commits suicide, and a colleague who became involved in lesbian relations with a female prisoner is punished.

A story about a female reporter investigating sex workers in Shinjuku.

A story about a female reporter investigating sex workers in Shinjuku.

No synopsis available yet.

Shuji Tokita (Eiji Okuda) is a film director and a professor at a university. He goes through a difficult time trying to film his new movie. He believes his movies reflect his own personal expriences. A female high school student, Ritsuko (Yukino Murakami), appears in front of Shuji.

Shuji Tokita (Eiji Okuda) is a film director and a professor at a university. He goes through a difficult time trying to film his new movie. He believes his movies reflect his own personal expriences. A female high school student, Ritsuko (Yukino Murakami), appears in front of Shuji.