Álfrún Örnólfsdóttir

Having just retired from the Danish Secret Service, Ditte Jensen has settled into a small apartment building in Reykjavík. Possessing a strong sense of justice, she doesn't hesitate to get involved in her neighbours' problems and help them.

No synopsis available yet.

Stories of normal people that have encountered supernatural things.

Five stories interwine into one. A blind man hovers above the city. Everything looks set for a perfectly normal evening in Reykjavík, until the the power goes off?

A story of a ten year old girl, Erla, who finds a flute nobody else can hear and meets a boy nobody else can see. The boy turns out to be an elf who tells her that a spell has been cast on her father. Much to Erla's horror, her father is turned to stone when he's moving rocks around in the park, looking for worms. Erla's new found friend is the only one who can guide her on a search for a magic egg possessed by the big trolls in the mountains and said to be the only remedy for people who have been turned to stone.

The year is 2038. All of the glaciers have melted and the country is split into islands, but out of the melted glaciers emerge magical beasts.

Having just retired from the Danish Secret Service, Ditte Jensen has settled into a small apartment building in Reykjavík. Possessing a strong sense of justice, she doesn't hesitate to get involved in her neighbours' problems and help them.

No synopsis available yet.

Stories of normal people that have encountered supernatural things.

Icelandic performance art meets Spinal Tap in this wickedly fun look at women behaving creatively. Three bandmates, Álfrún, Saga and Hrefna, of The Post Performance Blues Band, are tired of playing to audiences of five at their gigs and getting paid in beer. Each of them is staring down 40 and exhausting themselves juggling motherhood and their artistic pursuits. They decide to give themselves one year to either become popstars or quit the band for good. What follows is a make-it-or-break-it story of a band that's not really a band, pursuing a goal that is not actually attainable. Band member and filmmaker Álfrún Örnólfsdóttir puts herself, along with age and gender bias, on stage in this docu-parable about talented but not teenaged women trying to be successful in a youth-obsessed, overnight-success industry. Band allows gifted artists to perform the resilience and sisterhood that truly exists between life's messes, rejections and triumphs.

Icelandic performance art meets Spinal Tap in this wickedly fun look at women behaving creatively. Three bandmates, Álfrún, Saga and Hrefna, of The Post Performance Blues Band, are tired of playing to audiences of five at their gigs and getting paid in beer. Each of them is staring down 40 and exhausting themselves juggling motherhood and their artistic pursuits. They decide to give themselves one year to either become popstars or quit the band for good. What follows is a make-it-or-break-it story of a band that's not really a band, pursuing a goal that is not actually attainable. Band member and filmmaker Álfrún Örnólfsdóttir puts herself, along with age and gender bias, on stage in this docu-parable about talented but not teenaged women trying to be successful in a youth-obsessed, overnight-success industry. Band allows gifted artists to perform the resilience and sisterhood that truly exists between life's messes, rejections and triumphs.