Louise Turcot

Violette and Florence are two women with something in common, beyond being neighbours. While one finds herself on an emotional edge during her maternity leave, the other feels nothing at all, and neither can make sense of what’s happening to them. Realising that their suburban lives have left them unfulfilled, Florence begins an affair that kicks off a sexual revolution where having fun is the top priority. But between handyman hookups, chaotic misadventures, and marital strife, is reality destined to come crashing down on them?

Living alone with her pet vacuum cleaner in a depressing elderly center, Lisette hopes to find love online, but ends up becoming friends with Jules, a young janitor.

A retired archivist is annoyed and confused by a group of protestors who are angered by a mural inside the retirement home where he resides that glorifies colonialism.

For more than 25 years, Marc Côté, street chaplain and parish priest, has lived with the poor and the homeless. Today, Marc is a worn-out man. Exhausted from running his church, which serves as a shelter, and overwhelmed by the bills they can no longer pay, Marc must face the facts: he will have to shut down his church. Like a call from Providence, he inherits a property in the Bas-du-Fleuve region and decides to take a group of homeless people with him, who, like himself, need a vacation.

Philippe, an opera composer in search of inspiration, is forced to take in Simone, his rebellious, eccentric niece whose best friend is a skunk. Despite being total opposites, Philippe and Simone quickly discover that they may need each other more than they thought.

Jean, in his fifties, has lost his lust for life. He leaves Canada for a faraway country, somewhere in Europe. A beautiful place to end his days, he thought. But that was without counting on the formidable resilience of the inhabitants and residents of the Hotel Silence.

Anna (Laurie Gagné) is going through a particularly stressful time: she is preparing to reconnect with Jason (Thomas Lapointe), the son she was forced to place for adoption almost 20 years ago. Unable to go through with this meeting, she takes refuge, clandestinely, in the house of an elderly couple. A dramatic event changes everything and forces Anna to forge an impromptu relationship with Victorine (Louise Turcot). The strange cohabitation of these two women will help them find the courage to face their trials.

Audrey, a woman in her mid-fifties, has never been able to make peace with her tumultuous family history. A clumsy mother, an emotionally distant father and sexual assaults that have gone unreported. She now decides to confront her demons. Supported by her son, the director of the documentary, she revisits a striking scene from her past: the moment when she told her parents that her grandfather had raped her. Together, through a year-long production process, they transform this awkward exchange into a moment of communion, thanks to actors, a set and Audrey's desire to do herself justice.

This film tells the story of Noah, a young woman in her late twenties, who, the day after an unattached affair, finds herself pregnant and forced to make a heartbreaking choice. It is by turning to the tranquility of the countryside and to the wisdom of his grandmother Beatrice that Noah will be able to advance, step by step, in his thinking. It is sheltered by the grandiose calm of the great outdoors and by the love of his grandmother, beyond judgment, that Noah will be able to put his thoughts in order and make his decision.

Henri was raised by religious in a convent and lived with them until the women, now elders, moved, leaving him alone. Henri fixes lamps. Since his young age, he's been replacing burned light bulbs and illuminates people's lives. After following signs, he finds himself working in a lamp company. Through his new work, he meets an old man trying to never forget his glory days and a blind woman, teller in an adult cinema, with whom he falls in love.

1978. In a small village in Bas-St-Laurent, Guy’s tragic death is a shock for the Leblanc family. For many years, the real cause of his death is kept hidden from some members of the family, including his son David. The latter in turn starts his own family with his wife Marie. He lovingly raises his children Laurence and Frédéric, but deep within him harbours a persistent melancholy.

Sometimes, we're just waiting for a miracle. A nurse who is a Jehovah's Witness, grows fond of the miracle survivor of a plane crash. Two sexagenarians, a bartender and a parking lot attendant want to explore their forbidden passions. A conservative, well-off couple drown their disappointments in booze and gambling. And a man does his utmost to make amends for an irredeemable action, bringing us to a plane bound for Cuba. An ensemble film where every character affects the lives of others.

This feature-length documentary follows actor Jean-Louis Millette as he travels to Italy to present the play The Dragonfly of Chicoutimi, in which he plays the lead role. Director Jean-Claude Coulbois attempts to unravel the mystery of this protected, hard-to-reach area, which he calls the "actor's territory," where life and theater intertwine and interact.

Making of documentary filmed over months of rehearsal and experimentation between director André Brassard and the cast to flesh out Michel Tremblay's "Messe solennelle pour une pleine lune d’été".

Four young women are participating on Idole Instantanée, a reality show produced by Omni Global, in which a complete stranger turns into a music star in just 24 hours.

Pierre and Elisabeth, a couple in their thirties, move with their baby into a cottage on a lake for the summer. The setting is idyllic, and the couple’s happiness seems within reach. Every day, Pierre goes to work in the city while Elisabeth rehearses for an upcoming voice recital. Despite the benevolent presence of her mother-in-law who lives in the neighbouring house, the young woman feels isolated and overwhelmed in her new role as a mother. Her entourage is concerned, but no one fully grasps the extent of Elisabeth’s distress. Muted violence soon takes hold and tightens its grip.

Skin and Bones gently introduce us to the world of anorexia and bulimia. The heroines of this moving film in which reality and fiction merge are called Annie, Andréanne, Hélène, Eisha. They have in common their youth and charm - as well as a terrible tendency to self-destruct.

While on his honeymoon, a man who suddenly becomes impotent, tries to recover his virility.

Two bored Montreal housewives (Monique Mercure & Louise Turcot), with inattentive husbands (Marcel Sabourin & Donald Pilon), and lots of time on their hands, amuse themselves by paying the local tradesmen something extra to give them amorous attention. Their entertainment leads to frantic confusion, however, when one of the visiting gentlemen - shall we say - 'expires'. The housewives deal with their unpleasant situation quite energetically.

Two monks come to a small village to lead a simple life but their first act of charity is to try and seduce one of the village women.

A young Montreal woman has an affair with a famous French author, and the experience helps to teach her a number of things about life and love.

Rosaire and Alex would do anything to seduce girls, but they are broke. In an attempt to escape their problem, they become willing to do anything to make some money.

Industrial pollution causes water poisoning and generalized sickness in a nearby city and is the start of a major news scandal.