Gustavo Balza

Based on the play by José Ignacio Cabrujas, it is a comedy with deep popular roots and, essentially, Latin American.

In the shantytowns of Caracas, teenage Aixa finds herself unexpectedly pregnant and trapped between conflicting forces: her grandmother Carmen, young yet matriarchal head of the sprawling family clan, desperately tries to prevent Aixa from repeating the cycle of teenage motherhood that has plagued the women in her house for generations; meanwhile Ramon, the drug-linked young father, more obsessed with the idea of a child than with responsibility, resorts to threats—“If you get rid of the baby, I’ll kill you”—to impose his will. All around Aixa, others believe they know what’s best for her—but the choice of life or death, hope or despair, remains hers alone in a world where survival is the only certainty.

It tells the story of Valeriano and Cañete, two marked characters that complement and feed each other in a unique scenario, the Compostela of the fifties. The dismantling of the old Royal Hospital to transform it into a luxury hotel fills the streets of Santiago de Compostela with the sick, perpetual pilgrims and the poor. It happens that the night is black, like the future, like the hearts of men, like the country, and it becomes long, very long. Thus, a night of peaceful wandering turns into a mad race for survival of two strangers, friends in pain, who, unable to change the world, no matter how hard they try, struggle, at least, and with all their strength, to see it again tomorrow.

Thirteen women gather in a house to celebrate the bachelorette party of one of them. Life, past, present, relations between them, come to light, not always in the best way

No synopsis available yet.

Based on the play by José Ignacio Cabrujas, it is a comedy with deep popular roots and, essentially, Latin American.

In the shantytowns of Caracas, teenage Aixa finds herself unexpectedly pregnant and trapped between conflicting forces: her grandmother Carmen, young yet matriarchal head of the sprawling family clan, desperately tries to prevent Aixa from repeating the cycle of teenage motherhood that has plagued the women in her house for generations; meanwhile Ramon, the drug-linked young father, more obsessed with the idea of a child than with responsibility, resorts to threats—“If you get rid of the baby, I’ll kill you”—to impose his will. All around Aixa, others believe they know what’s best for her—but the choice of life or death, hope or despair, remains hers alone in a world where survival is the only certainty.

In the shantytowns of Caracas, teenage Aixa finds herself unexpectedly pregnant and trapped between conflicting forces: her grandmother Carmen, young yet matriarchal head of the sprawling family clan, desperately tries to prevent Aixa from repeating the cycle of teenage motherhood that has plagued the women in her house for generations; meanwhile Ramon, the drug-linked young father, more obsessed with the idea of a child than with responsibility, resorts to threats—“If you get rid of the baby, I’ll kill you”—to impose his will. All around Aixa, others believe they know what’s best for her—but the choice of life or death, hope or despair, remains hers alone in a world where survival is the only certainty.

It tells the story of Valeriano and Cañete, two marked characters that complement and feed each other in a unique scenario, the Compostela of the fifties. The dismantling of the old Royal Hospital to transform it into a luxury hotel fills the streets of Santiago de Compostela with the sick, perpetual pilgrims and the poor. It happens that the night is black, like the future, like the hearts of men, like the country, and it becomes long, very long. Thus, a night of peaceful wandering turns into a mad race for survival of two strangers, friends in pain, who, unable to change the world, no matter how hard they try, struggle, at least, and with all their strength, to see it again tomorrow.

It tells the story of Valeriano and Cañete, two marked characters that complement and feed each other in a unique scenario, the Compostela of the fifties. The dismantling of the old Royal Hospital to transform it into a luxury hotel fills the streets of Santiago de Compostela with the sick, perpetual pilgrims and the poor. It happens that the night is black, like the future, like the hearts of men, like the country, and it becomes long, very long. Thus, a night of peaceful wandering turns into a mad race for survival of two strangers, friends in pain, who, unable to change the world, no matter how hard they try, struggle, at least, and with all their strength, to see it again tomorrow.

Thirteen women gather in a house to celebrate the bachelorette party of one of them. Life, past, present, relations between them, come to light, not always in the best way

No synopsis available yet.