Franco de Peña

Berlin, A Polterabend (i.e. a party on the eve of a marriage) is taking place in a café. An American has persuaded his German friend to marry him, after just one month of knowing each other. But while Anke has decided to create a family for her and her baby, Bruce has reservations. The party's member consist of various immigrants that happened to be there, each with his own problems and Anke's mother who objects to the marriage and is expelled by her own daughter.

While living with her grandmother in Poland, a young woman falls in love. Her boyfriend is charming and suggests they travel around Europe and work here and there to pay for their trip. Unfortunately, the boyfriend isn't as he seems and the young woman is sold as a prostitute when they cross over to Germany. We follow her ordeal as she tries to free herself and stay sane as time goes by and her captors try to break and condition her to a new life of servitude.

While living with her grandmother in Poland, a young woman falls in love. Her boyfriend is charming and suggests they travel around Europe and work here and there to pay for their trip. Unfortunately, the boyfriend isn't as he seems and the young woman is sold as a prostitute when they cross over to Germany. We follow her ordeal as she tries to free herself and stay sane as time goes by and her captors try to break and condition her to a new life of servitude.

The Future of an Illusion (1997) is a poetic, semi-documentary portrait of Havana on New Year’s Day, following seven characters whose lives intertwine amid the crumbling beauty of the city. An old widow, a young prostitute, a fallen aristocrat, a jobless couple, a weary coachman, a lonely child, and a wandering poet each face their own illusions of change, love, and escape. Through their stories, Franco de Peña crafts a lyrical meditation on hope and disappointment, where the promise of renewal fades into the quiet persistence of everyday survival.

The Future of an Illusion (1997) is a poetic, semi-documentary portrait of Havana on New Year’s Day, following seven characters whose lives intertwine amid the crumbling beauty of the city. An old widow, a young prostitute, a fallen aristocrat, a jobless couple, a weary coachman, a lonely child, and a wandering poet each face their own illusions of change, love, and escape. Through their stories, Franco de Peña crafts a lyrical meditation on hope and disappointment, where the promise of renewal fades into the quiet persistence of everyday survival.

A criminal with AIDS serving a 25-year prison sentence.

Franco de Peña's movie deals with three very different love stories, all taking place on the Avenida Libertador, the main avenue of Caracas.

Franco de Peña's movie deals with three very different love stories, all taking place on the Avenida Libertador, the main avenue of Caracas.

Liliana, a mother of 5 kids, living in terrible condition in a Caracas's "favela", is hoping to get a new flat from President Chavez in order to change her life. August 2007, Venezuelan's President Chavez convokes a referendum in order to change the constitution and get absolute power. Carlos, a local Party Activists tries to convince Liliana to vote for the new constitution. Liliana is promised that she'll get a flat if she votes for Chavez. Hugo Rey is a journey into the totalitarian mechanism employed by Chavez to perpetuate his power.

Liliana, a mother of 5 kids, living in terrible condition in a Caracas's "favela", is hoping to get a new flat from President Chavez in order to change her life. August 2007, Venezuelan's President Chavez convokes a referendum in order to change the constitution and get absolute power. Carlos, a local Party Activists tries to convince Liliana to vote for the new constitution. Liliana is promised that she'll get a flat if she votes for Chavez. Hugo Rey is a journey into the totalitarian mechanism employed by Chavez to perpetuate his power.

A documentary fiction in the form of a diptych, about solitude, nostalgia and waiting. On the high plateaux of the Andes in Venezuela, the seventy-year-old mule-driver Saturnino has only one friend, his donkey Turmero. Filomena, seventy eight years old, is waiting against for the return of her husband.