Robert Flaherty

Directing

Robert Flaherty

Born — Died

1884-02-16 — 1951-07-23

Place of birth

Iron Mountain, Michigan, USA

Known for

Directing

Credits

30 titles

Robert Joseph Flaherty (February 16, 1884 – July 23, 1951) was an American filmmaker who made the first commercially successful feature-length documentary, Nanook of the North (1922), which solidified his reputation and was never able to be equaled in its success, although he continued development of this new genre of narrative documentary with Moana (1926), set in the South Seas, and Man of Aran (1934), filmed in Ireland's Aran Islands. Flaherty is considered the father of both the documentary and the ethnographic film. Flaherty was married to writer Frances Hubbard from 1914 until his death in 1951. Hubbard worked on several of her husband's films, and received an Academy Award nomination …

Known for

Nanook of the North poster
7.1

This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.

Nanook of the North

1922

Moana poster
6.7

In the South Seas, Samoan village life is portrayed with a painterly eye. Blending ethnographic detail with a romanticized 'Gauguin idyll', the film celebrates daily rituals, communal traditions, and the passage into adulthood, suffused pride of beauty and pride of strength.

Moana

1926

Tabu: A Story of the South Seas poster
7.1

On the South Pacific island of Bora Bora, a young couple's love is threatened when the tribal chief declares the girl a sacred virgin.

Tabu: A Story of the South Seas

1931

Elephant Boy poster
6.6

In India, Toomai, a young mahout, helps lead the British on a large expedition to round up wild elephants.

Elephant Boy

1937

Louisiana Story poster
6.3

Cajun boy Alexander Napoleon Ulysses LaTour lives with his family and his beloved pet raccoon in the Louisiana bayou. When his father allows an oil barge to drill on their land, the boy questions the process and its safety.

Louisiana Story

1948

Man of Aran poster
7.3

A documentary on the life of the people of the Aran Islands, who were believed to contain the essence of the ancient Irish life, represented by a pure uncorrupted peasant existence centred around the struggle between man and his hostile but magnificent surroundings. A blend of documentary and fictional narrative, the film captures the everyday trials of life on Ireland's unforgiving Aran Islands.

Man of Aran

1934

Film credits

Behind the camera

Nanook of the North poster
7.1

This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.

Nanook of the North

1922

Nanook of the North poster
7.1

This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.

Nanook of the North

1922

Nanook of the North poster
7.1

This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.

Nanook of the North

1922

Moana poster
6.7

In the South Seas, Samoan village life is portrayed with a painterly eye. Blending ethnographic detail with a romanticized 'Gauguin idyll', the film celebrates daily rituals, communal traditions, and the passage into adulthood, suffused pride of beauty and pride of strength.

Moana

1926

Moana poster
6.7

In the South Seas, Samoan village life is portrayed with a painterly eye. Blending ethnographic detail with a romanticized 'Gauguin idyll', the film celebrates daily rituals, communal traditions, and the passage into adulthood, suffused pride of beauty and pride of strength.

Moana

1926

Moana poster
6.7

In the South Seas, Samoan village life is portrayed with a painterly eye. Blending ethnographic detail with a romanticized 'Gauguin idyll', the film celebrates daily rituals, communal traditions, and the passage into adulthood, suffused pride of beauty and pride of strength.

Moana

1926

Tabu: A Story of the South Seas poster
7.1

On the South Pacific island of Bora Bora, a young couple's love is threatened when the tribal chief declares the girl a sacred virgin.

Tabu: A Story of the South Seas

1931

Tabu: A Story of the South Seas poster
7.1

On the South Pacific island of Bora Bora, a young couple's love is threatened when the tribal chief declares the girl a sacred virgin.

Tabu: A Story of the South Seas

1931

Elephant Boy poster
6.6

In India, Toomai, a young mahout, helps lead the British on a large expedition to round up wild elephants.

Elephant Boy

1937

Louisiana Story poster
6.3

Cajun boy Alexander Napoleon Ulysses LaTour lives with his family and his beloved pet raccoon in the Louisiana bayou. When his father allows an oil barge to drill on their land, the boy questions the process and its safety.

Louisiana Story

1948

Louisiana Story poster
6.3

Cajun boy Alexander Napoleon Ulysses LaTour lives with his family and his beloved pet raccoon in the Louisiana bayou. When his father allows an oil barge to drill on their land, the boy questions the process and its safety.

Louisiana Story

1948

Man of Aran poster
7.3

A documentary on the life of the people of the Aran Islands, who were believed to contain the essence of the ancient Irish life, represented by a pure uncorrupted peasant existence centred around the struggle between man and his hostile but magnificent surroundings. A blend of documentary and fictional narrative, the film captures the everyday trials of life on Ireland's unforgiving Aran Islands.

Man of Aran

1934

Man of Aran poster
7.3

A documentary on the life of the people of the Aran Islands, who were believed to contain the essence of the ancient Irish life, represented by a pure uncorrupted peasant existence centred around the struggle between man and his hostile but magnificent surroundings. A blend of documentary and fictional narrative, the film captures the everyday trials of life on Ireland's unforgiving Aran Islands.

Man of Aran

1934

The Titan: Story of Michelangelo poster
6.2

The life and works of the great artist Michelangelo Buonarroti are shown against the historical background of his time. Comprises his earliest artworks, and follows his life and career as he achieves lasting fame, and includes detailed looks at some of the artist's most renowned creations. A heavily re-edited cut of Curt Oertel's film Michelangelo: Das Leben eines Titanen, (1938, Switzerland) with new footage shot by Flaherty.

The Titan: Story of Michelangelo

1950

The Titan: Story of Michelangelo poster
6.2

The life and works of the great artist Michelangelo Buonarroti are shown against the historical background of his time. Comprises his earliest artworks, and follows his life and career as he achieves lasting fame, and includes detailed looks at some of the artist's most renowned creations. A heavily re-edited cut of Curt Oertel's film Michelangelo: Das Leben eines Titanen, (1938, Switzerland) with new footage shot by Flaherty.

The Titan: Story of Michelangelo

1950

A Night of Storytelling poster
6.0

A well known storyteller, Tomas O' Diorain tells tales of the sea around a fire in an old Irish cottage. His storytelling is juxtaposed with images of the sea. This film, thought lost was rediscovered by Houghton Library curators during a cataloging update in 2013.

A Night of Storytelling

1935

The Land poster
7.3

The least typical, least known, and most controversial of director Flaherty's films depicts a vast and vague territory across the southern and midwestern United States. Here, in the period between the Depression's end and the beginning of World War II, abandoned farmhouses line dusty roadways, and forgotten farm people had almost ceased to hope for a better life.

The Land

1942

The Land poster
7.3

The least typical, least known, and most controversial of director Flaherty's films depicts a vast and vague territory across the southern and midwestern United States. Here, in the period between the Depression's end and the beginning of World War II, abandoned farmhouses line dusty roadways, and forgotten farm people had almost ceased to hope for a better life.

The Land

1942

Industrial Britain poster
5.6

Developed from John Grierson's opportunistic recruitment of the well-known director and anthropologist Robert Flaherty, Industrial Britain provides a traditional picture of Britain as is interrupted by industrial stacks billowing smoke. A dramatic illustration of how the young British documentary movement grappled with the influence of the genre’s founding father, Flaherty's ethos was essentially that of a 19th-century conservative individualist, attracted to the elemental extremes of nature and suspicious of the mechanisation of the modern world.

Industrial Britain

1931

Industrial Britain poster
5.6

Developed from John Grierson's opportunistic recruitment of the well-known director and anthropologist Robert Flaherty, Industrial Britain provides a traditional picture of Britain as is interrupted by industrial stacks billowing smoke. A dramatic illustration of how the young British documentary movement grappled with the influence of the genre’s founding father, Flaherty's ethos was essentially that of a 19th-century conservative individualist, attracted to the elemental extremes of nature and suspicious of the mechanisation of the modern world.

Industrial Britain

1931

The Pottery Maker poster
6.5

A little girl watches the craftsman at work while inter-titles explain the particulars of pottery-making.

The Pottery Maker

1925

No artwork available
NR

Illustrated travel lecture directed by Robert J. Flaherty, composed of film shot during his time with the Inuit in 1914-1915. After enthusiastic reception, the entire film stock was burned in an accident in 1916 leaving this a lost film. Soon after, Flaherty would return to the Inuit to reimagine his project as Nanook of the North (1922).

The Eskimo

1916

Twenty-Four Dollar Island poster
6.3

A visual celebration of Manhattan and its waterways on the 300th anniversary of purchase from the local Native Americans.

Twenty-Four Dollar Island

1927

Twenty-Four Dollar Island poster
6.3

A visual celebration of Manhattan and its waterways on the 300th anniversary of purchase from the local Native Americans.

Twenty-Four Dollar Island

1927

No artwork available
7.5

A short, silent documentary by Robert J. Flaherty about pottery in England.

The English Potter

1933

No artwork available
NR

Put together from the pictorial space in the artwork. Flaherty was commissioned by MoMA and subsequently filmed Guernica, disregarding any external reference to the painting.

Guernica

1949