
Directing
Robert Flaherty
Born — Died
1884-02-16 — 1951-07-23
Place of birth
Iron Mountain, Michigan, USA
Known for
Directing
Credits
30 titles
Robert Joseph Flaherty (February 16, 1884 – July 23, 1951) was an American filmmaker who made the first commercially successful feature-length documentary, Nanook of the North (1922), which solidified his reputation and was never able to be equaled in its success, although he continued development of this new genre of narrative documentary with Moana (1926), set in the South Seas, and Man of Aran (1934), filmed in Ireland's Aran Islands. Flaherty is considered the father of both the documentary and the ethnographic film. Flaherty was married to writer Frances Hubbard from 1914 until his death in 1951. Hubbard worked on several of her husband's films, and received an Academy Award nomination …
Known for
7.1This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.
Nanook of the North
1922
6.7In the South Seas, Samoan village life is portrayed with a painterly eye. Blending ethnographic detail with a romanticized 'Gauguin idyll', the film celebrates daily rituals, communal traditions, and the passage into adulthood, suffused pride of beauty and pride of strength.
Moana
1926
7.1On the South Pacific island of Bora Bora, a young couple's love is threatened when the tribal chief declares the girl a sacred virgin.
Tabu: A Story of the South Seas
1931
6.6In India, Toomai, a young mahout, helps lead the British on a large expedition to round up wild elephants.
Elephant Boy
1937
6.3Cajun boy Alexander Napoleon Ulysses LaTour lives with his family and his beloved pet raccoon in the Louisiana bayou. When his father allows an oil barge to drill on their land, the boy questions the process and its safety.
Louisiana Story
1948
7.3A documentary on the life of the people of the Aran Islands, who were believed to contain the essence of the ancient Irish life, represented by a pure uncorrupted peasant existence centred around the struggle between man and his hostile but magnificent surroundings. A blend of documentary and fictional narrative, the film captures the everyday trials of life on Ireland's unforgiving Aran Islands.
Man of Aran
1934
Film credits
2020s · 2 titles
NRFinnish filmmaker and artist Sami van Ingen is a great-grandson of documentary pioneer Robert Flaherty, and seemingly the sole member of the family with a hands-on interest in continuing the directing legacy. Among the materials he found in the estate of Robert and Frances Flaherty’s daughter Monica were the film reels and video tapes detailing several years of work on realising her lifelong dream project: a sound version of her parents’ 1926 docu-fiction axiom, Moana: A Romance of the Golden Age.
Monica in the South Seas
2023
NRSami van Ingen continues to explore the Flaherty film family with Cast of Shadows, which questions how much memories, images and end credits can lie.
Cast of Shadows
2025
Behind the camera
7.1This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.
Nanook of the North
1922
7.1This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.
Nanook of the North
1922
7.1This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.
Nanook of the North
1922
6.7In the South Seas, Samoan village life is portrayed with a painterly eye. Blending ethnographic detail with a romanticized 'Gauguin idyll', the film celebrates daily rituals, communal traditions, and the passage into adulthood, suffused pride of beauty and pride of strength.
Moana
1926
6.7In the South Seas, Samoan village life is portrayed with a painterly eye. Blending ethnographic detail with a romanticized 'Gauguin idyll', the film celebrates daily rituals, communal traditions, and the passage into adulthood, suffused pride of beauty and pride of strength.
Moana
1926
6.7In the South Seas, Samoan village life is portrayed with a painterly eye. Blending ethnographic detail with a romanticized 'Gauguin idyll', the film celebrates daily rituals, communal traditions, and the passage into adulthood, suffused pride of beauty and pride of strength.
Moana
1926
7.1On the South Pacific island of Bora Bora, a young couple's love is threatened when the tribal chief declares the girl a sacred virgin.
Tabu: A Story of the South Seas
1931
7.1On the South Pacific island of Bora Bora, a young couple's love is threatened when the tribal chief declares the girl a sacred virgin.
Tabu: A Story of the South Seas
1931
6.6In India, Toomai, a young mahout, helps lead the British on a large expedition to round up wild elephants.
Elephant Boy
1937
6.3Cajun boy Alexander Napoleon Ulysses LaTour lives with his family and his beloved pet raccoon in the Louisiana bayou. When his father allows an oil barge to drill on their land, the boy questions the process and its safety.
Louisiana Story
1948
6.3Cajun boy Alexander Napoleon Ulysses LaTour lives with his family and his beloved pet raccoon in the Louisiana bayou. When his father allows an oil barge to drill on their land, the boy questions the process and its safety.
Louisiana Story
1948
7.3A documentary on the life of the people of the Aran Islands, who were believed to contain the essence of the ancient Irish life, represented by a pure uncorrupted peasant existence centred around the struggle between man and his hostile but magnificent surroundings. A blend of documentary and fictional narrative, the film captures the everyday trials of life on Ireland's unforgiving Aran Islands.
Man of Aran
1934
7.3A documentary on the life of the people of the Aran Islands, who were believed to contain the essence of the ancient Irish life, represented by a pure uncorrupted peasant existence centred around the struggle between man and his hostile but magnificent surroundings. A blend of documentary and fictional narrative, the film captures the everyday trials of life on Ireland's unforgiving Aran Islands.
Man of Aran
1934
6.2The life and works of the great artist Michelangelo Buonarroti are shown against the historical background of his time. Comprises his earliest artworks, and follows his life and career as he achieves lasting fame, and includes detailed looks at some of the artist's most renowned creations. A heavily re-edited cut of Curt Oertel's film Michelangelo: Das Leben eines Titanen, (1938, Switzerland) with new footage shot by Flaherty.
The Titan: Story of Michelangelo
1950
6.2The life and works of the great artist Michelangelo Buonarroti are shown against the historical background of his time. Comprises his earliest artworks, and follows his life and career as he achieves lasting fame, and includes detailed looks at some of the artist's most renowned creations. A heavily re-edited cut of Curt Oertel's film Michelangelo: Das Leben eines Titanen, (1938, Switzerland) with new footage shot by Flaherty.
The Titan: Story of Michelangelo
1950
6.0A well known storyteller, Tomas O' Diorain tells tales of the sea around a fire in an old Irish cottage. His storytelling is juxtaposed with images of the sea. This film, thought lost was rediscovered by Houghton Library curators during a cataloging update in 2013.
A Night of Storytelling
1935
7.3The least typical, least known, and most controversial of director Flaherty's films depicts a vast and vague territory across the southern and midwestern United States. Here, in the period between the Depression's end and the beginning of World War II, abandoned farmhouses line dusty roadways, and forgotten farm people had almost ceased to hope for a better life.
The Land
1942
7.3The least typical, least known, and most controversial of director Flaherty's films depicts a vast and vague territory across the southern and midwestern United States. Here, in the period between the Depression's end and the beginning of World War II, abandoned farmhouses line dusty roadways, and forgotten farm people had almost ceased to hope for a better life.
The Land
1942
5.6Developed from John Grierson's opportunistic recruitment of the well-known director and anthropologist Robert Flaherty, Industrial Britain provides a traditional picture of Britain as is interrupted by industrial stacks billowing smoke. A dramatic illustration of how the young British documentary movement grappled with the influence of the genre’s founding father, Flaherty's ethos was essentially that of a 19th-century conservative individualist, attracted to the elemental extremes of nature and suspicious of the mechanisation of the modern world.
Industrial Britain
1931
5.6Developed from John Grierson's opportunistic recruitment of the well-known director and anthropologist Robert Flaherty, Industrial Britain provides a traditional picture of Britain as is interrupted by industrial stacks billowing smoke. A dramatic illustration of how the young British documentary movement grappled with the influence of the genre’s founding father, Flaherty's ethos was essentially that of a 19th-century conservative individualist, attracted to the elemental extremes of nature and suspicious of the mechanisation of the modern world.
Industrial Britain
1931
6.5A little girl watches the craftsman at work while inter-titles explain the particulars of pottery-making.
The Pottery Maker
1925
Illustrated travel lecture directed by Robert J. Flaherty, composed of film shot during his time with the Inuit in 1914-1915. After enthusiastic reception, the entire film stock was burned in an accident in 1916 leaving this a lost film. Soon after, Flaherty would return to the Inuit to reimagine his project as Nanook of the North (1922).
The Eskimo
1916
6.3A visual celebration of Manhattan and its waterways on the 300th anniversary of purchase from the local Native Americans.
Twenty-Four Dollar Island
1927
6.3A visual celebration of Manhattan and its waterways on the 300th anniversary of purchase from the local Native Americans.
Twenty-Four Dollar Island
1927
A short, silent documentary by Robert J. Flaherty about pottery in England.
The English Potter
1933
Put together from the pictorial space in the artwork. Flaherty was commissioned by MoMA and subsequently filmed Guernica, disregarding any external reference to the painting.
Guernica
1949

