Massimiliano Benvenuto

Two proud and estranged brothers, a disputed inheritance and a past that comes back. When he hears about the passing of his father - whom he has not seen in many years - Salvo returns to his native Sicily. He intends to convince his brother Lillo to sell the family farm and save his pizzeria, which is about to go bankrupt - a secret that he has kept even from his wife and children. But things will not be easy and Salvo will have to come to terms with his choices. A bittersweet comedy about family relations and how one never stops growing up, not even at fifty.

"Documents of the staging" of the play The seagull at the Orologio Theatre in Rome.

Pietro is eight years old and in pain: his father, locked up under the 41-bis regime, for him is not a criminal but Super Vito, a superhero who fights the bad guys from the "secret lair" of the prison. Between supervised conversations and stories invented by his mother to protect him, Pietro builds a world in which his father is an avenger, not a prisoner. When Vito decides to collaborate with justice and become a repentant, Pietro's imaginary universe collapses. The child's life is put in danger by the clan's retaliation, but just then Vito makes his last gesture of love: sacrificing himself to save his son. In Pietro's gaze, that sacrifice does not erase the hero, but makes him real, forever transforming his image of "Super Vito" into that of a father capable of choosing good.

Elena and Antonio discover that their parents have a very rare disease. Their only hope for survival is a stem cell donation that must occur in a very short time, and their children are the only suitable candidates for this particular procedure. Elena and Antonio prepare for the operation, but Antonio discovers that he's not a match for the donation, and Elena's stem cells are not enough for both of them: it's not possible to cure both parents.

Several actors are members of a amateur soccer team. They followed in their preparations for a particular audition and in their personal life. With about 6 actors this delivers a broad picture of Italian life in which the question what it means to be a man is posed in the challenging circumstances of familily life, sex relationships, sport, cross gender roles and mafia.

Three murderers. A journalist, a postal employee, a rich young lady. They're dead, but they prefer to call themselves "absent". One forgets they're still in a hotel. It's the nightmare of an infernal room that will imprison their existence forever, with their sins, desires and all they know about themselves.

The play wants to explore afterlife, death re-emerging into life even just for an hour in a whirlwind of powerful emotions ranging from disbelief to joy and anger, until total despair and the last goodbye.

Cascia, 14th century, Rita Liotti falls in love, gets married and has two children. Her dream of love is soon hindered by a masculine and violent society, that Rita faces with peace and forgiveness. When she loses her husband and her children, she understands she has a mission: pursuing her path of peace, that will lead her to take the vows, and then to become Saint. Rita is a Saint of these days, who lived in a very violent age and was so brave to break free from the vengeance chain, through a deep, sincere and christian forgiveness. She is a particular Saint, talking to everybody’s hearts, as she was everything. She was a daugher, a wife, a mother and a nun, she experienced every sort of life, and in all her different lives she was a living model of christian life.

An experimental drama entirely composed by monologues. A personal journey through male homosexuality - from darkness to light, from total denial to complete acceptance - as told in monologues performed by actors and adapted from interviews with ordinary Italian gay men. A multicolored kaleidoscopic journey through a varied and multi-faceted aspect of the human experience that is rarely represented on the big screen

The play rotates around three sisters, whose father was a general who died the previous year. They can't wait to move to Moscow, leaving behind the mediocre provincial life.