Mani Haghighi

The mysterious disappearance of a kindergarten teacher during a picnic in the north of Iran is followed by a series of misadventures for her fellow travelers.

After a confusing interaction in downtown Tehran, a married couple seems to have found their doppelgängers.

A serial killer is going around killing Iran's most beloved filmmakers. Hasan, a blacklisted filmmaker himself, is depressed and wonders: why isn't he being targeted?

Rouhi, a young bride-to-be, is hired as a maid for an affluent family in Tehran. Upon arriving, she is suddenly thrust into an explosive domestic conflict. The wife is convinced her husband is having an affair and enlists Rouhi as a spy, to follow her husband, and confirm her suspicions. What Rouhi discovers, however, threatens not only their marriage but her own future.

An Iranian couple from the city drive around a remote mountainous region. They hand out bags of money to poor villagers in return for them carrying out unusual requests the couple make of them.

Mina has decided to leave her older husband Morteza after ten years of marriage. Next Monday will be her divorce date, which means her first step towards her goal; immigration. However, the arrival of her older sister, Azar, together with the illness of her mother in law is causing her trouble. To her surprise, meanwhile, she finds out she is pregnant.

After a confusing interaction in downtown Tehran, a married couple seems to have found their doppelgängers.

After a confusing interaction in downtown Tehran, a married couple seems to have found their doppelgängers.

A serial killer is going around killing Iran's most beloved filmmakers. Hasan, a blacklisted filmmaker himself, is depressed and wonders: why isn't he being targeted?

A serial killer is going around killing Iran's most beloved filmmakers. Hasan, a blacklisted filmmaker himself, is depressed and wonders: why isn't he being targeted?

A serial killer is going around killing Iran's most beloved filmmakers. Hasan, a blacklisted filmmaker himself, is depressed and wonders: why isn't he being targeted?

Rouhi, a young bride-to-be, is hired as a maid for an affluent family in Tehran. Upon arriving, she is suddenly thrust into an explosive domestic conflict. The wife is convinced her husband is having an affair and enlists Rouhi as a spy, to follow her husband, and confirm her suspicions. What Rouhi discovers, however, threatens not only their marriage but her own future.

An Iranian couple from the city drive around a remote mountainous region. They hand out bags of money to poor villagers in return for them carrying out unusual requests the couple make of them.

An Iranian couple from the city drive around a remote mountainous region. They hand out bags of money to poor villagers in return for them carrying out unusual requests the couple make of them.

Mina has decided to leave her older husband Morteza after ten years of marriage. Next Monday will be her divorce date, which means her first step towards her goal; immigration. However, the arrival of her older sister, Azar, together with the illness of her mother in law is causing her trouble. To her surprise, meanwhile, she finds out she is pregnant.

Mina has decided to leave her older husband Morteza after ten years of marriage. Next Monday will be her divorce date, which means her first step towards her goal; immigration. However, the arrival of her older sister, Azar, together with the illness of her mother in law is causing her trouble. To her surprise, meanwhile, she finds out she is pregnant.

Set between Tabriz and Tehran in the weeks between the Twelve-Day War and the subsequent conflict between Iran, Israel, and the United States, this film follows two Iranian artists whose lives have become inseparable from a vast private archive assembled over decades: photographs, documents, discarded objects, and traces of anonymous lives. Working somewhere between collecting, hoarding, preservation, and obsession, they have created an improvised museum of neglected lives, one in which sex workers, young soldiers, child labourers, gay lovers, and ordinary families emerge through abandoned albums, damaged belongings, and fragments of memory left behind by history.

Set between Tabriz and Tehran in the weeks between the Twelve-Day War and the subsequent conflict between Iran, Israel, and the United States, this film follows two Iranian artists whose lives have become inseparable from a vast private archive assembled over decades: photographs, documents, discarded objects, and traces of anonymous lives. Working somewhere between collecting, hoarding, preservation, and obsession, they have created an improvised museum of neglected lives, one in which sex workers, young soldiers, child labourers, gay lovers, and ordinary families emerge through abandoned albums, damaged belongings, and fragments of memory left behind by history.

Set between Tabriz and Tehran in the weeks between the Twelve-Day War and the subsequent conflict between Iran, Israel, and the United States, this film follows two Iranian artists whose lives have become inseparable from a vast private archive assembled over decades: photographs, documents, discarded objects, and traces of anonymous lives. Working somewhere between collecting, hoarding, preservation, and obsession, they have created an improvised museum of neglected lives, one in which sex workers, young soldiers, child labourers, gay lovers, and ordinary families emerge through abandoned albums, damaged belongings, and fragments of memory left behind by history.

On Jan. 22, 1965, the day before the Iranian prime minister is assassinated, a car drives up to a shipwreck. Inside the wreck, a banished political prisoner has hung himself and the walls are covered in diary entries, literary quotes, and strange symbols. Fifty years later, the evidence, including intelligence tape recordings, is found in a box. The contents attest to the fact that the inspector and his colleagues were arrested, but why?

On Jan. 22, 1965, the day before the Iranian prime minister is assassinated, a car drives up to a shipwreck. Inside the wreck, a banished political prisoner has hung himself and the walls are covered in diary entries, literary quotes, and strange symbols. Fifty years later, the evidence, including intelligence tape recordings, is found in a box. The contents attest to the fact that the inspector and his colleagues were arrested, but why?

On Jan. 22, 1965, the day before the Iranian prime minister is assassinated, a car drives up to a shipwreck. Inside the wreck, a banished political prisoner has hung himself and the walls are covered in diary entries, literary quotes, and strange symbols. Fifty years later, the evidence, including intelligence tape recordings, is found in a box. The contents attest to the fact that the inspector and his colleagues were arrested, but why?

Mehrjui: The Forty-Year Report dives into the artistic world of Iranian director Dariush Mehrjui. The film offers critical interpretations of his works from cinema experts, enriched with personal anecdotes from his peers.

Mehrjui: The Forty-Year Report dives into the artistic world of Iranian director Dariush Mehrjui. The film offers critical interpretations of his works from cinema experts, enriched with personal anecdotes from his peers.

An old Iranian man disappears while searching for a friend who's been dead ten years, so his agitated daughter enlists her estranged husband to look for him; the husband puts his foot down at first but soon finds himself cruising the streets of Tehran with his best friend, searching for the old rascal and cursing all the way.

An old Iranian man disappears while searching for a friend who's been dead ten years, so his agitated daughter enlists her estranged husband to look for him; the husband puts his foot down at first but soon finds himself cruising the streets of Tehran with his best friend, searching for the old rascal and cursing all the way.

A conversation with a number of prominent Iranian painters who decided to stay in Tehran during the missile attacks.

A conversation with a number of prominent Iranian painters who decided to stay in Tehran during the missile attacks.

When the corrupted groom starts shooting in the wedding ceremony, guests try to run away. Aida and Davoud accidentally end up in a car that crashes a police car. Aida lies to the inspector that Davoud is her husband and that's where the story begins.

When the corrupted groom starts shooting in the wedding ceremony, guests try to run away. Aida and Davoud accidentally end up in a car that crashes a police car. Aida lies to the inspector that Davoud is her husband and that's where the story begins.

A political allegory on four middle-class guys who pile into their car for a ski weekend. A brief stop at a picturesque vista leads to their chance discovery of a prominent rock formation it seems would be oh so easy to tip over, but...

A political allegory on four middle-class guys who pile into their car for a ski weekend. A brief stop at a picturesque vista leads to their chance discovery of a prominent rock formation it seems would be oh so easy to tip over, but...

Hamoon Bazha is a documentary film by Mani Haghighi. It is about a famous Iranian cult film named Hamoon directed by Dariush Mehrjui.

Viewing Kiarostami’s lesser-known great film, accompanied by his own interpretation, is like sitting in on a filmmaking masterclass. Invited by “Pig” director Mani Haghighi to go through The Report, the Iranian maestro details his working methods and approach to this deftly crafted, semiautobiographical domestic drama, while revealing the solitude of being a director, and his unparalleled views towards suicide, a concept later realised in Taste of Cherry. This candid, intimate conversation delving deep into Kiarostami’s craft provides remarkable insight on his artistry and worldview.